tag:blogger.com,1999:blog-66918395974008192252024-03-06T01:16:58.566-08:00G U E S T[ a journal of guest editors ]rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.comBlogger52125tag:blogger.com,1999:blog-6691839597400819225.post-91868159029687438032023-03-23T07:00:00.053-07:002023-03-23T07:04:09.758-07:00issue twenty-six : guest-edited by Adam Katz<p><span style="font-size: large;"><b><span lang="EN" style="color: black; font-family: "Garamond", serif;"></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7NvINOG9n4y-UqAA1NiwWZsXT8M7ov5b-eKhxXsSxwAYL1RR95YgC9YBaJxR-uWUlcyM8fY4zyWtuzPwg1L1GmljunQ8HqtH3U8UUmCoaIE8jBC3gd6MTOhrOfOgvkETePxOEbyhVfGjQfhxMI75P5Fmsj04rhr8uYuOAZ5MQEdjsy6MBNJU781-N_A/s1000/guest%20logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7NvINOG9n4y-UqAA1NiwWZsXT8M7ov5b-eKhxXsSxwAYL1RR95YgC9YBaJxR-uWUlcyM8fY4zyWtuzPwg1L1GmljunQ8HqtH3U8UUmCoaIE8jBC3gd6MTOhrOfOgvkETePxOEbyhVfGjQfhxMI75P5Fmsj04rhr8uYuOAZ5MQEdjsy6MBNJU781-N_A/w410-h410/guest%20logo.jpg" width="410" /></a></b></span></div><span style="font-size: x-large;"><b><span lang="EN" style="color: white; font-family: "Garamond", serif;">NOW AVAILABLE: G U E S T #26</span><span lang="EN" style="color: black; font-family: "Garamond", serif;"><br /></span></b><b><span lang="EN" style="color: #01ffff; font-family: "Garamond", serif;">edited by Adam Katz</span><span lang="EN" style="color: black; font-family: "Garamond", serif;"><br /></span></b><b><span lang="EN" style="color: red; font-family: "Garamond", serif;"><a href="https://abovegroundpress.blogspot.com/2022/10/aboveground-press-2023-thirtieth.html" target="_blank">published as part of above/ground press’ thirtieth anniversary</a></span><span lang="EN" style="color: black; font-family: "Garamond", serif;"><br /></span></b><b><span lang="EN" style="color: #fcff01; font-family: "Garamond", serif;"><a href="https://guestpoetryjournal.blogspot.com/2023/03/g-u-e-s-t-26-introduction-adam-katz.html" target="_blank">see here for Adam Katz’ introduction</a></span></b><b><span lang="EN" style="color: black; font-family: "Garamond", serif;"> </span></b></span>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: x-large;"><b><span lang="EN" style="color: #cfe2f3; font-family: "Garamond", serif;">the new issue features new work by:</span></b></span></p>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: x-large;"><b><span lang="EN" style="color: #ffe599; font-family: "Garamond", serif;">alex benedict<br />Marc E. Christmas<br />Adam Katz<br />Ron Silliman</span></b></span><span style="font-size: large;"><b><span lang="EN" style="color: black; font-family: "Garamond", serif;"> </span></b><b><span lang="EN" style="color: black; font-family: "Garamond", serif;"><br /><br /></span></b></span></p>
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<p class="MsoNormal" style="line-height: normal;"><span style="font-size: x-large;"><b><span lang="EN" style="color: #01ffff; font-family: "Garamond", serif;">author biographies:</span></b></span></p>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: large;"><span style="color: #04ff00;"><b><span lang="EN" style="font-family: "Garamond", serif;">alex benedict</span></b><span lang="EN" style="font-family: "Garamond", serif;"> runs
<a href="https://betweenthehighway.org/" target="_blank">betweenthehighway press</a>. alex is a Jōdo Shū Buddhist from Ohio’s Cuyahoga
Valley, currently tutoring at The University of North Carolina’s Writing
Center.</span></span></span></p>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: large;"><span style="color: #f4cccc;"><b><span lang="EN" style="font-family: "Garamond", serif;">Marc E. Christmas</span></b><span lang="EN" style="font-family: "Garamond", serif;"> currently lives
in Columbia, MD and is a high school teacher for Howard County Public School
System, and the Director for holistic healing at the Niyah Center. His recent
poetry is a written to inspire those healing from personal tragedy and/or
depression. He is a recognized thought leader in transformative leadership
development, business development, energy healing, and critical life skills
training. He’s also a Certified Reiki Master Teacher and a Certified Life
Coach.</span></span></span></p>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: large;"><span style="color: #ffd966;"><b><span lang="EN" style="font-family: "Garamond", serif;">Adam Katz</span></b><span lang="EN" style="font-family: "Garamond", serif;"> is a poet-scholar, fiction
writer, English instructor, and editor living on Gitxsan territory in northwest
BC.</span></span></span></p>
<p class="MsoNormal" style="line-height: normal;"><span style="color: #d9d2e9; font-size: large;"><a href="https://ronsilliman.blogspot.com/" target="_blank"><b><span lang="EN" style="font-family: "Garamond", serif;">Ron Silliman</span></b></a><span lang="EN" style="font-family: "Garamond", serif;"> lives currently about 20
miles outside of Philadelphia. He teaches at the University of Pennsylvania and
his most recent book is an expanded edition of the collaboration <i>Legend,<b> </b></i>written
with Bruce Andrews, Charles Bernstein, the late Ray Di Palma and Steve
McCaffery. His last reading tours pre-Covid were of Oklahoma and Spain, more
alike than one might imagine.</span></span><span style="font-size: medium;"><span lang="EN" style="color: black; font-family: "Garamond", serif;"><br /></span><span lang="EN" style="color: black; font-family: "Garamond", serif;"><br /></span></span></p><p></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-37212107679466399502023-03-23T07:00:00.021-07:002023-03-23T07:00:00.188-07:00G U E S T #26 : Introduction : Adam Katz<p><span style="font-size: large;"> </span></p><p><span style="font-size: large;"> </span></p><p><!--[if gte mso 9]><xml>
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</p><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">I had the idea for <a href="http://robmclennan.blogspot.com/2020/12/partial-zine-3.html" target="_blank"><i>Partial Zine</i></a>
thinking about Emerson’s aphorism “Thinking is a partial act,” which he does
not mean as a compliment toward thinking.<span>
</span>Partial as both biased and not whole.</span></span></p>
<p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">I had been working on a theory of
poetry’s basic formal unit as the unit of content, and thus poetic forms as “content-structures”
(see the last piece in this collection for example
<a href="https://www.academia.edu/44843635/_serves_them_">https://www.academia.edu/44843635/_serves_them_</a>) which we merely experience as
sound structures.</span></span></p>
<p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">So it seemed to me that thinking, even
in Emerson’s own theory of poetry, was, as the process of content, therefore
the process leading to poetic form, so its partiality was good, especially as
it does not matter if the poet is wrong, such as in their metaphysics, if we
define poetry’s end tautologically, to be poetry, rather than evaluating poetry
on the basis of some other field’s value system, such as philosophical inquiry.</span></span></p>
<p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">For <i>Partial Zine</i> I was
interested in poems that foregrounded this thinking character of perhaps all
poetry.<span> </span>I wanted to show poems whose
only polish derived from their content, as well as pages from poets’ notebooks,
and emails with poets, as the thing in its purest form.</span></span></p>
<p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">This would make <i>Partial Zine</i> a
sourcebook of the kinds of thinking that structure poetry, that its readers
could use to keep the flame burning.<span> </span>I
said that special consideration would be given to submissions based in some way
on pieces in previous issues.</span></span></p>
<p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">A number of factors eventually led me
to put the project on hold, after I connected with, edited, and published many
poets who I consider to be among the best working.<span> </span>rob kindly invited me to curate the</span><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> material
that was starting to be <i>Partial Zine</i> 4 for <i>G U E S T</i>.<span> </span>I hope it will be clear how at once self-evident
and open ended the basic conception is.</span></span></p>
<p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></span></p>
<p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></span></p>
<p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></span></p>
<p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></span></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyN2qv-ko8qT9MyYa4w4AuDIqZaepiH0qpsXy8_NtP2UCxXdt2yAa9MORaSB0eE8p89q9lNjcpb9bNZTjH6ssWSwEdLYaMmaDFGjExncdDncUHUVA-yJUTVKJxMhEBlE4MzANEEO_63mjmoVZh0-QUqkujOtgwsl8HaYvUKrtzrwI_T9dWFOcUaLLIbQ/s1136/IMG_9569.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1136" data-original-width="640" height="519" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyN2qv-ko8qT9MyYa4w4AuDIqZaepiH0qpsXy8_NtP2UCxXdt2yAa9MORaSB0eE8p89q9lNjcpb9bNZTjH6ssWSwEdLYaMmaDFGjExncdDncUHUVA-yJUTVKJxMhEBlE4MzANEEO_63mjmoVZh0-QUqkujOtgwsl8HaYvUKrtzrwI_T9dWFOcUaLLIbQ/w292-h519/IMG_9569.jpg" width="292" /></a></span></div><p></p>
<p class="MsoNormal"><span style="font-size: large;"><span style="color: #01ffff;"><a href="https://twitter.com/adamrobertkatz?lang=en" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond", serif;">Adam Katz</span></b></a><span lang="EN-US" style="font-family: "Garamond", serif;"><a href="https://twitter.com/adamrobertkatz?lang=en" target="_blank"> </a>is a
poet-scholar, fiction writer, English instructor, and editor living on Gitxsan
territory in northwest BC.</span></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="color: black; font-family: "Garamond",serif; mso-themecolor: text1;"> </span></p>
<p></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-73033058615832531942023-01-17T07:00:00.080-08:002023-01-17T07:04:56.663-08:00issue twenty-five : guest-edited by Laurie Anne Fuhr<p><span style="color: #fff2cc;"><span style="font-size: x-large;"><span style="font-family: "Garamond", serif;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCjS_WugEkttMJemvh-X0xkvfNnAmJROjsGyrlolrlFJQ4Jw8w57jJr9bN1ZWBJI4qJs0VSubbIv8s6x8WLiMUyylsTQgh51pTsb9xnLAnOosWyXcLPLhNKwrgxHF4g3ugM3Db0aMybqoo8AE9rTix-AvqWuny6NhvpiDmQE30mXIIPhOUdI2Z2Fg50A/s1000/guest%20logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="433" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCjS_WugEkttMJemvh-X0xkvfNnAmJROjsGyrlolrlFJQ4Jw8w57jJr9bN1ZWBJI4qJs0VSubbIv8s6x8WLiMUyylsTQgh51pTsb9xnLAnOosWyXcLPLhNKwrgxHF4g3ugM3Db0aMybqoo8AE9rTix-AvqWuny6NhvpiDmQE30mXIIPhOUdI2Z2Fg50A/w433-h433/guest%20logo.jpg" width="433" /></a></span></div><span style="font-size: x-large;">NOW
AVAILABLE: G U E S T #25</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br /><span style="color: #f3f3f3;"><i>edited
by Laurie Anne Fuhr</i></span></span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br /><span style="color: #ffa400;">LIST
POEMS TOWARDS ABUNDANCE</span></span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br /><a href="https://abovegroundpress.blogspot.com/2022/10/aboveground-press-2023-thirtieth.html" target="_blank"><span style="color: #04ff00;">published
as part of above/ground press’ thirtieth anniversary</span></a></span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br /><span style="color: #f3f3f3;"><a href="https://guestpoetryjournal.blogspot.com/2023/01/g-u-e-s-t-25-laurie-anne-fuhr-list-of.html" target="_blank">see
here for Laurie Anne Fuhr’s introduction and biography</a></span></span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br /><span style="color: #fff2cc;">the
new issue features new work by:</span></span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br /><span style="color: #01ffff;">Emily
Cargan</span></span><span style="color: #01ffff;"><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />s.j.
Shalgaire</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Bob
J. Canuel</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Linda
Hatfield</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Moni
Brar</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Lillian
Nećakov</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />allison
calvern</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Kerrie
Penney</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Kimberlee
Jones</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Allan
B. Rosales</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Sharon
Christie</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />T.d.
Santos</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />June
Read</span><span style="font-family: "Garamond",serif; font-size: 18pt;"><br />Laurie
Anne Fuhr</span></span>
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<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14pt;"><span style="color: #f4cccc;"><span style="font-size: large;">author
biographies: </span></span><br /></span></p>
<p class="MsoNoSpacing"><a href="https://www.instagram.com/suehunter7080/" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">s.j. Shalgaire</span></b></a><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> <span style="color: #fcff01;">(she/her) writes from Calgary, Treaty 7
territory. Poems published in chapbooks <i>inward</i> (bluemoonbooks, June
2015), and <i>Erotic Mania</i> (100 Tetes Press, Nov 2014). Sage Hill Writing
alumna (2020). Active member of Canty Collective of Writerly Women &amp;
Alexandra Writers Centre Society. She navigates life with whimsy,
post-concussion disabling impairments. Currently wound up in Tornadoes.</span></span></p>
<p class="MsoNoSpacing"><span style="color: red;"><a href="https://sheridwilson.com/yyc-pop/linda-hatfield/" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Linda Hatfield</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #d9ead3;">is a retired teacher for whom writing has always been a passion. She
has been writing poetry since she was a teen and has begun penning a memoir.
Her poems have been published in the Alberta Retired Teachers’ Association
magazine, the YYC POP online exhibit, and the <i>Wine Country Writers’ Festival
Anthology</i> in 2021. She is a member of the Espresso Poetry Collective, who
self-published an anthology called <i>Uncommon Grounds</i> in the midst of the
pandemic. </span></span></p>
<p class="MsoNoSpacing"><span style="color: #f4cccc;"><a href="https://www.amazon.ca/Rifflets-Ekphrases-rj-bob-canuel/dp/1777947405" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">bob rj canuel</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #01ffff;">has been writing poetry for a lifetime gaining inspiration from all
sources. The past 3-4 years, he has been dormant due to illness and is now
beginning to recover and is happy to still be here to share. Noted for his word
play, he is pleased to introduce what he calls <i>Rifflets</i> (forthcoming
from Prairie Soul Press), small poems inspired by music and artists. Bob moved
to Calgary about 5 years ago and has enjoyed the active writing communities
that thrive here. </span></span></p>
<p class="MsoNoSpacing"><span style="color: #2b00fe;"><a href="https://www.instagram.com/monibrar/?hl=en" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Moni Brar</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #ffd966;">was born in India and lives on the unceded territories of Treaty 7 and
Metis Nation Region 3 (Calgary) and Syilx Okanagan Nation (Oliver). She has
multiple nominations for Best of the Net and the Pushcart Prize, was the winner
of the 2022 Lieutenant Governor of Alberta Emerging Artist Award, and a
finalist for the Montreal International Poetry Prize. She has
received writing awards and honours from <i>PRISM</i>, <i>Room</i>, <i>Arc</i>,
<i>Blood Orange Review</i>, and <i>Subnivean</i>. Her
work appears in <i>Best Canadian Poetry</i>, <i>The Literary
Review of Canada</i>, <i>Passages North</i>, and<i> Hobart</i>.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #ffa400;"><a href="https://www.anvilpress.com/authors/lillian-necakov" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Lillian Nećakov</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #fff2cc;">is the author of <i>The Lake Contains an Emergency Room</i>
(Apt. 9 Press; shortlisted for the bpNichol Chapbook Award) and the full-length
collections <i>il virus</i> (Anvil Press; shortlisted for the Pat Lowther
Memorial Award), <i>Hooligan</i> (Mansfield Press), <i>The Bone Broker</i>
(Mansfield Press), <i>Hat Trick</i> (Exile Editions), <i>Polaroids</i> (Coach House
Books) and <i>The Sickbed of Dogs</i> (Wolsak and Wynn). Her new book, <i>duck
eats yeast, quacks, explodes; man loses eye</i>, a collaborative poem with Gary
Barwin is forthcoming in 2023 from Guernica Editions. She has also published in
many print and online journals in Canada and the U.S. Lillian lives in Toronto.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #01ffff;"><a href="https://verseottawa.ca/en/performer/allisoncalvern" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">allison calvern</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: red;">was born in Bermuda, grew up in New Brunswick, Saskatchewan,
Québec, British Columbia, Paris, and the Black Forest of Germany. She lives in
Ottawa, where she is still growing up. She writes letters, poems, memoir, and
unpublishable short stories. Though she has a vague affection for paragraphs,
she feels the best writing hinges on beautiful sentences.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #eeeeee;"><a href="https://kerriepenney.com/" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Kerrie Penney</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #2b00fe;">is a writer based in Calgary, Canada. Her work has appeared in <i>The
New Quarterly</i>, <i>Funny Pearls UK</i>, the <i>YYC Poet Laureate Project</i>
and <i>Short Edition</i>.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #d9ead3;"><a href="https://twitter.com/kim_kajones1206" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Kimberlee Jones</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #fcff01;">is a writer and PR pro living in Calgary, Alberta, happily
serving her grumpy grey cat yet another flavour of food. Her work appears in <i>Uncommon
Grounds: Anthology of the Espresso Poetry Collective </i>(2021) and the
Alexandra Writers Centre Society 40<sup>th</sup> Anniversary Anthology WONDER<i>SHIFT
</i>(AWCS Press 2021). She is also author of the chapbook <i>The Night Sky
Cries. </i></span></span></p>
<p class="MsoNoSpacing"><span style="color: white;"><a href="https://www.instagram.com/a.b.rosales/?hl=en" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Allan B Rosales</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #eeeeee;">is a second generation Filipinx-Canadian multidisciplinary
artist. Born and raised in Mohkinstsis/Calgary, Allan’s artist practice
includes drawing, photography, illustration, murals, Art Therapy and poetry.
</span></span></p>
<p class="MsoNoSpacing"><span style="color: #cfe2f3;"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Sharon Christie</span></b></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #ffa400;">wrote her first poem at 16 and was hooked. She is coming to
the end of her first career in mental health and writing about health; joyfully
able to spend more time with her first love. She has eclectic interests and
believes that all knowledge has value. </span></span></p>
<p class="MsoNoSpacing" style="tab-stops: 156.0pt;"><span style="color: #fff2cc;"><a href="https://sheridwilson.com/yyc-pop/telmo-dos-santos/" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Telmo dos Santos</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: white;">lives in Calgary with his partner and daughter. He is very
slowly learning guitar.</span></span><span style="color: white;"></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"><span style="mso-tab-count: 1;"><span style="color: white;"> </span> </span></span></p>
<p class="MsoNoSpacing"><span style="color: #fff2cc;"><a href="https://mobile.twitter.com/juneread8" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">June Read’s</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #cfe2f3;">pastimes include writing poetry (haiku), travel, creating Ikebana
and volunteering for the THIRD ACTion film festival. She has enjoyed an
eclectic career path within transportation, engineering, publishing,
recruitment services & educational foundations. </span></span></p>
<p class="MsoNoSpacing"><span style="color: #f4cccc;"><a href="https://birdheat.com/" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">Laurie Anne Fuhr</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;"> <span style="color: #01ffff;">@multimodal_poet, Calgary-based base brat, is author of <i>night
flying</i> (Frontenac House 2018), shortlisted for the Robert Kroetsch Award
for Innovative Poetry. Her poems also appear in <i>Uncommon Grounds</i>
(epcpress 2021) available at <a href="http://www.espressopoetrycollective.ca">www.espressopoetrycollective.ca</a>. In 2022, a poem
was shortlisted for the Magpie Award for Poetry. Book her for school visits
with Poetry In Voice and take her poetry classes at </span></span><span style="color: #01ffff;"><span style="font-family: "Garamond",serif; font-size: 14pt;"><a href="http://www.alexandrawriters.org"><span style="mso-bidi-font-family: Calibri; mso-color-alt: windowtext; text-decoration: none; text-underline: none;">www.alexandrawriters.org</span></a></span><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: Calibri; mso-color-alt: windowtext;">. </span></span></p>
<p></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-42728934514278016072023-01-17T07:00:00.019-08:002023-01-17T07:00:00.175-08:00G U E S T #25 : Laurie Anne Fuhr : LIST OF INTROS<p> <!--[if gte mso 9]><xml>
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</p><p class="MsoNoSpacing"><i><span style="font-family: "Garamond",serif; font-size: 14.0pt;">These
people had nothing material to promise and offer one another. So they offered
one another descriptions of the moon and pirates at sea. They offered one
another jokes and snippets of poetry.<br style="mso-special-character: line-break;" />
</span></i></p>
<p class="MsoNoSpacing"><i><span style="font-family: "Garamond",serif; font-size: 14.0pt;"><span style="mso-tab-count: 6;"> </span><span style="mso-spacerun: yes;"> </span></span></i><span style="font-family: "Garamond",serif; font-size: 14.0pt;">Heather O’Neill, from <i>When We Lost Our Heads</i></span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">a.
This is not a Covid chapbook; this is not not a Covid chapbook. It may be
enjoyed with homemade bread, but skip the sourdough already. </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">b.
When the first pandemic lockdown was announced, I was initially skeptical.
Without cable, I lacked the flat screen frame of reference others had. I
thought: how can authorities, mainly privileged and rich themselves, decide for
everyone that no one should work for an indefinite amount of time? Fear of
starvation from Carleton days came back, when my air force family was posted
(again) and I stayed behind. Deep gut fear. Won’t those who live paycheque to
paycheque perish? Can poems feed us?</span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">c.
Shown Italy’s suffering, I knew due shame for doubting. Bodies piled higher
than debt. I was officially laid off from two jobs. Stayed home, masked up,
read poetry. Singing and dancing were outlawed; music, my other income, was
illegal. But poetry teaching went online. In my prompts class, I asked for list
poems. Poets wrote stacks of words they hadn’t known were inside them. Their
abundance felt comforting against the fear of scarcity. I wanted to share it. </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">d.
This chapbook was conceived for bluemoonbooks, my sporadic micropress since
Ottawa ’97 that had started with blue moon cut n’ paste poetry journal; most
recently, a broadside by Moni Brar was published. This list of lists was
gathered. But work came back, then music; the world revved back into action as
suddenly as it stopped. I felt dizzy. My calendar, perpetually overbooked as I combatted
fear of homelessness with scheduling. I approached rob. He kindly followed up.
Now, be our guest. <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">e.
It’s the end of 2022. The government clawed back CERB, asked for payback. The
price of gas, up. The cost of food, up and up. Rents raised higher than rooves.
Credit cards maxed, and in Alberta, Enmaxed. Dear ones died alone in hospital. Poets
write elegies. Many await hip replacements and other procedures, delayed by
pandemic. Womb emptiness spreads throughout my body. I count blessings in lieu
of toes. Count poems. Here are fourteen. </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">f.
I read, again, this selection of poems as I prepare it for publication, and feel
comforted by their abundance: of images, senses, ideas, emotions, words words
words. Each poem invents its idea of a list poem form with one thing in common:
affluent bounty. Delight in muchness.</span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">g.
Feel the true weight of this book: paper is light, but everything evoked in
these lists fills them. We have the ability to give ourselves, and each other,
so much, even in lean times. We should have known all along.</span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">h.
Receive it. </span></p>
<p class="MsoNoSpacing"><i><span style="font-family: "Garamond",serif; font-size: 14.0pt;">Laurie
Anne Fuhr, GUEST guest editor</span></i></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p><p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p><p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGghsJiIX5k9jsSbY0VMtVAJPQ7balvZKy7c1xE1_x9jvHNFvWT-n2OVL3-Al8vShbRlEK2AcXaO94n3ChA1z4Q9M6quB5AumwVbBhZihpdl4rnPIAPkXqjIW-eMj_JZ3Rac-v9i1IEPrhsDwi6ZQjSbUE-X-vEtr1k87WoSn3msPgVauOD57-f_4ilQ/s960/Laurie%20Happy%20by%20Stillsong%20Photography.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="825" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGghsJiIX5k9jsSbY0VMtVAJPQ7balvZKy7c1xE1_x9jvHNFvWT-n2OVL3-Al8vShbRlEK2AcXaO94n3ChA1z4Q9M6quB5AumwVbBhZihpdl4rnPIAPkXqjIW-eMj_JZ3Rac-v9i1IEPrhsDwi6ZQjSbUE-X-vEtr1k87WoSn3msPgVauOD57-f_4ilQ/w352-h410/Laurie%20Happy%20by%20Stillsong%20Photography.jpg" width="352" /></a></div><p></p>
<p class="MsoNoSpacing"><a href="https://twitter.com/multimodal_poet?lang=en" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 14.0pt;">Laurie Anne Fuhr</span></b></a><span style="font-family: "Garamond",serif; font-size: 14.0pt;">
<a href="https://www.instagram.com/multimodal_poet/?hl=en" target="_blank">@multimodal_poet</a>, Calgary-based base brat, former Ottawa poet and Peter F.
Yacht Clubber, is author of <a href="https://www.frontenachouse.com/product/night-flying/" target="_blank"><i>night flying</i></a> (Frontenac House 2018),
shortlisted for the Robert Kroetsch Award for Innovative Poetry. Her poems also
appear in <i>Uncommon Grounds</i> (epcpress 2021) available at
<a href="http://www.espressopoetrycollective.ca">www.espressopoetrycollective.ca</a>. In 2022, a poem was shortlisted for the Magpie
Award for Poetry (judged by Renee Sarojini Saklikar). In 2021, a poem was
shortlisted for the <i>Freefall Magazine</i> annual contest (judged by Gary
Barwin). Her micropress <a href="https://birdheat.com/" target="_blank">bluemoonbooks</a>, produced <i>blue moon cut n' paste
poetry journal </i>from 1997-2001, and has since produced random ephemera by
Fuhr and other poets, with two student chapbooks (and most recently an
embellished broadside scroll by Moni Brar). When publishing postmodern works,
the press goes by bloom oon. <a href="https://poetryinvoice.ca/read/poets/laurie-anne-fuhr" target="_blank">Book her for school visits with Poetry In Voice</a>
and take her poetry classes at <a href="http://www.alexandrawriters.org">www.alexandrawriters.org</a>.</span></p>
<p></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-86454350859486253142022-11-10T07:00:00.062-08:002022-11-10T07:00:00.162-08:00issue twenty-four : guest-edited by Sara Lefsyk<p></p><p><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
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AVAILABLE: <i style="mso-bidi-font-style: normal;">G U E S T </i>#24</span></span></b><span style="color: #bf9000;"><br /><b style="mso-bidi-font-weight: normal;"><span lang="DE" style="font-family: "Garamond",serif; font-size: 16pt; mso-ansi-language: DE;">edited
by Sara Lefsyk</span></b></span>
<p></p><p class="MsoNoSpacing"><a href="https://guestpoetryjournal.blogspot.com/2022/11/g-u-e-s-t-24-sara-lefsyk-introduction.html" target="_blank"><b style="mso-bidi-font-weight: normal;"><span lang="DE" style="font-family: "Garamond",serif; font-size: 16pt; mso-ansi-language: DE;">see here for Sara Lefsyk’s introduction and biography</span></b></a></p>
<p class="MsoNoSpacing"><span style="color: #bf9000;"><b style="mso-bidi-font-weight: normal;"><span lang="DE" style="font-family: "Garamond",serif; font-size: 16pt; mso-ansi-language: DE;">the
new issue features new work by:</span></b><span lang="DE" style="font-family: "Garamond",serif; font-size: 16pt; mso-ansi-language: DE;"> </span></span></p><p class="MsoNoSpacing"><span style="color: #ffe599;"><span style="font-family: "Garamond",serif; font-size: 16pt;">Danika
Stegeman LeMay</span><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Issam
Zineh<br />Tamara
J. Madison</span><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Douglas
Piccinnini<br />Joanna
Penn Cooper</span><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Alexandre
Ferrere<br />Archana
Sridhar</span><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Isaac
Harris<br />[sarah]
Cavar</span><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />David
Agyei-Yeboah<br />Todd
Colby</span><span style="font-family: "Garamond",serif; font-size: 16pt;"> </span></span></p><p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 16pt;">$5 + postage / + $1 for
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<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"></span></p>
<p class="MsoNoSpacing"><span style="font-size: large;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Author
biographies:</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> </span></span></p><p class="MsoNoSpacing"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">David Agyei–Yeboah</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: red;">is a young creative from Accra, Ghana that
loves to create. His prose-poems, hybrids and verse poems are
published/forthcoming on <i>Ta Adesa</i>, Tampered Press, Contemporary Ghanaian
Writers Series (CGWS), <i>The Kalahari Review</i>, <i>African Writer magazine</i>,
<i>Journal of the Writers Project of Ghana</i> (JWPG), Icefloe Press, <i>Ethel
Journal of Writing and Art</i>, <i>Praxis Magazine for Arts and Literature</i>
& elsewhere. An alumnus of the Tampered Press poetry workshop facilitated
by Ladan Osman and Koleka Putuma, he was longlisted for the Totally Free Best
of the Bottom Drawer Global Writing Prize 2021. His work explores the trauma
and angst of marginalized characters as he believes empathy is a lost art.
Through presenting authentic narratives that readers can engage with, he
projects a world of communion, hope and positivity. Also a singer and
songwriter, he croons about the complexities of romantic love and the nuances
of trauma.</span> <a href="https://twitter.com/david_shaddai?lang=en" target="_blank">He tweets @david_shaddai</a> <span style="color: red;">and posts mini covers on Instagram</span>
<a href="https://www.instagram.com/davidshaddai/" target="_blank">@davidshaddai</a>.</span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">[</span></b><b><span style="font-family: "Times New Roman",serif; mso-bidi-font-size: 12.0pt;">ɥɐɹɐ</span></b><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">s] Cavar</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: #ffa400;">is a PhD student, writer, and
transgender-about-town, and serves as managing editor at Stone of Madness Press
and founding editor at swallow::tale press. Author of two chapbooks, <i>A HOLE
WALKED IN</i> (Sword & Kettle Press) and <i>THE DREAM JOURNALS</i> (giallo
lit), they have also had work in <i>Electric Literature</i>, <i>The Offing</i>,
<i>Bitch Magazine</i>, and elsewhere. Cavar navel-gazes at cavar.club and
tweets</span> <a href="https://twitter.com/CavarSarah" target="_blank">@cavarsarah</a>.</span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><a href="https://www.instagram.com/toddjcolby/?hl=en" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Todd Colby</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: #01ffff;">is an artist and poet. His writing and art have
recently appeared in <i>Iterant Magazine</i>, <i>The Believer</i>, <i>Bomb
Magazine</i>, <i>The Brooklyn Rail</i>, <i>Denver Quarterly</i>, <i>Dizzy
Magazine</i>, <i>Hyperallergic</i>, and <i>Poetry Magazine</i>. He is the
author of six books of poetry, his most recent book, <i>Splash State</i>, was
published by The Song Cave.</span></span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><a href="http://www.joannapenncooper.net/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Joanna Penn Cooper</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: #04ff00;">is the author of <i>The Itinerant Girl's
Guide to Self-Hypnosis</i> (Brooklyn Arts Press), <i>What Is a Domicile</i>
(Noctuary Press), and<i> Crown</i> (Ravenna Press), as well as several
chapbooks. Joanna’s recent chapbooks are <i>When We Were Fearsome</i> and <i>Wild
Apples: A Flash Memoir Collection with Writing Prompts</i>, both from Ethel.
She is currently working on a full-length collection of flash memoir pieces
dealing with motherhood, origins, and power, tentatively titled <i>A Wilderness
of Her Own</i>. She lives in Durham, NC. She teaches writing classes and
provides editorial and coaching support to writers through her business Muse
Writing & Creative Support.</span></span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><a href="https://neutralspaces.co/alexandre_ferrere/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Alexandre Ferrere</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: #a2c4c9;">is 32 and lives in Cherbourg, France.
After a Master’s degree in Library Sciences and a Master’s degree in Anglophone
Literature, he is now working on a Ph.D. on American poetry and little
magazines. His fictions, interviews, essays and poems appeared in dozens of
journals online and in print. He is editor at Trio House Press and for <i>The
Banyan Review</i>, and has published two poetry chapbooks: <i>mono / stitches</i>,
designed and handmade by artist Sara Lefsyk (Ethel, 2020) and <i>Mechanical Ode
to a Snake</i> (Between the Highway Press, 2022).</span></span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Isaac Harris</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: #ff00fe;">issa Black queer currently based in Glasgow,
Scotland. Occasionally attractive n always dysphoric dey make stories bout
Negro livin!! Previous work can be found in the fantastic and ever lovely
@daughterhoodziner in Instagram.</span></span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Danika Stegeman LeMay’s </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"><span style="color: #ea9999;">work has appeared in <i>32 Poems</i>, <i>Afternoon
Visitor</i>, <i>APARTMENT</i>, <i>Blue Arrangements</i>, <i>CLOAK</i>, <i>Concision</i>,
<i>Leavings</i>, <i>The Woodward Review</i> and <i>Word for/ Word</i>, among
other places, and is forthcoming in Ethel Zine. Her video poem, “Then
Betelgeuse Reappears” was an official selection for the 2021 Midwest Video
Poetry Festival. Danika’s debut collection of poems, <i>Pilot </i>(2020), was
published by Spork Press. Her website is </span><a href="http://danikastegemanlemay.com">danikastegemanlemay.com</a>.</span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: large; mso-bidi-font-size: 12.0pt;"><span style="color: #fcff01;">Poet,
writer, editor,</span><b><span style="color: #fcff01;"> </span><a href="https://tamarajmadison.com/" target="_blank">Tamara J. Madison</a></b><span style="color: #fcff01;">, is the author of <i>Threed</i>, <i>This
Road Not Damascus</i> (Trio House Press); <i>Kentucky Curdled</i> and <i>Sistuh’s
Sermon on the Mount</i> (all poetry), and <i>Collard County</i> (fiction). Her
writing is inspired by her ancestry and relations. She is the creator and host
of <i>BREAKDOWN: The Poet & The Poems</i>, a YouTube poetry conversation
series, promoting poets and their poetry as inspiration for everyday life. She
is an MFA graduate of New England College and an Anaphora Arts Fellow (2021).
She currently teaches English and Creative Writing at Valencia College in
Central Florida.</span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><a href="http://douglaspiccinnini.com/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Douglas Piccinnini’s</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: #d9ead3;">work has appeared or will soon appear
with <i>American Poetry Review</i>, <i>Brooklyn Rail</i>, <i>Colorado Review</i>,
<i>Denver Quarterly</i>, <i>Dream Pop</i>, <i>Dreginald</i>, <i>Fence</i>, <i>Hot
Pink</i>, <i>Lana Turner</i>, <i>Michigan Quarterly Review</i>, <i>Prelude</i>,
and <i>Volt</i>.</span></span></span></p><span style="color: #d9ead3;"><span style="font-size: large;">
</span></span><p class="MsoNoSpacing"><span style="color: #d9ead3;"><span style="font-family: "Garamond",serif; font-size: large; mso-bidi-font-size: 12.0pt;">Recently,
he is the author of the chapbooks, <i>The Grave Itself</i> (Ethel, 2021), <i>A
Western Sky</i> (Greying Ghost, 2022) and previously, two full-length
collections: <i>Blood Oboe</i> (Omnidawn, 2015) and <i>Story Book: a novella</i>
(The Cultural Society, 2015).</span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Archana Sridhar</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: #ead1dc;">is a South Asian poet and university
administrator living in Toronto, Canada. Archana focuses on themes of meditation,
race, motherhood, and diaspora in her poetry and flash writing. Her work has
been featured in <i>The Puritan</i>, <i>The Hellebore</i>, and elsewhere. Her
chapbook <i>Renderings</i> is available through 845 Press, and her chapbook <i>Our
Initials Were U.S.A.</i> is available through Ethel micro-press. Archana’s
writing can be found at </span><a href="http://www.archanasridhar.com">www.archanasridhar.com</a>.</span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Issam Zineh</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> <span style="color: #f6b26b;">is the author of the poetry collection <i>Unceded
Land</i> (Trio House Press, 2022) and the chapbook <i>The Moment of Greatest
Alienation</i> (Ethel, 2021). His work appears in <i>AGNI</i>, <i>Guernica</i>,
<i>Gulf Coast</i>, <i>Pleiades</i>, <i>Tahoma Literary Review</i>, <i>The
Rumpus</i> and elsewhere. Find him at </span><a href="http://www.issamzineh.com">www.issamzineh.com</a>.</span></span></p><span style="font-size: large;"> </span><p></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-43293584766593508772022-11-10T07:00:00.015-08:002022-11-10T07:00:00.162-08:00G U E S T #24 : Sara Lefsyk : Introduction<p> </p><p><span style="font-size: large;">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
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<![endif]--></p><p class="MsoNoSpacing"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> </span></span></p><p class="MsoNoSpacing"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">I
asked a few friends and writers I admire for some work for this issue of <i>G U
E S T</i>.<span> </span>The following is what I
received.</span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> </span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> </span></span></p><p class="MsoNoSpacing"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> </span></span></p><p class="MsoNoSpacing"></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAHE8q23Hh_dMswdAssknrRhBeUj96tcsW3G_Lcyx8nYAV2X_U9sGIwXryzkI3IkYHYSRHtXVgzMA3LcbnqHadeV-MI__43oJyGz_a2wNR9pTtKgiIQyJ_-J1wDAcLsbbvzZk9VYacnbW9m4zovf6tcPqS2Q1WyVfnGt_6zMGSMN8X4uzP5XNmWap2tg/s1280/sara%20lefsyk.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="960" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAHE8q23Hh_dMswdAssknrRhBeUj96tcsW3G_Lcyx8nYAV2X_U9sGIwXryzkI3IkYHYSRHtXVgzMA3LcbnqHadeV-MI__43oJyGz_a2wNR9pTtKgiIQyJ_-J1wDAcLsbbvzZk9VYacnbW9m4zovf6tcPqS2Q1WyVfnGt_6zMGSMN8X4uzP5XNmWap2tg/w319-h425/sara%20lefsyk.jpg" width="319" /></a></span></div><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"></span></span><p></p><p class="MsoNoSpacing"><span style="font-size: large;"><a href="https://www.macdowell.org/artists/sara-lefsyk" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Sara Lefsyk</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> is head Ethel of <a href="https://www.ethelzine.com/" target="_blank">Ethel Zine & Micro Press</a>,
through which she hand makes chapbooks and a twice yearly journal of writing
and art. Her book <a href="https://blacklawrencepress.com/books/we-are-hopelessly-small-and-modern-birds/" target="_blank"><i>We Are Hopelessly Small and Modern Birds</i></a> (2018) is
available from Black Lawrence Press.</span></span></p><span style="font-size: large;">
</span><p class="MsoNoSpacing"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> </span></span></p>
<p></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-22857487654259494462022-04-22T07:00:00.068-07:002022-04-22T07:00:00.175-07:00issue twenty-three : guest-edited by David Dowker<p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ6jCKRgpsO5PvB8WSy1S5CeQyOgNLsZADdCoeg2BcsOxjLalHC7YDUt4ewx5n5gD5P6g6-HkuL1tOJQ3KN669YnJV6BdXDigY0vhadUaYa5nRliTzesQSSoP3mRLsxD_UvMASQE_CMF-nchA4-7f0-mLGDx-UvS1TNAHCBMaDDBoFhMlKgPUQ47G8LA/s1000/guest%20logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ6jCKRgpsO5PvB8WSy1S5CeQyOgNLsZADdCoeg2BcsOxjLalHC7YDUt4ewx5n5gD5P6g6-HkuL1tOJQ3KN669YnJV6BdXDigY0vhadUaYa5nRliTzesQSSoP3mRLsxD_UvMASQE_CMF-nchA4-7f0-mLGDx-UvS1TNAHCBMaDDBoFhMlKgPUQ47G8LA/w360-h360/guest%20logo.jpg" width="360" /></a></span></div><span style="font-size: medium;"><span style="color: #04ff00;"><span style="font-size: x-large;">NOW AVAILABLE: G U E S T #23</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"><span style="font-size: x-large;"><br /><span style="color: white;"><i>edited by David Dowker </i></span></span><br /></span></span><p></p><span style="font-size: medium;">
</span><p class="MsoNormal"><a href="https://guestpoetryjournal.blogspot.com/2022/04/g-u-e-s-t-23-david-dowker-introduction.html" target="_blank"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">see here for David Dowker’s introduction</span></span></a></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-size: large;"><span style="color: red;"><span style="font-family: "Garamond",serif; font-size: x-large; mso-bidi-font-family: "Big Caslon Medium";">featuring new work by:</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"><br /><span style="font-size: x-large;"><span style="color: #f4cccc;">Nicole Raziya Fong<br />Lisa Robertson</span></span></span><span style="font-size: x-large;"><span style="color: #f4cccc;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"><br />ryan fitzpatrick<br />Catriona Strang</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"><br />Allegra Sloman<br />Nikki Sheppy</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"><br />Fenn Stewart<br />Pete Smith</span></span></span></span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"><span style="font-size: x-large;"><span style="color: #f4cccc;"><span><br />Christine Stewart </span></span></span><br /></span></span></p><span style="font-size: medium;">
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</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">Author biographies:</span></b></span></p><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"></span></span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">
</span><a href="https://www.nicoleraziyafong.com/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-bidi-font-size: 13.5pt;">Nicole Raziya Fong</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-bidi-font-size: 13.5pt;"> <span style="color: red;">is a poet and painter living in
Tiohtià:ke/Montréal, Canada. Her work seeks to delimit and reconstruct
immaterial ampules of psychic experience, coaxing the incorporeal into
inhabiting a more muscular physique. </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="color: red;"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-bidi-font-size: 13.5pt;">She is the author of <i>O</i></span><i><span style="font-family: "Garamond",serif; mso-bidi-font-family: Cambria; mso-bidi-font-size: 13.5pt;">Я</span></i><i><span style="font-family: "Garamond",serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-bidi-font-size: 13.5pt;">ACULE</span></i><span style="font-family: "Garamond",serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-bidi-font-size: 13.5pt;"> (Talonbooks, 2021)<i>, PE</i></span><i><span style="font-family: "Garamond",serif; mso-bidi-font-family: Cambria; mso-bidi-font-size: 13.5pt;">Я</span></i><i><span style="font-family: "Garamond",serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-bidi-font-size: 13.5pt;">FACT</span></i><span style="font-family: "Garamond",serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-bidi-font-size: 13.5pt;"> (Talonbooks, 2019), the chapbooks <i>7 Series,
Iterated by Colour (</i>Hiding Press, 2021) and <i>Fargone</i> (Poetry
Will Be Made By All, 2014), and has composed visual work for the collaborative
chapbook <i>Leguminosae Delusion Athletics</i><span> </span>with text by Andy Martrich (The Blasted Tree, 2022).</span></span></span></p><span style="color: red;"><span style="font-size: medium;">
</span></span><p class="MsoNormal"><span style="color: red;"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: TimesNewRomanPSMT; mso-bidi-font-size: 13.5pt;">Her writing has appeared in various publications
including <i>Social Text, </i>the<i> Capilano Review, filling
Station, </i>the<i> Volta</i> and <i>carte blanche</i>, and
has been translated into Swedish and French. </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">* <br />
<br />
</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;"><span style="color: #01ffff;">The components of</span> <a href="https://chbooks.com/Contributors/R/Robertson-Lisa" target="_blank"><b>Lisa Robertson</b></a><span style="color: #01ffff;">'s long poem <i>Boat</i> have gone
through several publication lives; first as the single poem "Face/",
commissioned in 2002 by Rod Smith for Aerial 10, a journal of critical texts on and responses to the work of Lyn Hejinian, then as the
chapbook <i>Rousseau’s Boat</i>, from
Nomados (2004), next as the book <i>R’s Boat</i>,
from University of California Press (2010) and now as <i>Boat</i>, from Coach House (Spring 2022). Each publication extends and
further explores the initial compositional idea — to make a text that indexes a
lifetime of accumulated notebooks through systematic re-reading and selection.
Each poem in the series approaches the indexical process differently, reusing
earlier archival material as well as accommodating newer gatherings. The
eventual result will be a life-long autobiographical poem, built on the
accumulating detritus of her life. </span><br />
<br />
* <br />
</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://ryanfitzpatrick.ca/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">ryan fitzpatrick</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;"> is the author of four
books and over fifteen chapbooks of poetry, including <i>Sunny Ways</i> (Invisible,
2023) and <i>Coast Mountain Foot</i> (Talonbooks, 2021). He has been
involved in the poetry communities of Calgary, Vancouver, and Toronto. In
Calgary, he was an editor of <i>filling Station </i>magazine and one
of the organizers of the Flywheel Reading Series. In Vancouver, he earned his
doctorate at Simon Fraser University, where he worked on contemporary Canadian
poetry and space. In Toronto, he completed a Postdoctoral Fellowship at the
University of Toronto Scarborough and started the online poetry micropress
Model Press. <br />
<br />
* </span><span style="font-family: "Garamond",serif;"></span></span></p><span style="font-size: medium;">
</span><p class="Body"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;"><span style="color: #ffd966;">A founding member of the Institute for Domestic
Research,</span><span class="apple-converted-space"> </span><b>Catriona Strang</b><span class="apple-converted-space"> </span><span style="color: #ffd966;">is the author of </span></span><span style="color: #ffd966;"><a href="http://www.writing.upenn.edu/library/Strang-Catriona_Low-Fancy.pdf"><i><span color="windowtext" style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">Low Fancy</span></i></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">, </span><a href="https://talonbooks.com/books/corked" target="_blank"><i><span color="windowtext" style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">Corked</span></i></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">, and </span><a href="https://talonbooks.com/books/reveries-of-a-solitary-biker" target="_blank"><i><span color="windowtext" style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">Reveries of a Solitary Biker</span></i></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">, and co-author of </span><a href="https://chbooks.com/Books/B/Busted"><i><span color="windowtext" style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">Busted</span></i></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">, <i>Cold Trip</i>, and <i>Light Sweet Crude</i> with the
late Nancy Shaw, whose selected works, </span><a href="https://talonbooks.com/books/the-gorge" target="_blank"><i><span color="windowtext" style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">The Gorge</span></i></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">, she
edited. She frequently collaborates with composer Jacqueline Leggatt, and
lives with her two grown kids on unceded x</span><span>ʷ</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">m</span><span>ə</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Cambria; mso-bidi-font-size: 13.5pt;">θ</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">k</span><span>ʷə</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">y</span><span>̓ə</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">m, S</span><span style="font-family: "Cambria",serif; mso-bidi-font-family: Cambria; mso-bidi-font-size: 13.5pt;">ḵ</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">wx</span><span>̱</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">wú7mesh, and s</span><span>ə</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">l</span><span>̓</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">ilw</span><span>ə</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;">ta</span><span style="font-family: "Cambria",serif; mso-bidi-font-family: Cambria; mso-bidi-font-size: 13.5pt;">Ɂ</span><span>ɬ</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-family: Arial; mso-bidi-font-size: 13.5pt;"><span style="color: #ffd966;"> Lands.<span class="apple-converted-space"> </span><i>Unfuckable
Lardass</i>, which includes "Fuck Variations," will be published by
Talonbooks in the spring of 2022. </span><br />
<br />
* </span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"><br />
<br />
<span style="color: #cfe2f3;">Born in western Mi'kma'ki in 1958, settled in S'ólh Téméxw since 1996,</span> <a href="https://allegrasloman.com/" target="_blank"><b>Allegra Sloman</b></a> <span style="color: #cfe2f3;">works across a broad
range of word forms, including written correspondence with friends and family,
homilies, ranting, poems, a conlang called ‘bih-bah’ based on the sounds
basketballs make going through hoops, twenty tweets a day, open letters,
teaching a cat to speak, songwriting, stand-up comedy, essays, daily blogging,
fanfic, parody, and short stories. She is also self-publishing SF novels which
are available at </span></span><span style="color: #cfe2f3;"><a href="http://leanpub.com/upsun"><span color="windowtext" style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">leanpub.com/upsun</span></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">. Much of her material is available
at </span><a href="http://allegrasloman.com"><span color="windowtext" style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">allegrasloman.com</span></a></span><span color="windowtext" lang="EN-US" style="font-family: "Garamond", serif;"><span style="color: #cfe2f3;">
under creative commons 2.5. </span><br />
<br />
* <br />
<br />
<a href="https://twitter.com/nikkisheppy" target="_blank"><b>Nikki Sheppy</b></a> <span style="color: #cccccc;">is a poet, editor, and educator with a background in
literary scholarship. She was Managing Editor of <i><span>filling Station</span></i> magazine, and
an organizer for the short-lived, pandemic-curtailed <i><span>East Loft Reading Series</span></i>. Her book, <i><span>Fail Safe</span></i><b> </b>(University
of Calgary Press), won the <i>2018 <span>Robert Kroetsch Award for Poetry Book of the Year</span></i>, and her
chapbook, <i><span>Grrrrlhood: a ludic
suite</span></i> (Kalamalka Press), won the <i>2013 <span>John Lent Poetry-Prose Award</span></i>.</span><br />
<br />
* <br />
<br />
<a href="https://english.ubc.ca/profile/fenn-stewart/" target="_blank"><b>Fenn Stewart</b></a> <span style="color: #fcff01;">teaches literature
& writing at Douglas College and UBC. She's the author of three chapbooks
plus<span class="apple-converted-space"> </span><i>Better Nature<span class="apple-converted-space"> </span></i>(2017). In 2021 she was thinking
about settler apocalypticism, and the history of Paldi, BC, with Jastej Luddu.
She lives on unceded Musqueam, Squamish, and Tsleil-Waututh territories. </span><br /><br />* <br />
<br />
</span><a href="https://www.shearsman.com/store/Smith-Pete-c28271939" target="_blank"><b><span color="windowtext" lang="EN-US" style="font-family: "Garamond", serif;">Pete Smith</span></b></a><span style="color: #9fc5e8;"><span color="windowtext" lang="EN-US" style="font-family: "Garamond", serif;">,
immigrant from 1970s England, lives in Kamloops BC on land belonging to the
Secwépemc people. Publications include <i>Bindings with Discords </i>(Shearsman
2015), <i>Strum of Unseen, A New Love/An Aching Stone </i>and <i>Sing . . .
Despite</i>, all with above/ground press. Poems, translations, essays, reviews
in journals and presses in England, Ireland, Canada, USA, Australia and an
expository chapter in <i>The Salt Companion to John James </i>(Salt Publishing
2010). On-line works at the<i> Alterran Poetry Assemblage</i>, <i>Jacket</i> (1st
series), Great Works, <i>Dispatches from the Poetry Wars</i>, <i>Fortnightly Review</i>,
among others. Short-listed for <i>Malahat Review</i> Long Poem Prize & Montreal
International Poetry Prize in 2015. Most recent translations are of Osip
Mandelstam’s Petrarch sonnets & the poems for Andrei Bely from the winter
of 1933-34, in Anthony Barnett & Ian Brinton’s annual, <i>Snow </i>#9 & #10.</span></span></span></p><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";"></span></span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">
* <br />
</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://talonbooks.com/authors/Christine-Stewart" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Big Caslon Medium";">Christine
Stewart</span></b></a><span class="apple-converted-space"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Big Caslon Medium";"> </span></span><span style="color: #d9d2e9;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Big Caslon Medium";">teaches experimental poetics and creative research in the English and
Film Department at the University of Alberta, on<span class="apple-converted-space"> </span></span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium";">Treaty Six Territory/ Métis Region
No. 4, and is<span class="apple-converted-space"> </span></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Big Caslon Medium";">the founding member of the Writing Revolution in Place
Creative Research Collective. Selected publications:<span class="apple-converted-space"> </span><i>Virtualis: Topologies of the Unreal</i><span class="apple-converted-space"> </span>with David Dowker, Book*hug.
“Propositions from Under Mill Creek Bridge,” in<span class="apple-converted-space"> </span><i>Sustaining the West</i>, Wilfred
Laurier Press. “On Treaty Six from Under Mill Creek Bridge” in<span class="apple-converted-space"> </span><i>Toward. Some. Air</i>, Banff Centre
Press.<span class="apple-converted-space"> </span><i>The Odes,</i><span class="apple-converted-space"> </span>Nomados Press and<span class="apple-converted-space"> </span><i>Treaty 6 Deixis</i>, Talonbooks.
</span></span></span></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-65554595754355372952022-04-22T07:00:00.015-07:002022-04-22T07:00:00.175-07:00G U E S T #23 : David Dowker : Introduction <p> </p><p><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: medium;"> </span></p><p><span style="font-size: medium;"> </span></p><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium"; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast;">assemblage</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium"; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast;">
“1 A bringing or coming together; the state of being collected together. <i>spec.</i> The fitting or joining together of
a number of components. 2 A number of things grouped together; a collection, a
cluster. A number of pieces fitted together; <i>spec.</i> a work of art consisting of miscellaneous objects fastened
together. 3 A number of people gathered together; a gathering, a concourse.”
[<i>Oxford English Dictionary</i>] <br />
<br />
The resonance of various elements placed beside each other, often fortuitous
circumstance enacted; an entanglement, perhaps, of emergent narrative
possibilities: the idea of the assemblage has interested me for quite some
time. With<i> The Alterran Poetry Assemblage</i> each issue seemed to become a sort of
semi-coherent whole, at least to my mind, and could be considered as a single
(long) poem (or maybe the reading of it as such alters the way in which
individual components are interpreted). <br />
<br />
While editing this issue of <i>G U E S T</i> a similar process appeared to take place
(again, likely, mostly in my own mind). From Ludwig Wittgenstein’s <i>Remarks on Colour</i> to Denise Ferreira da
Silva’s <i>On Difference Without
Separability</i>, iterations of time and memory and the nonlocal universe,
cosmos and Utopia, green girls and women business travellers, the pronunciation
and copyright of names (a collective of names: Culley, Maxine Gadd, Stacy,
Peter, Etel, Fenn, Fred, David, CJ . . . not to mention Herodotus, Cary,
Levinas, Pedro Costa, Dürer, Jake Peralta, Zeno, Sappho, Billie Holiday,
Gloucester, Lear and Oppen): a co-dreaming to “unthinking the world.”* <br />
<br />
I hesitate to say anything more. There seems to be some sort of “spooky action
at a distance” going on that I do not wish to disturb. Perhaps that is how it
always is with such a luminous gathering of minds as this. <br />
<br />
“the continuous passage of the firmament has always mimicked that which passed
beneath it” . . . “The interpenetration of the dreams of co-sleepers” . . .
“Doomscrolling the events of the present” <br />
. . . ““now we see the violence inherent in the system”” . . . “describe the
action from time adverbial” . . . “the small bodies of language / beating
together, then apart” . . . “a word that means itself and its own opposite” . .
. “here where desire’s eclipsed / by memory of desire” . . . “in transit from
one song to another”** <br />
<br />
</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium"; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast;"> </span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="margin-left: 72.0pt;"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Big Caslon Medium"; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast;">* Denise Ferreira da Silva <br />
** Nicole Raziya Fong / Lisa Robertson / ryan fitzpatrick / Catriona Strang /
Allegra Sloman / Nikki Sheppy / Fenn Stewart / Pete Smith / Christine Stewart <br />
<br />
</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman \(Body CS\)";"></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman \(Body CS\)";"> </span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman \(Body CS\)";"><span style="font-size: medium;"><br />
<br />
<br />
<b></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi9uJfExmUokPQPMYJJFraonPBqFWeJxbyjhR8H8c6Stn56LRdgbQhKVUvz4X2mVyfYYtXxriHh_63LVddtcdmRxEwkGBKerJeI2aUowfegBpw1beCbvBYc93GAsus8XY5mP8IfizwWZuD9YKK0BWZsgsGIW80DS4N6un_dzdXUBKGhiJhZBeqQjKThQ/s1280/David%20J.%20Dowker.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="986" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi9uJfExmUokPQPMYJJFraonPBqFWeJxbyjhR8H8c6Stn56LRdgbQhKVUvz4X2mVyfYYtXxriHh_63LVddtcdmRxEwkGBKerJeI2aUowfegBpw1beCbvBYc93GAsus8XY5mP8IfizwWZuD9YKK0BWZsgsGIW80DS4N6un_dzdXUBKGhiJhZBeqQjKThQ/s320/David%20J.%20Dowker.jpg" width="247" /></a></b></span></div><span style="font-size: medium;"><b>David Dowker</b> was born in Kingston, Ontario but has lived most of his
life in Toronto. He was editor of <i>The
Alterran Poetry Assemblage</i> from 1996 to 2004 (which can be accessed at
Library and Archives Canada). His writing has appeared in <i>The Capilano Review</i>, <i>filling
Station</i>, and <i>Touch the Donkey</i>. <a href="https://bookhugpress.ca/shop/books/machine-language-by-david-dowker/" target="_blank"><i>Machine Language</i></a> was published by
BookThug in 2010 and <a href="https://bookhugpress.ca/shop/author/david-dowker/virtualis-topologies-of-the-unreal-by-david-dowker-christine-stewart/" target="_blank"><i>Virtualis: Topologies of the Unreal</i></a> (with Christine Stewart) in 2013. Chax Press published <a href="https://www.spdbooks.org/Products/9781946104106/mantis.aspx" target="_blank"><i>Mantis</i></a> in 2018. He is also the author of
the chapbooks <a href="http://www.theblastedtree.com/time-sensitive-material-index" target="_blank"><i>Time-Sensitive Material</i></a>
(The Blasted Tree) and <a href="http://abovegroundpress.blogspot.com/2021/03/new-from-aboveground-press-chronotope.html" target="_blank"><i>Chronotope</i></a>
(above/ground press). <i>Dissonance Engine</i>
is forthcoming from Book*hug (Fall 2022). <br />
</span><br style="mso-special-character: line-break;" />
<p></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-22628568679275269822022-03-17T07:00:00.098-07:002022-03-17T07:04:00.473-07:00issue twenty-two : guest-edited by Kyle Flemmer<p class="MsoNoSpacing"><b><span style="color: #01ffff;"><span style="font-family: "Garamond",serif; font-size: x-large; mso-bidi-font-weight: bold;"></span></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-family: "Garamond",serif; font-size: x-large; mso-bidi-font-weight: bold;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj47mdAlozLoYycMzecCxD0k7B2q_00Ce8g2aw59XqZQjUwduqDrvQUYNH-jJnJJuLQX7JgZpCaXbfNoVocRavZnHw3l29c-bnHlBEev3IBQ130gq6P1CxGRGeNYnxNpbW7a54feJyIdpqa9HhcZEpVKyDkLY0THbtRS5KiE2HucPrmmzSnX7I5MGUx_g=s1000" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="430" src="https://blogger.googleusercontent.com/img/a/AVvXsEj47mdAlozLoYycMzecCxD0k7B2q_00Ce8g2aw59XqZQjUwduqDrvQUYNH-jJnJJuLQX7JgZpCaXbfNoVocRavZnHw3l29c-bnHlBEev3IBQ130gq6P1CxGRGeNYnxNpbW7a54feJyIdpqa9HhcZEpVKyDkLY0THbtRS5KiE2HucPrmmzSnX7I5MGUx_g=w430-h430" width="430" /></a></span></b></div><b><span style="font-family: "Garamond",serif; font-size: x-large; mso-bidi-font-weight: bold;">NOW AVAILABLE: G U E S T #22</span><span style="font-family: "Garamond",serif; font-size: large; mso-bidi-font-weight: bold;"><br /><span style="color: #ffe599;">edited by Kyle Flemmer </span><br /></span></b><p></p><b><span style="font-size: large;">
</span></b><p class="MsoNoSpacing"><b><span style="font-family: "Garamond",serif; font-size: large; mso-bidi-font-weight: bold;"><a href="https://guestpoetryjournal.blogspot.com/2022/03/g-u-e-s-t-22-kyle-flemmer-introduction.html" target="_blank">see here for Kyle Flemmer’s introduction</a> </span></b></p><b><span style="font-size: large;">
</span></b><p class="MsoNoSpacing"><b><span style="font-family: "Garamond",serif; font-size: large; mso-bidi-font-weight: bold;">featuring new work by:</span><span style="font-family: "Garamond",serif; font-size: large; mso-bidi-font-weight: bold;"> </span></b></p><p class="MsoNoSpacing"><span style="font-size: x-large;"><span style="color: #ffd966;"><span style="font-family: "Garamond",serif; mso-bidi-font-weight: bold;">Leslie Joy Ahenda</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-weight: bold;"><br /><span style="color: white;">Jake Byrne</span><br /><span style="color: #ffa400;">Cobra Collins</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-weight: bold;"><br /><span style="color: #fce5cd;">nathan dueck</span><br /><span style="color: #01ffff;">Kyle Flemmer</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-weight: bold;"><br /><span style="color: red;">Helen Hajnozcky</span><br /><span style="color: #fce5cd;">Samantha Jones</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-weight: bold;"><br /><span style="color: #d9ead3;">Jun-long Lee</span><br /><span style="color: #cccccc;">Shazia Hafiz Ramji</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-weight: bold;"><br /><span style="color: #ffa400;">Helen Robertson</span><br /><span style="color: #9fc5e8;">Ben Robinson</span></span><span style="font-family: "Garamond",serif; mso-bidi-font-weight: bold;"><span style="color: #e69138;"><br /></span><span style="color: #fcff01;">Eric Schmaltz</span><br /><span style="color: #f3f3f3;">Cristalle Smith</span></span></span><span style="font-family: "Garamond",serif; font-size: 16pt; mso-bidi-font-weight: bold;"><span style="font-size: x-large;"><br /><span style="color: #a2c4c9;">Kevin Stebner </span></span><br /></span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 16pt; mso-bidi-font-weight: bold;">$5 + postage / + $1 for Canadian orders; + $2 for
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<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: large; mso-bidi-font-weight: bold;">Author biographies:</span></p>
<p class="MsoNoSpacing"><span style="color: #2b00fe;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Leslie Joy Ahenda</span></b></span><span style="font-family: "Garamond",serif; font-size: 14pt;"><span style="color: #ffd966;"> is a poet and editor
whose work has appeared in <i style="mso-bidi-font-style: normal;">CV2</i>, <i style="mso-bidi-font-style: normal;">The Fiddlehead</i>, <i style="mso-bidi-font-style: normal;">The Malahat Review</i>, and more. She is an MFA candidate at the
University of Guelph. She is a poetry editor for <i style="mso-bidi-font-style: normal;">Augur Magazine</i>, where she has hosted poetry readings and workshops.
She authored <i style="mso-bidi-font-style: normal;">THRENODY FOR A DROWNED GIRL</i>
(2021), a chapbook published by Moon Jelly House. She lives in Toronto. Find
her at </span><a href="http://ljahenda.com">ljahenda.com</a>.</span></p>
<p class="MsoNoSpacing"><span style="color: #d9ead3;"><a href="https://jakebyrnewrit.es/" target="_blank"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14pt; mso-ansi-language: EN-US;">Jake Byrne</span></b></a></span><span lang="EN-US" style="color: #1a1a1a; font-family: "Garamond",serif; font-size: 14pt; mso-ansi-language: EN-US;"> <span style="color: #fcff01;">is a queer
writer. His poem “Parallel Volumes” won <i>CV2’s </i>Foster Poetry Prize for
2019. His work has appeared in<i> </i>journals throughout the United States and
Canada. </span></span><span style="color: #fcff01;"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14pt; mso-ansi-language: EN-US;"> He is a settler based in Tka:ronto, on
the traditional meeting places of the nations of the Huron-Wendat, the Seneca,
the Haudenosaunee, and the Missisaugas of the Credit River.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #ffa400;"><a href="https://twitter.com/kingofthesnakes" target="_blank"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Cobra Collins</span></b></a></span><span style="color: #333333; font-family: "Garamond",serif; font-size: 14pt;"> <span style="color: #e69138;">is a Mohkínstsis based mixed Indigenous and Metis poet of
significant height. She has represented her city on a national level at the
Canadian Festival of Spoken Word as well as collaborated with artists of
different backgrounds for dance (Fluid Movements Arts Festival) and performance
festivals (IKG 1 ! Live Performance Festival). Cobra was also honoured to be
shortlisted as a nominee for Calgary's 2016 & 2018 poet laureate.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #04ff00;"><span style="color: #e06666;"><a href="https://twitter.com/nathanjdueck" target="_blank"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt; mso-fareast-language: EN-CA;">nathan dueck</span></b></a></span><span style="font-family: "Garamond",serif; font-size: 14pt; mso-fareast-language: EN-CA;"> lost a staring contest with the US of A after
eighteen years. See, he was raised in a town 10 minutes from the border, but he
blinked first and had to move away. He is the author of <i>king's(mère)</i>
(Turnstone, 2004), <i>he'll</i> (Pedlar, 2014), and<i> A Very Special Episode</i>
(Buckrider, 2019).</span></span></p>
<p class="MsoNoSpacing"><a href="http://www.theblastedtree.com/kyle-flemmer" name="_Hlk97832277" target="_blank"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Kyle
Flemmer</span></b></a><span style="mso-bookmark: _Hlk97832277;"><span style="font-family: "Garamond",serif; font-size: 14pt;"> <span style="color: #d9d2e9;">is an author, editor,
and publisher from Calgary in Treaty 7 territory. He studies digital poetics at
the University of Calgary where he is a teaching and research assistant. Kyle
founded the Blasted Tree Publishing Co. in 2014 and is a former managing editor
of <i>filling Station</i> magazine. His first book,<i> Barcode Poetry</i>, was
published by The Blasted Tree in 2021.</span></span></span></p>
<p class="MsoNoSpacing"><span style="color: #f4cccc;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Helen Hajnoczky</span></b></span><span style="font-family: "Garamond",serif; font-size: 14pt;"><span style="color: #f4cccc;"> is the author of <i>Frost
& Pollen</i> (Invisible, 2021), <i>Magyarázni </i>(Coach House, 2016),
which was shortlisted for the Stephan G. Stephansson Award for Poetry, <i>Poets
and Killers: A Life in Advertising</i> (Snare/Invisible, 2010), which was
shortlisted for Expozine’s English Book of the Year award, and the chapbook <i>Bloom
& Martyr </i>(Kalamalka Press, 2016), which won the 2015 John Lent
Poetry/Prose Award. Helen’s written and visual poetry have also appeared in a
variety of chapbooks and magazines. Helen shares her writing and art on
Instagram</span> <a href="https://www.instagram.com/ateacozyisasometimes/?hl=en" target="_blank">@ateacozyisasometimes</a> <span style="color: #f4cccc;">and on her website</span> <a href="http://ateacozyisasometimes.com">ateacozyisasometimes.com</a></span></p>
<p class="MsoNoSpacing"><span style="color: #2b00fe;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Samantha Jones</span></b></span><span style="font-family: "Garamond",serif; font-size: 14pt;"><span style="color: #cfe2f3;"><span style="color: #2b00fe;"> </span>(she/her) is a literary
magazine enthusiast and contributor with writing in <i style="mso-bidi-font-style: normal;">Arc Poetry</i>, <i style="mso-bidi-font-style: normal;">CV2</i>, <i style="mso-bidi-font-style: normal;">Grain</i>, <i style="mso-bidi-font-style: normal;">New Forum</i>, <i style="mso-bidi-font-style: normal;">Room</i>, <i style="mso-bidi-font-style: normal;">THIS</i>, <i style="mso-bidi-font-style: normal;">WATCH YOUR HEAD</i>, and elsewhere. She lives and writes in Calgary,
Canada on Treaty 7 territory and is Black Canadian and white settler. Find her
on Twitter:</span> <a href="https://twitter.com/jones_yyc?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor" target="_blank">@jones_yyc</a>.</span></p><p class="MsoNoSpacing"><a href="https://twitter.com/junlongklee" target="_blank"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Jun-long Lee</span></b></a><span style="font-family: "Garamond",serif; font-size: 14pt;"> <span style="color: #f6b26b;">is the author of the
chapbook <i>Two/Ought </i>and several short films; he also paints. His recent
work has appeared in <i>Conjunctions, Jubilat, The Malahat Review, Grain,</i>
and <i>Contemporary Verse 2</i>.</span></span></p>
<p class="MsoNoSpacing"><span style="color: white;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Shazia Hafiz Ramji’s</span></b></span><span style="font-family: "Garamond",serif; font-size: 14pt;"> <span style="color: #01ffff;">writing has recently
appeared in <i style="mso-bidi-font-style: normal;">Galleries West</i>, <i style="mso-bidi-font-style: normal;">Canadian Notes & Queries</i>, and <i style="mso-bidi-font-style: normal;">Quill & Quire</i>. Her fiction was
shortlisted for the <i style="mso-bidi-font-style: normal;">Malahat Review</i>’s
2022 Open Season Awards. She was a finalist the 2021 National Magazine Awards
and the 2021 Mitchell Prize for Faith and Poetry. <i style="mso-bidi-font-style: normal;">Port of Being</i> is her first book.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #d0e0e3;"><span style="font-family: "Garamond",serif; font-size: 14pt; mso-fareast-language: EN-CA;">Witch, bitch, and full-time disaster <b style="mso-bidi-font-weight: normal;">Helen Robertson</b> is a trans, bisexual,
genderqueer woman moving through the lifelong process of accepting how lucky
they've been; using poetry to excise her ire and sorrow — hopefully turning it
into something worthwhile. She has been published in journals across Canada
including <i style="mso-bidi-font-style: normal;">The Fiddlehead</i>, <i style="mso-bidi-font-style: normal;">The New Quarterly</i>, <i style="mso-bidi-font-style: normal;">The Puritan</i>, and others. They were long listed for the 2019 Vallum
Award for Poetry. They are I of the collective VII.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #04ff00;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Ben Robinson</span></b></span><span style="font-family: "Garamond",serif; font-size: 14pt;"> <span style="color: red;">is a poet, musician and
librarian. His most recent publication is <i><a href="https://www.benrobinson.work/work/without-form" target="_blank"><span color="windowtext" style="mso-bidi-font-family: "Times New Roman"; text-decoration: none; text-underline: none;">Without Form</span></a></i> from The Blasted Tree and
knife | fork | book. He has only ever lived in Hamilton, Ontario on the
traditional territories of the Erie, Neutral, Huron-Wendat, Haudenosaunee and
Mississaugas. You can find him online at </span><a href="http://benrobinson.work" target="_blank"><span color="windowtext" style="mso-bidi-font-family: "Times New Roman"; text-decoration: none; text-underline: none;">benrobinson.work</span></a>.</span></p>
<p class="MsoNoSpacing"><span style="color: #fcff01;"><a href="https://ericschmaltz.com/" target="_blank"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Eric Schmaltz</span></b></a></span><span style="color: black; font-family: "Garamond",serif; font-size: 14pt;"> <span style="color: #eeeeee;">is a poet,
academic, and editor. He is the author of <i>Surfaces </i>(Invisible
Publishing) and several shorter works, including <i>Language in Hues </i>(Timglaset)
and <i>Psychic Beach</i> (Paperview Books). He is co-editor of <i>I
Want to Tell You Love </i>by bill bissett and Milton Acorn.</span></span></p>
<p class="MsoNoSpacing"><span style="color: #fcff01;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Cristalle
Smith</span></b></span><span style="color: #333333; font-family: "Garamond",serif; font-size: 14pt;"> <span style="color: #ff00fe;">is published in <i>Arc Poetry Magazine, Room Magazine, QWERTY
Magazine, The Maynard</i>, and elsewhere. Cristalle won <i>subTerrain
Magazine’s</i> Lush Triumphant Literary Awards for Creative Nonfiction in 2020.
She has a chapbook with Frog Hollow Press, <i>Sea Glass for the Chronically
Alone</i>, and is a PhD student at the University of Calgary in Creative
Writing.</span></span></p>
<p class="MsoNoSpacing"><a href="https://www.kevinstebner.com/" target="_blank"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">Kevin Stebner</span></b></a><span style="font-family: "Garamond",serif; font-size: 14pt;"> <span style="color: #ffe599;">is an artist, poet
and musician from Calgary, Alberta. He produces visual art using old
videogame gear, and produces music with his chiptune project GreyScreen,
post-hardcore in his band Fulfilment, as well as alt-country in the band Cold
Water. Stebner has spent the quarantine preparing two new manuscripts, his
first novel, and a large array of typewriter visual poems, many of which are
appearing in chapbooks (recently from Timglaset, Blasted Tree, NonPlusUltra, No
Press). He is also the proprietor of Calgary's best bookstore that's in a shed,
Shed Books.</span></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-35614596168615682352022-03-17T07:00:00.012-07:002022-03-17T07:00:00.184-07:00G U E S T #22 : Kyle Flemmer : Introduction<p> </p><p><br /></p><p> <!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" Priority="0" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" Priority="0" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
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</p><p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">I
used to specify that I wanted odd stuff when I solicited poetry from people.
“My tastes skew toward the experimental,” I would say, like a full-blown
doofus, “please send your most challenging and innovative material.” I hoped to
goad writers out onto a limb, to take a risk at my behest, as if my support
would encourage them to do something daring they would otherwise not attempt. This
approach to solicitation rarely brings in the kind of poems one expects, which really
just means each poet’s idea of challenging and innovative is unique. I had not
realized that poets, by and large, are always out on some sort of limb, or that
my understanding of boundary-pushing poetry is only one among many. What’s more,
I’ve found that no matter what you say, you can’t bait poets into producing
work in too particular a vein, and a lone editor’s idea of good poetry is almost
always too particular.</span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;">Of
course, I still want odd work, I’ve just learned to ask in a less oblivious way.
My new approach for soliciting fun, challenging, risk-taking poetry is to ask
for what people want to show off, what they’re excited by, what they have
cooking right now, what’s been waiting in the wings. Give them an open
invitation, the fewer stipulations, the better. Better still: get to know
people, support their work, build trust, let them know I want to see what
they’re all about, not what they think I want them to be about. Forget about
editing and be a human. This strategy is guaranteed to turn up the good stuff
because, let’s face it, everybody is a little weird, and poets especially. We
all like a reason to keep doing our weird thing out on that limb, so this issue
is filled with poets I admire, odd ducks one and all, doing just that. </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> </span></p>
<p class="MsoNoSpacing"><b><span style="font-family: "Garamond",serif; font-size: 14.0pt;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiH24UbOyc9fsYS2Wlq04xx8LUzYAnIC19riQWTQCXXAlCZ2dgWPTb1f69rvlAwydeH1nwrHkpW8FEWoNUn8bmLc0X5EHlZKJ2ftZ18GLVFwUBXWr5UjbFn_ZvRiZiKVkO7fvqWrWQrVruuuVGGPEzdNm2QMdmENsE9y5aAKtV9FlttsNincDkzTKvVHA=s3532" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2360" data-original-width="3532" height="299" src="https://blogger.googleusercontent.com/img/a/AVvXsEiH24UbOyc9fsYS2Wlq04xx8LUzYAnIC19riQWTQCXXAlCZ2dgWPTb1f69rvlAwydeH1nwrHkpW8FEWoNUn8bmLc0X5EHlZKJ2ftZ18GLVFwUBXWr5UjbFn_ZvRiZiKVkO7fvqWrWQrVruuuVGGPEzdNm2QMdmENsE9y5aAKtV9FlttsNincDkzTKvVHA=w447-h299" width="447" /></a></b></div><b><span style="font-size: large;"><a href="http://www.theblastedtree.com/flemmer-links" target="_blank">Kyle Flemmer</a></span></b><span style="font-family: "Garamond",serif; font-size: 14.0pt;"> [photo
credit: Sarah Thomas] is an author, editor, and publisher from Calgary in
Treaty 7 territory. He studies digital poetics at the University of Calgary
where he is a teaching and research assistant. Kyle founded <a href="http://www.theblastedtree.com/" target="_blank">the Blasted Tree Publishing Co</a>. in 2014 and is a former managing editor of <a href="http://www.fillingstation.ca/" target="_blank"><i>filling Station
magazine</i></a>. His first book, <a href="http://www.theblastedtree.com/barcode-poetry" target="_blank"><i>Barcode Poetry</i></a>, was published by The
Blasted Tree in 2021.</span><p></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-14172222558575590262022-02-24T07:00:00.071-08:002022-02-24T07:02:57.583-08:00issue twenty-one : Castle Guestskull : guest-edited by Micah Ballard and Garrett Caples<p class="MsoNoSpacing"><span style="font-size: medium;"><span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Garamond",serif;"></span></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh-KXP0RNwWF-WGzTdB1IPNv2Xe1Q_rbDhUCLGPmqUdJzKmfEmTj4Pi1dgFc2MdAog1G2NKpD00pLT3Jq6q5QRe_lvl3Yp8_3BUIym8ZchgGEehQNmAnJB4BdH6oMaArPFFhiJiA-_36ShIMoq014vwZCGK8nXGMPb2R14YLUe8-fPf-tw6wUy2s8LWng=s1000" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="386" src="https://blogger.googleusercontent.com/img/a/AVvXsEh-KXP0RNwWF-WGzTdB1IPNv2Xe1Q_rbDhUCLGPmqUdJzKmfEmTj4Pi1dgFc2MdAog1G2NKpD00pLT3Jq6q5QRe_lvl3Yp8_3BUIym8ZchgGEehQNmAnJB4BdH6oMaArPFFhiJiA-_36ShIMoq014vwZCGK8nXGMPb2R14YLUe8-fPf-tw6wUy2s8LWng=w386-h386" width="386" /></a></b></span></span></div><span style="font-size: medium;"><span style="font-size: large;"><b><span style="color: #cccccc;">NOW
AVAILABLE: G U E S T #21</span></b><span style="color: #cccccc;"><span lang="DE" style="font-family: "Garamond",serif; mso-ansi-language: DE;"><b><br />produced also as CASTLE GRAYSKULL 1.5</b><br />directed by Skeletor</span></span></span><span style="color: #cccccc;"><span lang="EN-US" style="font-family: "Garamond",serif;"><span style="font-size: large;"><br />edited by Micah Ballard and Garrett Caples</span><br /><br /><a href="https://guestpoetryjournal.blogspot.com/2022/02/g-u-e-s-t-21-castle-guestskull-micah.html" target="_blank">see
here for </a></span><a href="https://guestpoetryjournal.blogspot.com/2022/02/g-u-e-s-t-21-castle-guestskull-micah.html" target="_blank"><span lang="DE" style="font-family: "Garamond",serif; mso-ansi-language: DE;">Micah Ballard and Garrett Caples</span><span lang="EN-US" style="font-family: "Garamond",serif;">’ introduction and biographies</span><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></a></span></span><span style="color: #cccccc;"></span><p></p><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: x-large;"><span><b><span lang="EN-US" style="font-family: "Garamond",serif;">featuring
new work by: </span></b></span></span></p><span style="color: #cccccc; font-size: x-large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc;"><span style="font-size: medium;"><span style="font-size: x-large;"><span lang="EN-US" style="font-family: "Garamond",serif;">Colter
Jacobsen (as Teela)</span><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Anne
Waldman<br />Brian
Lucas</span><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Carrie
Hunter<br />Roberto
Harrison</span><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Neeli
Cherkovski<br />Raymond
Foye and Bob Flanagan</span><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Tatiana
Luboviski-Acosta<br />Tamas
Panitz</span></span><span lang="EN-US" style="font-family: "Garamond",serif;"><span style="font-size: x-large;"><br />Gregory
Corso </span><br /></span></span></span></p><span style="color: #cccccc;"><span style="font-size: medium;">
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc;"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;">$5
+ postage / + $1 for Canadian orders; + $2 for US; + $6 outside of North
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</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><b><span lang="EN-US" style="font-family: "Garamond",serif;">Author
biographies:</span></b></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://neelicherkovskipoet.com/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Neeli Cherkovski</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;">
lives in San Francisco and has published many books of poetry and prose. His
most recent poetry collection is <i>ABC</i> (Spuyten
Duvyil).</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://www.poetryfoundation.org/poets/gregory-corso" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Gregory
Corso</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> (1930–2002)
was a revolutionary poet of the spirit. He was the author of over a dozen books
of poetry and one novel, in addition to posthumously published collections of
plays, interviews, and correspondence.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://www.artforum.com/print/199604/flanagan-s-wake-32988" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Bob
Flanagan</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> (1952–1996)
was a poet, musician, and performance artist, famous for exploring themes of
sado-masochism. He was published by Dennis Cooper’s <i>Little Caesar</i> magazine, David Trinidad’s Sherwood Press, and
Hanuman Books.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://raymondfoye.info/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Raymond Foye</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> is a
curator, publisher, writer and editor. He is currently editing the <i>Collected Poems of Rene Ricard</i>.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://litmuspress.org/contributor/roberto-harrison/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Roberto Harrison’s</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;">
most recent book of poetry is <i>Tropical Lung: </i>e<i>xi(s)t(s)</i>
(Omnidawn, 2021). He was Milwaukee Poet Laureate 2017–2019 and is also a visual
artist.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://twitter.com/ypolita" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Carrie Hunter</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;">
received her MFA/MA in the Poetics program at New College of California, was on
the editorial board of Black Radish Books, and for 11 years, edited the
chapbook press, ypolita press. She has published around 15 chapbooks and has
two books out with Black Radish Books, <i>The Incompossible </i>and<i> Orphan
Machines,</i> and a third full-length, <i>Vibratory Milieu,</i> out with
Nightboat Books. She lives in San Francisco and teaches ESL.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://www.colterjacobsen.com/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Colter Jacobsen</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;">
splits his time between Ukiah (Haiku spelled backwards) and Surprise Valley,
both in California. Besides being an artist and musician and living with 16
animals (30,016 if you count the bees), he DJs as Coco, once a month for
Nomadic Nightcap, KZYX community radio.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://nightboat.org/bio/tatiana-luboviski-acosta/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Tatiana Luboviski-Acosta</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;">
is a Nicaragüense Jewish Californian artist and poet. They are the author of <i>The
Easy Body </i>(Timeless, Infinite Light) & the forthcoming <i>La Movida </i>(Nightboat
Books). Tatiana grew up east of the Los Angeles River, and has lived in the
Ramaytush Ohlone village of Yelamu for the past decade.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://brianlucas.tumblr.com/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Brian
Lucas’s</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> most
recent publications are <i>Lost Comets</i>
(Two-Way Mirror Books, 2021) and <i>Eclipse
Babel</i> (Impart Ink/Bootstrap Press, 2015). He lives in Oakland, CA where he
also paints and makes music under the Old Million Eye moniker.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://caesuramag.org/visual-art/tamas-panitz-robert-kelly" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond", serif;">Tamas Panitz</span></b></a><span lang="EN-US" style="font-family: "Garamond", serif;"> is the author of </span><i><span lang="EN-US" style="font-family: "Garamond",serif;">Toad’s Sanctuary</span></i><span lang="EN-US" style="font-family: "Garamond", serif;"> (Ornithopter Press, 2021), and </span><i><span lang="EN-US" style="font-family: "Garamond",serif;">The House of the Devil </span></i><span lang="EN-US" style="font-family: "Garamond", serif;">(Lunar Chandelier Collective, 2020). A book of poems, </span><i><span lang="EN-US" style="font-family: "Garamond",serif;">The Country Passing By</span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-style: italic;">,<i>
</i></span><span lang="EN-US" style="font-family: "Garamond", serif;">is forthcoming from Model City, as
is a book of his interviews with Peter Lamborn Wilson, called </span><i><span lang="EN-US" style="font-family: "Garamond",serif;">Conversazione</span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-style: italic;">,<i>
</i></span><span lang="EN-US" style="font-family: "Garamond", serif;">from Autonomedia. Tamas Panitz is
also a painter, whose paintings and stray poems can be found on instagram,
<a href="https://www.instagram.com/tamaspanitz/?hl=en" target="_blank">@tamaspanitz</a>.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span style="color: #cccccc; font-size: large;"><span><a href="https://www.annewaldman.org/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond", serif;">Anne Waldman</span></b></a><span lang="EN-US" style="font-family: "Garamond", serif;">: Recent projects
include album <i>SCIAMACHY</i>. Levy-Gorvy & Fast Speaking Music (with
William Parker, Laurie Anderson, Guru Moe & others) 2020, <i>Goslings to
Prophecy</i> with Emma Gomis (Lune, 2021), Perdu Podcast: <i>HAFEZ </i>.2021,<i>
I</i> <i>Wanted To Tell You About My Meditations on Jupiter</i>, Fast Speaking
Music, Mexico City 2022. The Jack Kerouac School of Disembodied Poetics Summer
Writing Program at Naropa opening in June 2022. Forthcoming: <i>New Weathers:
Poetics from the Naropa Archive</i>, Nightboat 2022 and <i>BARD,KINETIC,</i>
Essays, Poems, Memoir, Coffee House Press 2022.</span></span></span></p><span style="color: #cccccc; font-size: large;"><span>
</span></span><p class="MsoNoSpacing"><span lang="EN-US" style="font-family: "Garamond",serif;"><br /></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-79174268953736737502022-02-24T07:00:00.070-08:002022-02-24T07:02:49.045-08:00G U E S T #21 : Castle Guestskull : Micah Ballard and Garrett Caples : Introduction<p> </p><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: x-large;"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">What
Is <i>Castle Guestskull</i>?</span></b></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"></span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjCufl4VdB027EwuyLQ1Fqy1q7r6Y2yns9PnZ79gTcLiPdNzd_828SVGMv1vzys9RVVf0vKpJsciFKseHh5MUSKwzYut7lNSJ7FfTO4zQOEG2KVYqPW2MygrWGJOzqEFWSUSp6jiswdXllC3v3tfR9ZTOup_orFCB2X8vjXu345pASuw4IrBwFC20gyKw=s2500" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2500" data-original-width="1842" height="450" src="https://blogger.googleusercontent.com/img/a/AVvXsEjCufl4VdB027EwuyLQ1Fqy1q7r6Y2yns9PnZ79gTcLiPdNzd_828SVGMv1vzys9RVVf0vKpJsciFKseHh5MUSKwzYut7lNSJ7FfTO4zQOEG2KVYqPW2MygrWGJOzqEFWSUSp6jiswdXllC3v3tfR9ZTOup_orFCB2X8vjXu345pASuw4IrBwFC20gyKw=w332-h450" width="332" /></a></span></div><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Is it an airb&b in Toronto, where
it’s subbing onscreen for San Francisco? No! It might be a supplement to an
underground one-shot many poets received by post instead of accursed email.
Unheard of, you say? But it’s existed for centuries, like when you had to
submit your poems over a payphone before the Xerox. Or you submitted to
interview by postcard so it took twenty years. What Eternia got right about
technology was the role of magick in making it serve its creators instead of
transforming them, adapting it to a suitable pace and duration.</span></span></span><p></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><i><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Castle
Grayskull</span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> took three or four months to make,
mid-June to late September 2021, but it also took more than twenty years of
knocking around poetry. Some of our contributors had died but they still gave
us new work. There’s at least one debut. A few giants thrown in, but pretty
much everyone is a friend or an esteemed colleague.</span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Our desires were simple: a good line up
of poets, a few artist friends, an uncluttered but attractive design, and a
small dash of personality specific to the publication. Stapled magazines like
this, once plentiful, have grown rare, but they are the lifeblood of poetry.
Please make one yourself. No one was more surprised at how well received <i>Castle Grayskull </i>was than we were.</span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Many thanks to the Havoc Staff, some of
whom, uncredited, helped us assemble it in a driveway in Berkeley: Julien
Poirier, Dan Owen, Brian Lucas, Kit Schluter, Sunnylyn Thibodeaux, Suzanne
Kleid. Interns: Rod Roland, Patrick James Dunagan. Many thanks to rob mclennan
for offering us this venue to supplement the original. There were many more
poets we would have liked to include in <i>Castle
Grayskull</i>, but we ran out of space; some of them are here.</span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></span></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Garamond",serif;"></span></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjswqovdqJ5wR7_USbZLBA1DQ_8f2VAK2JEaJHENHuC2QM0eJE8r1omo53YsVWKCEQSS4oj600UZUXdVESSTA4iUSmSljbzAdCvfGMeypks-AxVEMOQGnm9kHLvqrPol5dOlkxizOkVwBkdDFVGyjOKi4NuytgqSak6nuHcMaUN88luGjUWhtl37l3DRg=s4032" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="425" src="https://blogger.googleusercontent.com/img/a/AVvXsEjswqovdqJ5wR7_USbZLBA1DQ_8f2VAK2JEaJHENHuC2QM0eJE8r1omo53YsVWKCEQSS4oj600UZUXdVESSTA4iUSmSljbzAdCvfGMeypks-AxVEMOQGnm9kHLvqrPol5dOlkxizOkVwBkdDFVGyjOKi4NuytgqSak6nuHcMaUN88luGjUWhtl37l3DRg=w319-h425" width="319" /></a></b></span></div><span style="font-size: large;"><a href="https://www.wavepoetry.com/products/garrett-caples" target="_blank"><b>Garrett Caples</b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> is the
author of several poetry collections, most recently <i>Lovers of Today</i>
(Wave Books, 2021), and a book of essays, <i>Retrievals</i> (Wave, 2014). He is
an editor at City Lights Publishers, where he curates the Spotlight poetry
series. He has edited or co-edited books by poets such as Philip Lamantia,
Frank Lima, Stephen Jonas, Samuel Greenberg, Michael McClure, etc. He lives in
San Francisco.</span></span><p></p><span style="color: #cccccc;"><span style="font-size: large;">
</span></span><p class="MsoNormal"><span style="color: #cccccc;"><span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Garamond",serif;"></span></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg0-_AN3EOyE6duMMuZJ4p6qD5GEmiEjM55R3dFdcXYiZAp2DVvCAO9kVdDGkM5ScytRcQGHNnEEz1Y1mXmKXQtMNB11zHl59fKW7uUVtKzoT8IaL2GB_hiEbeAC-rYrzJ26CZESgM4I-dm4sYiFelohH5U5Bt6fmPsXeU1EKj3_hC2MMNgGiBNI6oj2w=s1200" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="774" height="492" src="https://blogger.googleusercontent.com/img/a/AVvXsEg0-_AN3EOyE6duMMuZJ4p6qD5GEmiEjM55R3dFdcXYiZAp2DVvCAO9kVdDGkM5ScytRcQGHNnEEz1Y1mXmKXQtMNB11zHl59fKW7uUVtKzoT8IaL2GB_hiEbeAC-rYrzJ26CZESgM4I-dm4sYiFelohH5U5Bt6fmPsXeU1EKj3_hC2MMNgGiBNI6oj2w=w317-h492" width="317" /></a></b></span></div><span style="font-size: large;"><a href="https://www.usfca.edu/faculty/micah-ballard" target="_blank"><b>Micah Ballard</b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> [photo credit: Lorca Ballard] is the
author of over a dozen books of poetry including <i>Waifs and Strays</i> (City
Lights Books), <i>Afterlives </i>(Bootstrap Press), <i>The Michaux Notebook</i>
(FMSBW), <i>Parish Krewes</i> (Bootstrap Press), <i>Selected Prose, 2008-19</i>
(Blue Press), <i>Evangeline Downs</i> (Ugly Duckling Presse), <i>Daily Vigs</i>
(Bird & Beckett Books), <i>Vesper Chimes</i> (Gas Meter), and <i>Negative
Capability in the Verse of John Wieners</i> (Bootstrap Press). He lives in San
Francisco with poet Sunnylyn Thibodeaux and their daughter Lorca.</span></span><p></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-17578436283367556922021-11-25T07:00:00.060-08:002021-11-26T13:51:25.873-08:00issue twenty : guest-edited by Edric Mesmer<p class="MsoNormal"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEghbIsaJ3JF7frSKLs3zr-IqjxQ78iQx5Z7hjN1WRa4DzVhUwHKVQr3wDDRWBiYJssXB9aLf1YALMuMQbtFGTBkOeMZhQPRsqHI5WsicEb3Y-bbuoEqR0ZQEA7BErrXhXJ55UYyXS7KTx9UfQAe6ie9LS1okLxnlpCTeSeBBoSbAZHAr2EShTjlHYL77A=s1000" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="392" src="https://blogger.googleusercontent.com/img/a/AVvXsEghbIsaJ3JF7frSKLs3zr-IqjxQ78iQx5Z7hjN1WRa4DzVhUwHKVQr3wDDRWBiYJssXB9aLf1YALMuMQbtFGTBkOeMZhQPRsqHI5WsicEb3Y-bbuoEqR0ZQEA7BErrXhXJ55UYyXS7KTx9UfQAe6ie9LS1okLxnlpCTeSeBBoSbAZHAr2EShTjlHYL77A=w392-h392" width="392" /></a></b></div><b><span style="color: red;"><span style="font-size: large;">NOW
AVAILABLE: G U E S T #20</span></span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt;"><br /><span style="color: #fcff01;">produced
also as <i>Yellow Field</i> #12</span><br />edited
by Edric Mesmer</span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt;"> </span></b><p></p><p class="MsoNormal"><a href="https://guestpoetryjournal.blogspot.com/2021/11/g-u-e-s-t-20-edric-mesmer-introduction.html" target="_blank"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt;">see here for Edric Mesmer’s introduction and biography</span></a></p>
<p class="MsoNormal"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt;">featuring
new work by:</span></b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt;"> </span></p><p class="MsoNormal"><span style="color: #eeeeee;"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt; mso-bidi-font-family: "Times New Roman";">Anne-Adele Wight</span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt; mso-bidi-font-family: "Times New Roman";"><br />Celes Tisdale<br />Hue Nguyen</span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt; mso-bidi-font-family: "Times New Roman";"><br />Dave Drayton<br />Irakli Qolbaia</span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt; mso-bidi-font-family: "Times New Roman";"><br />James Wilkes<br />Wendy Morrow</span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 18pt; mso-bidi-font-family: "Times New Roman";"><br />Kathleen Reichelt<br />Samuel Brzeski</span><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></p><p class="MsoNormal"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: medium;">$5 +
postage / + $1 for Canadian orders; + $2 for US; + $6 outside of North America</span></p><span style="font-size: medium;">
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<p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Author
biographies:</span></b></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://www.pw.org/directory/writers/anneadele_wight" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Anne-Adele Wight’s</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> <span style="color: #04ff00;">most
recent book, <i>An Internet of Containment</i>, was published by BlazeVOX at
the end of 2018. Her previous books, all from BlazeVOX, include <i>The Age of
Greenhouses</i> (2016), <i>Opera House Arterial</i> (2013), and <i>Sidestep
Catapult</i> (2011). Her work has been published internationally in print and
online and includes appearances in <i>Luna Luna</i>, <i>Apiary</i>, <i>Bedfellows</i>,
<i>Oz Burp</i>, <i>Have Your Chill</i>, and Read On 2. She lives and writes in
Philadelphia. </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://bostonreview.net/articles/mark-nowak-solidarity-through-poetry/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Celes Tisdale</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> <span style="color: #01ffff;">is a
Distinguished Professor of English at the State University of New York, having
received the Chancellor’s Award for Excellence in Teaching. His book, <i>When
the Smoke Cleared: Attica Prison Poems and Journal</i>, is forthcoming from
Duke University Press.</span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Hue
Nguyen</span></b><span lang="EN-US" style="font-family: "Garamond",serif;"> <span style="color: #ff00fe;">is a
horse (they/them). They are an interdisciplinary artist and activist currently
situated on the unceded territories of the Squamish, Musqueam, and
Tsleil-Waututh nations. Through an interdisciplinary practice, their work
considers hyphenated identities and the commonalities that intertwine topics of
racialization, queerness, and institutions of mental health. They are currently
pursuing a BFA at the University of British Colombia. More info at:</span>
<a href="https://hueisahorse.com/">https://hueisahorse.com/</a></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://twitter.com/_davedrayton" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Dave Drayton</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> <span style="color: #fcff01;">was an
amateur banjo player, founding member of the Atterton Academy, and the author
of <i>E, UIO, A: a feghoot</i> (Container), <i>A pet per ably-faced kid</i>
(Stale Objects dePress), <i>P(oe)Ms (Rabbit), Haiturograms </i>(Stale Objects
dePress), and <i>Poetic Pentagons</i> (Spacecraft Press).</span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://jacket2.org/commentary/irakli-qolbaia-three-new-poems-english-note-poetics-author" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Irakli Qolbaia</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> <span style="color: #ffa400;">lives
in Tbilisi, Georgia. He has published two books of poetry in Georgian; in
English, his single publication is a pamphlet, <i>Disarraignment I: Benandanti</i>.
He currently works as a school librarian outside Tbilisi and is writing a
poetic anatomy on the cosmology/cosmogony of twindom. </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://twitter.com/wilkesjames" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">James Wilkes</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> <span style="color: #d5a6bd;">writes
poetry, short fiction, and texts for performance, and collaborates across
disciplines and art-forms. One current project is writing through and with
secular chansons by the Renaissance composer Josquin des Prez, using
translatory strategies to create new works of poetry. A chapbook, <i>Mille
Regretz: Chansons After Josquin des Prez</i>, is forthcoming with Pamenar Press
in 2022.</span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Wendy
Morrow</span></b><span lang="EN-US" style="font-family: "Garamond",serif;"> <span style="color: red;">grew up
within a family of dancers, trained at the Australian Ballet School in the
early ’70s then pursued a career as a professional dancer in Australia and
overseas performing with the Monte Carlo Ballet, The Scottish Ballet, The
Sydney Dance Company, and Danceworks in Melbourne. As a choreographer and
improviser, she has been at the vanguard of integrating dance with other forms
for most of her career. Her arts practice is centred in a deep understanding
and interest in the body as material. Her language is felt through the body,
bringing us to feeling across time. Most recently, Wendy is interested in the
"small acts" of living, stillness, and attending to others. In 2019
Wendy’s fictionella <i>FOSSIL</i> was published as part of Lost Rocks
(2017-2021), a slow publishing artwork by A Published Event [APE]. <i>FOSSIL</i>
exposes a dance practice of embodied experiential ideas and relationships.
Structured as a dance, it is written as a loose compendium of stories,
triggers, and instructions. Wendy is a member of Tender, an experimental hybrid
publishing collective of eight international women artists.</span>
<a href="http://www.apublishedevent.net/">http://www.apublishedevent.net/</a><span style="mso-spacerun: yes;"> </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://www.kathleenreicheltstudio.com/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Kathleen Florence Reichelt</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;">
<span style="color: white;">(she/her) is a performance poet, writer, musician and director for the Thousand
Islands Film & Stage Artist Residency in Canada. She has performed poetry
at events with great weather for MEDIA, NYC, Words & Music, Montreal,
Secret Handshake Gallery, Toronto, Ottawa’s Versefest and at NYC’s Le Poisson
Rouge with Three Rooms press. Kathleen’s poems have been published in <i>Suitcase
of Chrysanthemums</i> (great weather for MEDIA, NYC), Otoliths (Australia),
Arteidolia (NYC), and are forthcoming in <i>Cultural Weekly</i> (Los Angeles).
Her interviews, reviews, and articles have been published by <i>Sensitive Skin
Magazine</i>, <i>Bone Bouquet</i>, and <i>Arteidolia</i>, NYC. Kathleen is
currently writing and directing the series “Poet’s Ink,” in production.</span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Samuel
Brzeski’s</span></b><span lang="EN-US" style="font-family: "Garamond",serif;">
<span style="color: #cfe2f3;">current work deals with the situation of language within the digital context,
particularly in relation to articulations of affect. His predominantly
text-based projects search for the place and presence of the emotive body
within the post-digital swirl of language. This involves exploring the inherent
malleability of language to create and/or question meaning, narrative and
experience. Working primarily with acts of reading and vocal semantics, the
works investigate how the emotional impacts of digital culture are manifested
through textual and vocal mediums. Reconfigurations of existing texts from a
variety of sources feature prominently, with texts selected for their poetic or
political vibrations. Samuel is based in Bergen, Norway. More info at</span>
<a href="https://samuelbrzeski.com/">https://samuelbrzeski.com/</a>.</span></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-61782896737975122032021-11-25T07:00:00.059-08:002021-11-26T13:51:18.062-08:00G U E S T #20 : Edric Mesmer : Introduction<p> <!--[if gte mso 9]><xml>
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</span></p><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">With
<i>Yellow Field</i>, there was never any school of writing. Though a friend kept
reminding me: there’s still a program!—what was it? </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">The
magazine called itself a venue for “the established, the emergent, the
undersung,” collating together works of lyric (including anti-lyric), the
musical, and the visual. Most often, the contributors were writers I hadn’t
met, or knew just barely; furthermore, as a reviewer generously noted, <i>Yellow
Field </i>was “NEVER a survey of the usual suspects” [Michael Cross]. </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">Maybe
it’s my stance as a Buffalonian—some common trait of working along with a “low
current” of readership. That seems to fit. An old friend of mine from Syracuse,
enamored with the Buffalo arts scene, once said of it: when all the State money
dried up, and all the grants went away, most of the arts in other cities across
New York gave up and died; but in Buffalo, they just kept going!</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">I’m always
interested in artists who just keep going, maybe even without any notice… those
undersung. This draws me—how, without venue, or with little readerships, some
are just driven to. Certainly no prizes come into play! And I loved finding an
old mag in a used bookshop, opening upon some poem that entranced, then
reaching out to say hello & “what are you working on now?”</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">Each
issue brought together a gallery of people mostly unknown to one another, often
from different counties, and no clannishness seems to’ve emerged or pervaded.
And that seems good to me. Sure, the presences start to spool; a certain list
of works gets reviewed; a contributor is repeated… As luck would have it, the
collator might even keep in touch with someone they’ve never spoken with face-to-face,
in far-off Vancouver, who’s now the dearest friend.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">I’m
also most grateful here to rob mclennan for the chance to reach out again to
people whose work I admire, ask if they’ve been alright this last year, see
what they’ve been working on.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Edric
Mesmer</span><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Buffalo,
2021</span></span>
</p><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;"><span> </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif;"></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjQbGVG-_csnna2zkcNYYjBFSTJUrPtXR20erY1VQ3jJSY5Nn7_4p6r_i0lD4zX6tz1zcaYXQiN9ptHiVTVs716BMUPXSgGszfq87MRoaJrfAClTW_k-h-AciSCQL03rtU9xPYO_pO-5BIDdQLDKn65rUnzIRCmDsUsq5NqND1aOcCKNU2omlTlHm8owg=s1024" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="564" height="475" src="https://blogger.googleusercontent.com/img/a/AVvXsEjQbGVG-_csnna2zkcNYYjBFSTJUrPtXR20erY1VQ3jJSY5Nn7_4p6r_i0lD4zX6tz1zcaYXQiN9ptHiVTVs716BMUPXSgGszfq87MRoaJrfAClTW_k-h-AciSCQL03rtU9xPYO_pO-5BIDdQLDKn65rUnzIRCmDsUsq5NqND1aOcCKNU2omlTlHm8owg=w261-h475" width="261" /></a></b></span></div><span style="font-size: medium;"><b><a href="https://library.buffalo.edu/staff/emesmer" target="_blank">Edric Mesmer</a></b><span lang="EN-US" style="font-family: "Garamond",serif;"> was
collator of <a href="https://yefjournal.wordpress.com/" target="_blank"><i>Yellow Field</i></a> from Fall 2010 until right now. Recent poems
and reviews have appeared in <i>AMP</i>, <i>Blazing Stadium</i>, <i>No
Materialism</i>, and <i>periodicities</i>, and his book <i>POEMS: now &
then</i> was published in 2020 by BlazeVOX. He now edits <a href="https://library.buffalo.edu/pl/publications/" target="_blank">Among the Neighbors, a pamphlet series on little magazines published by the University at Buffalo’s Poetry Collection</a> where he works as a cataloging librarian—To subscribe to the
series, just send along an email!</span></span><span lang="EN-US"></span><p></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-58065584476814534992021-09-28T07:00:00.142-07:002021-09-28T07:06:08.855-07:00issue nineteen : guest-edited by Pearl Pirie<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLvfLG4xvJfo6bI67RKJzDqDjvTUUtADWDZjCK5QmpTYJuniP6zgeK_ynzqaqoenwx9t4MBMQ3_9nclHkXS2LuEGrDF-JJKfyVaw2jwAOoPaQl0rTsnKpVA_FShhV4yCl7_3KujWok48ml/s1000/guest+logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLvfLG4xvJfo6bI67RKJzDqDjvTUUtADWDZjCK5QmpTYJuniP6zgeK_ynzqaqoenwx9t4MBMQ3_9nclHkXS2LuEGrDF-JJKfyVaw2jwAOoPaQl0rTsnKpVA_FShhV4yCl7_3KujWok48ml/w388-h388/guest+logo.jpg" width="388" /></a></b></div><span style="color: #04ff00;"><b><span style="font-size: large;">NOW
AVAILABLE: G U E S T #19</span></b></span><p></p>
<p class="Body"><span style="color: #04ff00;"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14pt;">edited
by Pearl Pirie</span></b></span></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14pt;"><a href="https://guestpoetryjournal.blogspot.com/2021/09/g-u-e-s-t-19-pearl-pirie-introduction.html" target="_blank">see here for Pearl Pirie’s introduction and biography</a> </span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14pt;"> </span></b></p>
<p class="Body"><span style="color: #01ffff;"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14pt;">featuring
new work by:</span></b></span></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Cameron
Anstee<span style="mso-tab-count: 2;"> </span>Claudia Radmore</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Lana
Crossman<span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 1;"> </span>Rae Armantrout</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Maxianne
Berger<span style="mso-tab-count: 2;"> </span>Rick Black</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Charlotte
Jung<span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 1;"> </span>Louisa Howerow</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Anna
Yin<span style="mso-tab-count: 3;"> </span><span style="mso-tab-count: 1;"> </span>Philomene Kocher</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">David
Groulx<span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 1;"> </span>Monty Reid</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Rob
Taylor<span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 1;"> </span>Hifsa Ashraf </span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Geof
Huth<span style="mso-tab-count: 3;"> </span>Allison
Chisholm </span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Michael
Fraser<span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 1;"> </span>Phil Hall</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Michael
e. Casteels<span style="mso-tab-count: 1;"> </span><span style="mso-tab-count: 1;"> </span>Rich Schnell</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Michael
Dylan Welch<span style="mso-tab-count: 1;"> </span>Janick Belleau</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 16pt;">Sacha
Archer<span style="mso-tab-count: 2;"> </span><span style="mso-tab-count: 1;"> </span>Chuck Brickley</span></b></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 12pt;"> </span></b></p>
<p class="Body"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond", serif;">$5
+ postage / + $1 for Canadian orders; + $2 for US; + $6 outside of North
America</span></b></span></p><span style="font-size: medium;">
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</span><p class="Body"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond", serif;">Author
biographies:</span></b></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://cameronanstee.wordpress.com/" target="_blank"><b><span lang="DE" style="font-family: "Garamond",serif;">Cameron Anstee</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> <span style="color: #01ffff;">lives and writes in Ottawa ON where
he runs Apt. 9 Press and holds a Ph.D. in Canadian Literature from the
University of Ottawa. He is the author of one collection of poetry, <i>Book of
Annotations </i>(Invisible Publishing, 2018) and the editor of <i>The Collected
Poems of William Hawkins</i></span></span><span style="color: #01ffff;"><span lang="DE" style="font-family: "Garamond",serif;">
(Chaudiere Books, 2015)</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://claudiaradmore.com/" target="_blank"><b><span lang="PT" style="font-family: "Garamond",serif; mso-ansi-language: PT;">Claudia Coutu Radmore</span></b><span style="color: #ffd966;"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></span></a><span style="color: #ffd966;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><a href="https://claudiaradmore.com/" target="_blank">s</a> latest lyric
collections are </span><i><span lang="IT" style="font-family: "Garamond",serif; mso-ansi-language: IT;">rabbit</span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> (2020, Aeolus House Press, Toronto)
and <i>Park Ex Girl: Life with Gasometer (</i>2020, Shoreline Press, Montreal).</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://twitter.com/lanacrossman?lang=en" target="_blank"><b><span lang="IT" style="font-family: "Garamond",serif; mso-ansi-language: IT;">Lana Crossman</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> <span style="color: #e69138;">grew
up in rural New Brunswick, and now lives in Ottawa, Ontario<span> </span>Her poetry has been published in <i>FEED,
FERAL, The Light Ekphrastic, Bywords,</i> and </span></span><span style="color: #e69138;"><i><span lang="DE" style="font-family: "Garamond",serif;">Apt613</span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">. She won Carleton
University</span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span><span lang="DE" style="font-family: "Garamond",serif;">s Lilian I. Found Award for
Poetry </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">(2020), and was on the shortlist for the John Newlove
Poetry Award (2018). </span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://www.poetryfoundation.org/poets/rae-armantrout" target="_blank"><b><span lang="PT" style="font-family: "Garamond",serif; mso-ansi-language: PT;">Rae Armantrout</span></b><span style="color: #fcff01;"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></span></a><span style="color: #fcff01;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><a href="https://www.poetryfoundation.org/poets/rae-armantrout" target="_blank">s</a> most recent book, <i>Conjure</i>, published by
Wesleyan, is a finalist for the PEN/Voelcker award and was one of 10 </span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ansi-language: AR-SA; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">“</span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">best
books</span><span lang="DE" style="font-family: "Garamond",serif;">” </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">selected
by Library Journal in 2020.<span> </span>Her 2018
book, Wobble, was a finalist for the National Book Award that year. Her other
books with Wesleyan include <i>Partly: New and Selected Poems, Just Saying,
Money Shot</i> and </span><i><span lang="DE" style="font-family: "Garamond",serif;">Versed</span></i><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;">. In 2010 </span><i><span lang="DE" style="font-family: "Garamond",serif;">Versed</span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> won the Pulitzer
Prize for Poetry and The National Book Critics Circle Award. In 2007 Armantrout
received a fellowship from the Guggenheim Foundation. Her poems have appeared
in many anthologies and journals including </span><i><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;">Poetry,</span></i><i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">
Conjunctions, Lana Turner, The Nation, The New Yorker,<span> </span>the London Review of Books, The New York
Review of Books, Bomb, Harper</span></i><i><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></i><i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">s, The
Paris Review, Postmodern American Poetry: a Norton Anthology, The Open Door:
100 Poems, 100 Years of Poetry Magazine</span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">, several volumes
of</span><i><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;"> The Best American Poetry</span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">, etc. Her <i>Paris Review </i>interview
in </span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ansi-language: AR-SA; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">“</span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">The Art of Poetry</span><span lang="DE" style="font-family: "Garamond",serif;">” </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">series appeared in
December, 2019.<span> </span>She is retired from UC
San Diego where she was professor of poetry and poetics. She now lives in the
Seattle area.</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span style="color: #ffa400;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Montrealer</span><i><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></i><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Maxianne Berger </span></b></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><span style="color: #ffa400;">co-edited</span>
</span><span lang="DE" style="font-family: "Garamond",serif;"><a href="http://www.cirrustanka.com/accueil.php"><span class="Hyperlink0"><b><span lang="FR">Cirrus: tankas de nos jours</span></b></span></a></span><b><span lang="FR" style="font-family: "Garamond",serif;"> </span></b><span style="color: #ffa400;"><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">for six
years with Mike Montreuil. She writes book reviews for Tanka Canada's </span></span><i><span class="None"><span lang="DE" style="font-family: "Garamond",serif;">Gusts</span></span></i><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">, and coordinates them for <i>Haiku Canada Review</i>.</span></span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span class="None"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Rick Black </span></b></span><span style="color: #2b00fe;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">is a
book artist and poet who has a fondness for haiku. Some of these poems came in
one breath, others took years to write until everything fell into place. You
can find more of Rick</span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><span style="color: #2b00fe;">s work
at his small press,</span> </span><span lang="DE" style="font-family: "Garamond",serif;"><a href="http://www.turtlelightpress.com/"><span class="Hyperlink1"><span lang="EN-US">www.turtlelightpress.com</span></span></a></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> </span><span lang="DE" style="font-family: "Garamond",serif;"><a href="http://www.amichaiwindows.com/"><span class="Hyperlink2">www.amichaiwindows.com</span></a></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span class="None"><b><span lang="DE" style="font-family: "Garamond",serif;">Charlotte Jung </span></b></span><span style="color: #d0e0e3;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">is a
concrete minimalist poet and abstract experimental playwright. Charlotte is
originally from Stockholm, Sweden and today she divides her time between the
Stockholm countryside and Chicago. In her poetry Charlotte explores, what she
finds to be, the very intriguing and exciting landscape of language where
content meets form. Charlotte has had three chapbooks published so far; <i><span class="None">MBRYO</span></i> (Puddles of Sky Press, 2019),</span><span class="None"><span lang="DE" style="font-family: "Garamond",serif;"> <i>(SEED)</i> </span></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">(Timglaset
Editions, 2020), and </span><i><span class="None"><span lang="DE" style="font-family: "Garamond",serif;">HOLE BEING</span></span></i></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><span style="color: #d0e0e3;"> (NoPress, 2021). Please see
</span><a href="http://www.charlottejungwriter.com">www.charlottejungwriter.com</a> <span style="color: #cfe2f3;">for more information about Charlotte and her
writing.</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://poets.ca/2020/01/30/louisa-howerow/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Louisa Howerow</span></b></a><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><a href="https://poets.ca/2020/01/30/louisa-howerow/" target="_blank">'s</a> <span style="color: #ffa400;">poems have appeared in a number of anthologies, among them: </span></span></span><span style="color: #ffa400;"><i><span class="None"><span lang="PT" style="font-family: "Garamond",serif; mso-ansi-language: PT;">Gush: Menstrual Manifestos for Our Times</span></span></i><span class="None"><span lang="FR" style="font-family: "Garamond",serif; mso-ansi-language: FR;"> (Frontenac
House), </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><i>Another Dysfunctional Cancer Poem
Anthology</i> (Mansfield Press) and <i>Resistance: Righteous Rage in the Age of #MeToo</i>
(University of Regina Press.) Her poems, </span></span><span class="None"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ansi-language: AR-SA; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">“</span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Why Scrabble,</span></span><span class="None"><span lang="DE" style="font-family: "Garamond",serif;">” </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">and the
</span></span><span class="None"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ansi-language: AR-SA; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">“</span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">The Why of It</span></span><span class="None"><span lang="DE" style="font-family: "Garamond",serif;">” </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">were selected for Poem in Your Pocket, 2020 and 2021 respectively.</span></span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span style="color: #6aa84f;"><span class="None"><b><span lang="DE" style="font-family: "Garamond",serif;">Anna Yin </span></b></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">was</span></span><span lang="DE" style="color: #333333; font-family: "Garamond",serif;"> </span><span class="Hyperlink3"><span lang="DE" style="font-family: "Garamond",serif;"><a href="https://culture.mississauga.ca/content/anna-yin"><span style="color: #0066cc;">Mississauga</span><span dir="RTL" lang="AR-SA" style="color: #0066cc; font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span><span lang="NL" style="color: #0066cc; mso-ansi-language: NL;">s Inaugural Poet Laureate</span><span style="color: #0066cc;"> </span></a></span></span><span style="color: #6aa84f;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">(2015-2017)
and has authored five collections of poetry. Her six book <i><span class="None">Mirrors
and Windows</span></i> (Guernica Editions) will be out in 2021. Her
poems/translations have appeared at <i>ARC Poetry</i>,<i> New York Times</i>, <i>China Daily</i>,
CBC Radio, <i>World Journal</i> etc. Anna won several poetry awards and teaches</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;">Poetry Alive.</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://haikucanada.org/membership/member.php?page=2002&name=Philomene%20Kocher" target="_blank"><span class="None"><b><span lang="IT" style="font-family: "Garamond",serif; mso-ansi-language: IT;">Philomene Kocher</span></b></span></a><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> <span style="color: red;">lives
in Kingston, Ontario where she explores poetry and photography. Her fascination
with nature began as a child growing up on a farm near Hepworth, Ontario. She
has an abiding faith in the healing power of beauty. </span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://www.strongnations.com/gs/show.php?gs=3&gsd=3631" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">David Groulx</span></b></a><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><a href="https://www.strongnations.com/gs/show.php?gs=3&gsd=3631" target="_blank">’<span style="color: #f4cccc;">s</span></a><span style="color: #f4cccc;"> poetry has appeared in over 200 magazines in 16 countries.</span></span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://twitter.com/montyreid?lang=en" target="_blank"><span class="None"><b><span lang="DE" style="font-family: "Garamond",serif;">Monty Reid</span></b></span></a><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> <span style="color: #01ffff;">is an
Ottawa poet.<span> </span>His many books include <i><span class="None">Crawlspace </span></i></span></span><span style="color: #01ffff;"><span lang="DE" style="font-family: "Garamond",serif;">(Anansi),
</span><i><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">The Luskville Reductions</span></span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">
(Brick) and<i> </i></span><i><span class="None"><span lang="DE" style="font-family: "Garamond",serif;">Garden</span></span></i><span lang="DE" style="font-family: "Garamond",serif;"> (Chaudiere).<span> </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Poems from<i> The
Lockdown Elegies</i></span></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><i> </i>have appeared in <span class="None"><i>Train</i>,<i> Dusie</i>, <i>The
Quarantine Review</i> </span>and elsewhere. He is currently the Director of
Versefest, Ottawa</span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">s
international poetry festival.</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="http://roblucastaylor.com/" target="_blank"><span class="None"><b><span lang="DE" style="font-family: "Garamond",serif;">Rob Taylor</span></b></span></a><span lang="DE" style="font-family: "Garamond",serif;"> <span style="color: #d5a6bd;">is </span></span><span style="color: #d5a6bd;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">the</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">author</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">of</span><span lang="DE" style="font-family: "Garamond",serif;"> <i><span class="None">Strangers</span></i> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">(Biblioasis,
2021) and three other poetry collections. He</span><span lang="DE" style="font-family: "Garamond",serif;"> is </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">also</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">the</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="IT" style="font-family: "Garamond",serif; mso-ansi-language: IT;">editor</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">of</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><i><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">What</span></span><span class="None"><span lang="DE" style="font-family: "Garamond",serif;"> </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">the</span></span><span class="None"><span lang="DE" style="font-family: "Garamond",serif;"> </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Poets are Doing: Canadian Poets in Conversation</span></span></i><span style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">(Nightwood Editions, 2018), and</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">the</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">guest editor</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">of</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><i><span class="None"><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;">Best Canadian
Poetry 2019</span></span></i><span class="None"><span lang="DE" style="font-family: "Garamond",serif;"> </span></span><span lang="DE" style="font-family: "Garamond",serif;">(Biblioasis,
2019).</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><b><span lang="DE" style="font-family: "Garamond",serif;">Hifsa Ashraf </span></b><span style="color: #e69138;"><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">lives in
Rawalpindi, Pakistan. She is an award-winning poet, author, editor, and social
activist. Please visit her blog to view her published work.</span></span><span class="None"><span lang="DE" style="font-family: "Garamond",serif;"> </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">hifsays.blogspot.com</span></span><span class="None"><span lang="DE" style="font-family: "Garamond",serif;"> </span></span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><span style="color: #e69138;">or
follow her on twitter at </span><a href="https://twitter.com/hifsays?lang=en" target="_blank">@hifsays</a></span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://twitter.com/geofhuth?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor" target="_blank"><span class="None"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Geof Huth</span></b></span></a><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> <span style="color: #04ff00;">is a
writer and artist who works at the intersection</span></span><span style="color: #04ff00;"><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">of text and
anything else. His most recent books are </span><i><span class="None"><span lang="IT" style="font-family: "Garamond",serif; mso-ansi-language: IT;">The
Anarchivist</span></span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> (essays on and photographs of archives), </span><i><span class="None"><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;">In Chancery</span></span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> (photographs of ancient records of the New York
Court of Chancery), and <i><span class="None">lines of thought</span></i> (a
collection of handwritten and drawn visual poems).</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span class="None"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Allison Chisholm</span></b></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> lives
and writes in Kingston.<span> </span>Her poetry has
appeared in<i> </i><span class="None"><i>The Northern Testicle Review</i>,</span> the chap-poem
<span class="None"><i>The Dollhouse</i>, <i>The Week Shall Inherit The Verse</i>,</span> and
the chapbook <i><span class="None">On the Count of One</span></i></span><span lang="DE" style="font-family: "Garamond",serif;">. </span><a href="https://www.anvilpress.com/books/on-the-count-of-none" target="_blank"><i><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">On the Count of None</span></span></i></a><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> is her first full-length book of poetry.</span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://www.writersunion.ca/member/michael-fraser" target="_blank"><span class="None"><b><span lang="DE" style="font-family: "Garamond",serif;">Michael Fraser</span></b></span></a><span lang="DE" style="font-family: "Garamond",serif;"> </span><span style="color: #d0e0e3;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">has been published
in numerous national and international anthologies and journals. He is
published in <span class="None">the</span></span><span class="None"><span lang="DE" style="font-family: "Garamond",serif;"> </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><i>Best
Canadian Poetry in English</i> 2013, & 2018. </span></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">He has won
numerous awards including:</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><i><span class="None"><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;">Freefall</span></span><span class="None"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></span></i><span class="None"><span lang="DE" style="font-family: "Garamond",serif;">s</span></span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">2014
and 2015 Poetry Contests, the 2016</span><span lang="DE" style="font-family: "Garamond",serif;"> CBC </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Poetry
Prize, and the 2018 Gwendolyn MacE</span><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;">wen Poetry Competition.</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span class="None"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Phil Hall’</span></b></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><span style="color: #ff00fe;">s
latest is</span> <i><a href="https://www.beautifuloutlaw.com/product-page/toward-a-blacker-ardour" target="_blank"><span class="None">Toward a Blacker Ardour</span> by Phil Hall</a>
</i><span style="color: #ff00fe;">(Beautiful Outlaw, 2021).</span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://invisiblepublishing.com/authors/michael-e-casteels/" target="_blank"><b><span lang="NL" style="font-family: "Garamond",serif; mso-ansi-language: NL;">Michael e. Casteel<span style="font-family: "Arial Unicode MS",serif;">s'</span></span></b></a><b><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;"> </span></b><span style="color: #f4cccc;"><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">most recent collection is a book-length surreal meta-western, <i>The Man
with the Spider Scar</i> (Puddles of Sky Press, 2021). Other recent publications
include<i> </i></span></span><i><span class="None"><span lang="SV" style="font-family: "Garamond",serif; mso-ansi-language: SV;">Flotsam</span></span></i><span class="None"><span lang="DE" style="font-family: "Garamond",serif;"> (Timglaset, 2020), </span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">& <i>Jetsam</i> (Simulacrum Press, 2019), and (with Nicholas Papaxanthos) <i>All
We</i></span></span><i><span class="None"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">ve Learned, Which isn</span></span><span class="None"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></span><span class="None"><span lang="ES-TRAD" style="font-family: "Garamond",serif; mso-ansi-language: ES-TRAD;">t Much</span></span></i><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> (above/ground press, 2020). He lives in Kingston with his wife and dog
and baby on the way. </span></span></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span class="None"><b><span lang="DE" style="font-family: "Garamond",serif;">Rich Schnell </span></b></span><span style="color: #a2c4c9;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">lives
in an old historic inn on Lake Champlain. An avid home gardener, he writes
haiku, haibun and haiga; he also loves cycling in Quebec and sailing on Lake
Champlain. Rich is a State University of New York Distinguished </span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Service Professor,
sits on New York</span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">s
licensing board for Mental Health Clinicians, and is a recipient of the
Chancellor</span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">s Award
for Excellence in Teaching. Rich and his wife, Zoanne, have volunteered as
mental health clinicians and worked </span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">for several years in the Himalayas, in Bhutan, at the
National Hospital</span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">s
Psychiatric Unit. During COVID he designed and constructed a meditation T</span><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span><span lang="IT" style="font-family: "Garamond",serif; mso-ansi-language: IT;">aoist Stone Garden</span></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><span style="color: #a2c4c9;"> for
poets and their friends</span>. </span><span lang="DE" style="font-family: "Garamond",serif;"> </span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span class="None"><b><span lang="DE" style="font-family: "Garamond",serif;">Michael Dylan Welch</span></b></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> <span style="color: #ffa400;">has
been investigating haiku since 1976. Since then he has published his haiku,
longer poetry, essays, and reviews, in hundreds of journals in at least 20
languages, and has been integral to numerous haiku institutions, including Haiku
North America, the Haiku Society of America, the American Haiku Archives, and
National Haiku Writing Month. His website, devoted mostly to haiku, is</span>
<a href="http://www.graceguts.com">www.graceguts.com</a>.</span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span class="None"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Janick Belleau</span></b></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> is a
Greater-Montreal poet and literary freelance contributor. She writes mainly
about the</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">contribution
of women</span><span lang="DE" style="font-family: "Garamond",serif;"> </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">insofar
as the advancement of</span><span lang="DE" style="font-family: "Garamond",serif;"> haiku and </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">tanka.
For more info, please visit her bilingual web site : </span><span lang="DE" style="font-family: "Garamond",serif;"><a href="https://janickbelleau.ca/"><span class="Hyperlink2">https://janickbelleau.ca/</span></a></span><span lang="DE" style="font-family: "Garamond",serif; mso-bidi-font-family: Helvetica; mso-fareast-font-family: Helvetica;"></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><a href="https://sachaarcher.wordpress.com/" target="_blank"><span class="None"><b><span lang="DE" style="font-family: "Garamond",serif;">Sacha Archer</span></b></span></a><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> <span style="color: #04ff00;">lives
in Burlington, Ontario with his wife and two daughters. Most recently he has
published <i><span class="None">Mother</span></i></span></span><span style="color: #04ff00;"><i><span class="None"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></span><span class="None"><span lang="DA" style="font-family: "Garamond",serif; mso-ansi-language: DA;">s Milk</span></span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> (Timglaset) and </span><i><span class="None"><span lang="FR" style="font-family: "Garamond",serif; mso-ansi-language: FR;">UMO</span></span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> (The
Blasted Tree). Forthcoming publications include </span><i><span class="None"><span lang="DE" style="font-family: "Garamond",serif;">Jung Origami</span></span></i><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">
(Enneract Editions) and </span><i><span class="None"><span lang="DE" style="font-family: "Garamond",serif;">Hydes</span></span></i></span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"><span style="color: #04ff00;"> (nOIR:Z). Find him on Facebook and</span> <a href="https://www.instagram.com/sachaarcher/?hl=en" target="_blank">Instagram @sachaarcher</a></span></span></p><span style="font-size: medium;">
</span><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">Chuck Brickley</span></b><span class="None"><span dir="RTL" lang="AR-SA" style="font-family: "Arial Unicode MS",serif; mso-ascii-font-family: Garamond; mso-hansi-font-family: Garamond;">’</span></span><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;">s <span style="color: #9fc5e8;">collection of haiku, <i>earthshine</i> (in its 4th printing), won a
Touchstone Distinguished Book Award (2017), and Honorable Mentions in the
inaugural Marianne Bluger Book Award (2020) and the HSA Merit Book Award
(2017). One of his haibun was nominated for a Pushcart Prize (2018), another
for a Sonders Best Small Fiction Award (2019). Brickley is currently the
contest coordinator for the Haiku Society of America, a panelist for the
Touchstone Award for Individual Poems and a judge for the Vancouver Cherry
Blossom Festival Haiku Invitational.</span> <a href="http://www.chuckbrickley.com">www.chuckbrickley.com</a>.</span></span></span></p><p class="Default" style="margin-top: 0cm;"><span style="font-size: medium;"><span class="None"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US;"> </span></span></span><span lang="DE" style="font-family: "Garamond",serif;"></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-44408386449800886462021-09-28T07:00:00.016-07:002021-09-28T07:00:00.245-07:00G U E S T #19 : Pearl Pirie : Introduction<p> </p><p> </p><p><!--[if gte mso 9]><xml>
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</p><p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">What I also love is the serendipitous cross-ties of
blood and butterflies, writers life, rain and river. We are in nature and we
are nature. We take whatever time it takes to acknowledge violence or
beauty.<span style="mso-spacerun: yes;"> </span></span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">We can choose to echo and spread information overload,
grief, fear, anger and Covid.<span style="mso-spacerun: yes;"> </span>Or sit
with quiet. A radical act. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">In a world of infinite words, to choose a few draws a
firm line.</span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">To make space for the small slows the pulse. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">One may poet here may balance the noise with simple
awarenesses. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">The slowness of a refusal to be rushed is restorative.
</span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">With small poems one may be at risk of quietude and
willful shutting out of the complex jagged bits of life. Or one may let them
enter, single file, look each in the eye. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">I love the poems that came in from these poets I
admire. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">The poems are open to risk and walk vulnerably without
deflection from what is worth noting. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"> </span></p>
<p class="Body"><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"> </span></p>
<p class="Body"><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"><br /></span></p><p class="Body"><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"> </span></p>
<p class="Body"><b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGoIO6EuauEyHoy-9bTLZhOBYNG2Nhx7xD-GURURdaigBanPYXVJtjx5VxZSh7YX2nuXqz-d6neb9GhlGgYi7ORL4gTf_vR6hKhnMBV6OrkvAdL0pmV38lzfsw3fG7PAShD_qoZZBdWiGm/s480/thumbnail_July2020-Pirie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="480" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGoIO6EuauEyHoy-9bTLZhOBYNG2Nhx7xD-GURURdaigBanPYXVJtjx5VxZSh7YX2nuXqz-d6neb9GhlGgYi7ORL4gTf_vR6hKhnMBV6OrkvAdL0pmV38lzfsw3fG7PAShD_qoZZBdWiGm/w379-h379/thumbnail_July2020-Pirie.jpg" width="379" /></a></b></div><b><span style="font-size: large;">Pearl Pirie</span></b><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">
is a rural Quebec poet. Her family arrived in the Shawville and Litchfield,
Quebec areas in the 1840s but most spent the 1900s and 2000s in Ontario. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span><p></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">Her fourth poetry collection is </span><span class="Hyperlink0"><i><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">footlights</span></i></span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">
(Radiant Press, 2020) and her most recent chapbook is </span><span class="Hyperlink0"><i><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">Mudflaps for Short Dogs </span></i></span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">(Trainwreck Press, 2021). She has a forthcoming minimalist poem chapbook
this fall from Apt. 9 Press. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Garamond; mso-fareast-font-family: Garamond;"></span></p>
<p class="Body"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">Pirie is on <a href="https://www.patreon.com/pearlpiriepoet" target="_blank">Patreon</a> and <a href="https://www.instagram.com/pearlpiriepoet/" target="_blank">Instagram at pearlpiriepoet</a>
and is <a href="https://twitter.com/pesbo?lang=en" target="_blank">pesbo on twitter</a>. She has a blog at </span><span style="font-family: "Garamond",serif; font-size: 14.0pt;"><a href="http://pearlpirie.com/blog"><span class="Hyperlink1"><span lang="EN-US" style="mso-ansi-language: EN-US; text-decoration: none; text-underline: none;">pearlpirie.com/blog</span></span></a></span><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-ansi-language: EN-US;">. </span><span style="font-family: "Garamond",serif; font-size: 14.0pt;"></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-family: "Garamond",serif; font-size: 14.0pt;"><br /></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-40305496807947600822021-08-27T07:00:00.049-07:002021-08-27T07:00:00.203-07:00issue eighteen : guest-edited by Melissa Eleftherion<p class="MsoNormal" style="line-height: normal;"><b><span style="font-size: large;"><span lang="EN" style="font-family: "Garamond", serif;"></span></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5CY0A-znIPkOAPYNEG4uc7RHX50uLzZ8hEV1uMf01xERGh6__j3Dm9YlUcXdb8vtJbay1gA7pP3ASTL3bCCk7ynGuVuagFP468Wu4RCvjFQbjjn5Q8tNvBkfiUXjq7bl-1nlVwt8eNxGn/s1000/guest+logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="369" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5CY0A-znIPkOAPYNEG4uc7RHX50uLzZ8hEV1uMf01xERGh6__j3Dm9YlUcXdb8vtJbay1gA7pP3ASTL3bCCk7ynGuVuagFP468Wu4RCvjFQbjjn5Q8tNvBkfiUXjq7bl-1nlVwt8eNxGn/w369-h369/guest+logo.jpg" width="369" /></a></span></b></div><b><span style="font-size: large;">NOW AVAILABLE: G U E S T #18<span lang="EN" style="font-family: "Garamond", serif;"> <br />edited by <a href="https://apoetlibrarian.wordpress.com/" target="_blank">Melissa Eleftherion</a><br /><a href="https://guestpoetryjournal.blogspot.com/2021/08/g-u-e-s-t-18-melissa-eleftherion.html" target="_blank">see here for Melissa Eleftherion’s introduction and biography</a></span><span lang="EN" style="font-family: "Garamond", serif;"> </span></span></b><p></p><p class="MsoNormal" style="line-height: normal;"><span style="font-size: large;"><b><span lang="EN" style="font-family: "Garamond", serif;">featuring new work by:<br /></span></b><span lang="EN" style="font-family: "Garamond", serif; font-size: x-large;"><br />Caroline Goodwin<br />Nancy Chen Long</span><span lang="EN" style="font-family: "Garamond", serif; font-size: x-large;"><br />Elise Ficarra<br />Brenda Iijima</span><span lang="EN" style="font-family: "Garamond", serif; font-size: x-large;"><br />Florencia Milito<br />Saba Syed Razvi</span><span lang="EN" style="font-family: "Garamond", serif; font-size: x-large;"><br />Aileen Cassinetto<br />Zoe Tuck</span><span lang="EN" style="font-family: "Garamond", serif; font-size: x-large;"><br />Kim Shuck </span></span>
</p><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><span lang="EN" style="font-family: "Garamond", serif;">$5 + postage / + $1 for Canadian orders; + $2 for US; + $6 outside of North America<br /></span></span></p><span style="font-size: medium;">
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</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><b><span lang="EN" style="font-family: "Garamond", serif;">Author biographies:</span></b><span lang="EN" style="font-family: "Garamond", serif;"><span> </span></span></span></p><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><a href="https://aileencassinetto.com/" target="_blank"><b><span lang="EN" style="font-family: "Garamond", serif;">Aileen Cassinetto</span></b></a><span lang="EN" style="font-family: "Garamond", serif;"> <span style="color: #f6b26b;">is the Poet Laureate of San Mateo
County. Widely anthologized, she is also the author of the poetry collections, <i>Traje
de Boda</i> (2010) and <i>The Pink House of Purple Yam Preserves & Other
Poems</i> (2018), as well as three chapbooks through Moria Books’ acclaimed
Locofo series. Her work has appeared or is forthcoming in <i>POETRY</i>, <i>The
Banyan Review</i>, <i>Fellowship Magazine</i>, <i>Marsh Hawk Press Review</i>, <i>The
Nonconformist Magazine</i>, <i>San Francisco Chronicle</i>, and <i>Vox Populi</i>,
among others</span>.</span><span lang="EN" style="font-family: "Garamond",serif;"><a href="http://aileencassinetto.com/"><span style="color: red;"> Aileencassinetto.com</span></a></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><a href="https://poetry.sfsu.edu/people" target="_blank"><b><span lang="EN" style="font-family: "Garamond", serif;">Elise Ficarra</span></b></a><span lang="EN" style="font-family: "Garamond", serif;"> <span style="color: #01ffff;">is a poet, writer, educator, and arts
administrator. Her book<i> Swelter</i> was winner of the Michael Rubin Book
Award at SF State. Her poetry is available in various online and print
publications and has appeared in collective installations Broadside Attractions
Vanquished Terrains (Intersection for the Arts) and 1078 Gallery. </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><a href="http://www.carolinegoodw.com/" target="_blank"><b><span lang="EN" style="font-family: "Garamond", serif;">Caroline Goodwin's</span></b></a><span lang="EN" style="font-family: "Garamond", serif;"> <span style="color: #ff00fe;">recent collections are <i>The Paper Tree</i>
(Big Yes Press, 2017) and <i>Custody of the Eyes</i> (dancing girl press,
2019). A new collection, <i>Old Snow, White Sun</i>, is forthcoming from
JackLeg Press. These three poems are from <i>Matanuska</i>, which is forthcoming
from Aquifer Press in Wales, UK. Goodwin lives on the San Mateo Coast with her
two daughters and Jimi Hendrix the Pug.</span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><a href="https://www.poetryfoundation.org/poets/brenda-iijima" target="_blank"><b><span lang="EN" style="font-family: "Garamond", serif;">Brenda Iijima</span></b></a><span lang="EN" style="font-family: "Garamond", serif;"> <span style="color: #e69138;">is a poet, playwright, choreographer and
visual artist. She is the author of nine books of poetry. Her involvements
occur at the intersections and mutations of genre, mode, receptivity, and field
of study. Her current work engages submerged and occluded histories,
other-than-human modes of expression and telluric awareness in all forms.
Iijima is the founding editor-publisher of Portable Press @ Yo-Yo Labs. She
lives in Brooklyn. </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><a href="https://www.nancychenlong.com/" target="_blank"><b><span lang="EN" style="font-family: "Garamond", serif;">Nancy Chen Long</span></b></a><span lang="EN" style="font-family: "Garamond", serif;"> <span style="color: #ea9999;">is the author of <i>Wider than the Sky </i>(Diode
Editions, 2020), which was selected for the Diode Editions Book Award, and <i>Light
into Bodies</i> (University of Tampa Press, 2017), which won the Tampa Review
Prize for Poetry. Her work has been supported by a National Endowment of the
Arts Creative Writing fellowship and a Poetry Society of America Robert H.
Winner Award. You’ll find her recent poems in <i>Ploughshares</i>, <i>Copper
Nickel</i>, <i>The Cincinnati Review</i>, <i>The Southern Review</i>, and
elsewhere. She works at Indiana University in the Research Technologies
division.</span> </span><span lang="EN" style="font-family: "Garamond",serif;"><a href="http://nancychenlong.com/"><span style="color: #1155cc;">nancychenlong.com</span></a></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><span lang="EN" style="font-family: "Garamond", serif;"><span style="color: #93c47d;">Born in Argentina,</span> <a href="https://www.florenciamilito.com/" target="_blank"><b>Florencia Milito</b></a> <span style="color: #93c47d;">spent part of her childhood
in Venezuela and has lived in the United States since she was nine. She’s a
bilingual poet, essayist, and translator, and her work has appeared in <i>ZYZZYVA</i>,
<i>Indiana Review</i>, <i>Catamaran</i>, <i>Entremares</i>, <i>Digging through
the Fat</i>, <i>Diálogo</i>, <i>92nd Street Y</i>, <i>Quiet Lightning</i>, <i>Ninth
Letter</i>, and <i>Latinas: Struggles & Protests in 21st Century USA</i>,
among others. She’s a Hedgebrook and Community of Writers alumna, CantoMundo
fellow, and former San Francisco Grotto fellow. Her bilingual collection <i>Ituzaingó:
Exiles and Reveries / exilios y ensueños</i> was published by Nomadic Press in
2021.</span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><a href="https://sabarazvi.com/" target="_blank"><b><span lang="EN" style="font-family: "Garamond", serif;">Saba Syed Razvi</span></b></a><span lang="EN" style="font-family: "Garamond", serif;">, <span style="color: #cfe2f3;">PhD is the author of the Elgin
Award-nominated collection <i>In the Crocodile Gardens</i> (Agape Editions) and
the collection <i>heliophobia</i> (Finishing Line Press), which appeared on the
preliminary ballot for the Bram Stoker Award ® for Superior Achievement in
Poetry, as well as the chapbooks <i>Limerence & Lux</i> (Chax Press), <i>Of
the Divining and the Dead</i> (Finishing Line Press), and <i>Beside the
Muezzin’s Call & Beyond the Harem’s Veil</i> (Finishing Line Press). She is
currently an Associate Professor of English and Creative Writing at the
University of Houston in Victoria, TX, where in addition to working on
scholarly research on interfaces between contemporary poetry and science and on
gender & sexuality in speculative and horror literature and pop-culture,
she is writing new poems and fiction.</span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><a href="https://kimshuck.com/" target="_blank"><b><span lang="EN" style="font-family: "Garamond", serif;">Kim Shuck</span></b></a><span lang="EN" style="font-family: "Garamond", serif;"> <span style="color: red;">was the 7th Poet Laureate of San Francisco.
Shuck has authored eight solo books, edited a handful of anthologies and
chapthologies, and has work in many anthologies and journals. In the aftermath
of being SF laureate Shuck spends a great deal of time walking and not
organizing poetry events. Kim's latest book is <i>Exile Heart</i> from That
Painted Horse Press.</span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal" style="line-height: normal;"><span style="font-size: medium;"><b><span lang="EN" style="font-family: "Garamond", serif;">Zoe Tuck</span></b><span lang="EN" style="font-family: "Garamond", serif;"> <span style="color: #cccccc;">was born in Texas, became a person in
California, and now lives in Massachusetts, where she is building the Threshold
Academy, a future bookstore and non-traditional educational / performance
space. With Britt Billmeyer-Finn, she co-curates the But Also house reading
series. Zoe is the author of the chapbooks <i>Every Poem I Wrote From 1 to 14
December 2020, Soft Investigations</i> (Daisy Mayhem Books 2019) and <i>Terror
Matrix</i> (Timeless, Infinite Light 2014). She is currently writing her
newsletter, blogging about books, and teaching a year of classes on the
literature of friendship through the Liminal Lab. Find out more at</span> </span><span lang="EN" style="font-family: "Garamond",serif;"><a href="http://zoetuck.com/"><span style="color: #1155cc;">zoetuck.com</span></a></span></span><span lang="EN" style="font-family: "Garamond",serif; font-size: 12pt; mso-bidi-font-family: Georgia; mso-fareast-font-family: Georgia;"><span style="font-size: medium;">.<br /></span><br /></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-16742038026584028512021-08-27T07:00:00.009-07:002021-08-27T07:00:00.202-07:00G U E S T #18 : Melissa Eleftherion : Introduction<p> </p><p> </p><p> </p><p><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="0" SemiHidden="true"
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<w:LsdException Locked="false" Priority="0" SemiHidden="true"
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<w:LsdException Locked="false" Priority="0" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="0" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
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<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
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</p><p class="MsoNormal" style="line-height: normal;"><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Georgia; mso-fareast-font-family: Georgia;">Transformation is the great life integer. As discomfiting and tenuous
as it sounds, we move through phases & changes as we become & become
again. During this unique life cycle where we are being invited/forced to
stretch & grow more than usual, I wondered how/if poets were getting
through, & what it might look like to cohere these visions. </span></p>
<p class="MsoNormal" style="line-height: normal;"><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Georgia; mso-fareast-font-family: Georgia;">I reached out to various poets & writers to submit work on the
theme of transformation, some of whom I did not know at all, and in doing so,
developed & deepened a few relationships with poets I had long admired.
This too became an opportunity for stretching outside my own comfort
zones.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal" style="line-height: normal;"><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Georgia; mso-fareast-font-family: Georgia;">Each of these works takes as its fulcrum the concept of
transformation. In each of these poems, there is a turning; a decisive pivot of
the will to consider or become something other than human; some process by
which we might transmogrify into a greater understanding; by which we might at
once be immersed and immerse our cells & light into a great organism. Might
this be a homecoming, might this signal at last a belonging? </span></p>
<p class="MsoNormal" style="line-height: normal;"><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Georgia; mso-fareast-font-family: Georgia;">So, gentle reader – transform with us, eat “serviceberries fresh from
the shrub”, visit “white skulls resting on the sage-covered desert”, “learn to
communicate those languages. Breathe this all in. Hrim: seed mantra.”, “the
songs of abolitionists & those bold enough to dream”, “to make wings out of
no thing but air and steel”, “here is a wish and the wish is love”, “…to admit
that I just wanted to go somewhere and be if not normal then in context”, “We
will wear the agates Their inscriptions Cracked from Wildfire”, “may we fall
into mouths that devour us.”</span></p>
<p class="MsoNormal" style="line-height: normal;"><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Georgia; mso-fareast-font-family: Georgia;"> </span></p>
<p class="MsoNormal" style="line-height: normal;"><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Georgia; mso-fareast-font-family: Georgia;"> </span></p>
<p class="MsoNormal" style="line-height: normal;"><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt; mso-bidi-font-family: Georgia; mso-fareast-font-family: Georgia;"> </span></p>
<p class="MsoNormal" style="line-height: normal;"><b><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9UeJ02D2UfF0c1gY0-tR77Lk1DfMHRd58Gc_PjO1VC8e_trnA9s-uEnNVIsKnW1DKtGt8p2aqheCnCQQqSGBHGt7oyzC24Map677yPCXZZotEUnRe__8V7AHfVYPLt1MXoCBK-vIgPO45/s1280/me+author+photo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9UeJ02D2UfF0c1gY0-tR77Lk1DfMHRd58Gc_PjO1VC8e_trnA9s-uEnNVIsKnW1DKtGt8p2aqheCnCQQqSGBHGt7oyzC24Map677yPCXZZotEUnRe__8V7AHfVYPLt1MXoCBK-vIgPO45/s320/me+author+photo.jpg" width="240" /></a></b></div><b><span style="font-size: large;">Melissa Eleftherion</span></b><span lang="EN" style="font-family: "Garamond",serif; font-size: 14.0pt;"> is a cis queer
human, a writer, a librarian, and a visual artist. She is the author of <i>field
guide to autobiography</i> (The Operating System, 2018), & ten chapbooks,
including <a href="http://abovegroundpress.blogspot.com/2020/05/new-from-aboveground-press-trauma.html" target="_blank"><i>trauma suture</i></a> (above/ground press, 2020), & <i>abalone</i>
(poems-for-all, 2021). Her poems & prose have been widely published in
various journals including the <i>Berkeley Poetry Review</i>, <i>Entropy</i>,
& <i>La Vague</i>. Born & raised in Brooklyn, Melissa created,
developed, and co-curates The SF State Poetry Center Chapbook Exchange with
Elise Ficarra. She now lives in Northern California where she manages the Ukiah
Library, curates the LOBA Reading Series, and serves as the Poet Laureate of
Ukiah 2021-2023. Recent work is available at <a href="http://www.apoetlibrarian.wordpress.com">www.apoetlibrarian.wordpress.com</a>.</span><p></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-82836477461524256852021-06-03T06:00:00.081-07:002021-06-03T06:00:00.192-07:00issue seventeen : guest-edited by Melanie Dennis Unrau<p class="MsoNormal"><b><span style="font-family: "Garamond",serif; font-size: 18pt; mso-bidi-font-family: "Times New Roman";"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm5hpuD08gn8gkxyM9ivl7P7wYTobxqwVaum6kGsAEuZeAduuMHcKe-ao4NBVzD-rLF-MR0iYpAvtOY4P0-Si3KiUkf55vuuknRfDXxNFrOLGQOUrUDD0DTvOav7Lj-dK-LyfuHR3yp7IV/s1000/guest+logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm5hpuD08gn8gkxyM9ivl7P7wYTobxqwVaum6kGsAEuZeAduuMHcKe-ao4NBVzD-rLF-MR0iYpAvtOY4P0-Si3KiUkf55vuuknRfDXxNFrOLGQOUrUDD0DTvOav7Lj-dK-LyfuHR3yp7IV/w410-h410/guest+logo.jpg" width="410" /></a></b></div><b><span style="font-size: x-large;">NOW AVAILABLE: G U E S T #17</span></b><b><span style="font-family: "Garamond",serif; font-size: 18pt; mso-bidi-font-family: "Times New Roman";"><br />edited by Melanie Dennis Unrau</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><br />typeset in Garamond by C. McNair, editor’s devil (retired)</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><br />design by r. mclennan</span><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> <br /></span></b><p></p>
<p class="MsoNormal"><a href="https://guestpoetryjournal.blogspot.com/2021/06/g-u-e-s-t-17-melanie-dennis-unrau.html" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 16pt; mso-bidi-font-family: "Times New Roman";">see here for Melanie Dennis Unrau’s introduction and biography</span></b></a></p>
<p class="MsoNormal"><a href="https://periodicityjournal.blogspot.com/2021/06/melanie-dennis-unrau-energy-stories.html" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 16pt; mso-bidi-font-family: "Times New Roman";">published simultaneously with a folio
supplement, <i>energy stories</i>, also edited by Melanie Dennis Unrau, at <i>periodicities:
a journal of poetry and poetics</i></span></b></a></p>
<p class="MsoNormal"><a href="https://www.facebook.com/events/3149594938632418" target="_blank"><b><span style="font-family: "Garamond",serif; font-size: 16pt; mso-bidi-font-family: "Times New Roman";">with an online launch today at 2:30pmCDT</span></b></a></p>
<p class="MsoNormal"><b><span style="font-family: "Garamond",serif; font-size: 16pt; mso-bidi-font-family: "Times New Roman";"> </span></b></p><p class="MsoNormal"><b><span style="font-family: "Garamond",serif; font-size: 16pt; mso-bidi-font-family: "Times New Roman";"> </span></b></p><p class="MsoNormal"><span style="font-size: x-large;"><b><span style="font-family: "Garamond", serif;">featuring new work by:</span></b></span></p>
<p class="MsoNormal"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";">Yvonne Blomer</span></b><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />Kiran Malik-Khan<br />Peter Christensen</span></b><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />K.B. Thors<br />Nicholas Molbert</span></b><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />Rina Garcia Chua<br />Tawahum Bige</span></b><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />Julia Spicher Kasdorf<br />David Martin</span></b><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />Ross Belot<br />Bola Opaleke</span></b><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />Adam Dickinson<br />Lindsay Bird</span></b><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />Kelly Shepherd<br />Maya Weeks</span></b><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />Lisa Mulrooney<br />Rita Wong</span></b><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></b></p><p class="MsoNormal"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">$5 + postage / + $1 for Canadian orders; + $2 for US; + $6
outside of North America</span></b></p>
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<p class="MsoNormal"><b><span style="font-family: "Garamond",serif; font-size: 14pt; mso-bidi-font-family: "Times New Roman";"><br />Author biographies:</span></b></p>
<p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://www.yvonneblomer.com/" target="_blank">Yvonne Blomer</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">is an award-winning poet, and author of
the critically acclaimed travel memoir <i>Sugar Ride: Cycling from Hanoi to
Kuala Lumpur</i>. Her collection <i>In Ruins</i> will be published with Caitlin
Press in 2022. Yvonne’s most recent books of poetry include <i>As if a Raven</i>
and the anthologies <i>Refugium: Poems for the Pacific</i> and <i>Sweet Water:
Poems for the Watersheds</i>, which she edited for Caitlin Press. She is the
past Poet Laureate of Victoria, B.C. and lives, works and raises her family on
the traditional territories of the WSÁNEĆ (Saanich), Lkwungen (Songhees),
Wyomilth (Esquimalt) peoples of the Coast Salish Nation.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Kiran Malik-Khan </span></b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman";">is the Communications Manager for the Fort McMurray
Public School Division, and a national award-winning communications professional.
She is a freelance journalist, a social media consultant, and a poet. She loves
sharing stories about unique people, events, and organizations. </span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman";">Kiran is the
co-founder and volunteer public relations director for <i>NorthWord</i> magazine, Fort McMurray's first and only literary
magazine. She is also the President/Co-founder of World Hijab Day Fort
McMurray, a group that has brought the conversation about the Hijab, the
Islamic headscarf, front and centre in the community. A proud
Pakistani-Canadian who grew up in New Jersey, she is a fierce advocate of Fort
McMurray, multiculturalism, women's rights, and equality/equity for all. Follow
her on Twitter <a href="https://twitter.com/kiranmk0822?lang=en" target="_blank">@KiranMK0822</a>.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://abcbookworld.com/writer/christensen-peter/" target="_blank">Peter Christensen</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">has published five books of poetry—<i>Hailstorm,
Rig Talk, To Die Ascending, </i>and<i> Oona River Poems—</i>as well as
chapbooks and a bestseller book of short stories, <i>Wilderness Tales</i>. He
edited the poetry magazine <i>Canada Goose</i> and the poetry anthologies <i>Ride
Off Any Horizon I </i>and<i> II</i>. He organized, hosted, and produced Headwaters
International Mountain Writers Conference I and II.<i> </i>Peter’s writing has
been published in North American and European journals, and he has given many
readings of his work. He worked with new music composer Robert Rosen to write
and produce <i>Canyon Shadows</i>, an opera and butoh dance performance in a
natural setting. Peter's librettos have been performed in international concert
halls, most recently Carnegie Hall, New York. Peter has worked as a writer for
industry, and as a horseman, guide, and ranger. He was Writer in Residence at
Banff Centre, Okanagan University College, and Wallace Stegner House. A new
poetry collection, <i>Birds of Prey</i>, has just been completed.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://kbthors.com/" target="_blank">K.B. Thors</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">is the author of <i>Vulgar Mechanics</i>
(Coach House Books), the Icelandic-English translator of Kristín Svava
Tómasdóttir’s <i>Stormwarning </i>(Phoneme), nominated for the 2019 PEN
Literary Award for Poetry in Translation and winner of the Leif and Inger
Sjöberg Prize, and the Spanish-English translator of Soledad Marambio’s <i>Chintungo:
The Story of Someone Else</i> (Ugly Duckling Presse). Born and raised on Treaty
6 & 7 land in what’s also known as Alberta, her/their next projects include
a collection of poems about fracking, water, and intergenerational mental
health, and a tv series about gender diversity on the frontier.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Originally from Louisiana's Gulf Coast, <b>Nicholas Molbert</b>
now lives and writes in Cincinnati, Ohio. His chapbook, <i>Goodness Gracious</i>,
won Foundlings Press's 2018 Wallace Award, and other published poetry and prose
can be found at </span><span style="font-family: "Garamond",serif;"><a href="https://nam11.safelinks.protection.outlook.com/?url=http%3A%2F%2Fnicholasmolbert.com%2F&data=04%7C01%7Cmolberns%40mail.uc.edu%7C9e88bd2995b34cda335b08d8ee2e5289%7Cf5222e6c5fc648eb8f0373db18203b63%7C1%7C0%7C637521230030721600%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&sdata=gokWqCRwJ2AKs%2BOuItlWZFreHPSxK0GKe5qhSZuIk3U%3D&reserved=0" target="_blank"><span>nicholasmolbert.com</span></a></span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">. “The
Prophet of Spindletop Gives Thanks after the Lucas Gusher Strikes Oil” is part
of a series of poems which takes Pattillo Higgins as their center. A
self-taught geologist, Higgins was convinced crude could be found on the coast
of the Gulf of Mexico and didn't stop until he found it in southeastern Texas.
More generally, the series explores the roles of religiosity, masculinity, and
entitled desire in the 20th-century quest for crude oil in the United States.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman";"><a href="https://www.rinagarciachua.com/" target="_blank">Rina Garcia Chua</a> </span></b><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman";">is currently a
PhD Candidate in Interdisciplinary Studies in the University of British
Columbia Okanagan. She is the editor of <i>Sustaining the Archipelago: An
Anthology of Philippine Ecopoetry</i> (2018), and is working on an edited
collection, <i>Empire and Environment: Confronting Ecological Ruination in</i> <i>the
Transpacific</i>, with Heidi Hong, Jeffrey Santa Ana, and Xiaojing Zhou,
forthcoming with the University of Michigan Press in 2022. She is also the
Diversity Co-Officer for the Association for the Study of Literature and the
Environment (ASLE), and Poetry Editor of <i>The Goose: A Journal of Arts,
Environment, and Culture in Canada</i>.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://tawahum.com/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Tawahum Bige</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> is a Łutselk</span><span style="font-family: "Times New Roman",serif;">ʼ</span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">e Dene, Plains Cree
poet and spoken word artist from unceded Musqueam, Squamish &
Tsleil-waututh Territory (Vancouver). Their Scorpio-moon-ass poems expose
growth, resistance & persistence as a hopeless Two Spirit Nonbinary sadboy
on occupied Turtle Island. </span><span lang="EN-US" style="font-family: "Garamond",serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman";">In typical
Aries-sun fashion, Tawahum completed the first-ever Indigenous Spoken Word
residency at the Banff Centre in 2018 while completing their BA in Creative
Writing from Kwantlen Polytechnic University in 2019.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">He's performed at Talking Stick Festival, Verses Festival of
Spoken Word, Canadian Festival of Spoken Word, and at over 50 different venues
from Victoria to Toronto with his mixture of poetry & hip-hop. Past the
stage and onto the page, Tawahum has been published in over a dozen different
lit journals & magazines including <i>Red Rising Magazine</i>, <i>Prairie
Fire</i>, <i>CV2</i>, <i>Arc Poetry Magazine</i> and, most recently, the
anthology <i>Beyond Earth’s Edge: The Poetry of Spaceflight</i>! A prolific
word-artist, Tawahum has three self-published chapbooks with poetry collections
on the way, including a collection-in-progress funded by the Canada Council for
the Arts.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Beyond the page, Tawahum has battled the (in)justice system
of BC and was eventually incarcerated for a 28-day sentence after a 2-year
battle for his land protection work against Kinder Morgan/Trans Mountain’s
pipeline expansion. Of course, this doesn’t stop him from grabbing a boom mic
to amplify his words of resistance & resurgence at front-line rallies,
street performances and more. Follow Tawahum on Instagram, Twitter and
Facebook: @Tawahum.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">With Steven Rubin, <a href="http://english.la.psu.edu/faculty-staff/jmk28" target="_blank"><b>Julia Spicher Kasdorf</b></a> is the
author of <i>Shale Play: Poems and Photographs from the Fracking Fields.</i> Prior,
she published three books in the Pitt Poetry Series, most recently <i>Poetry in
America</i>. She also published an essay collection, <i>The Body and the Book:
Writing from a Mennonite Life</i>, and the biography <i>Fixing Tradition:
Joseph W. Yoder, Amish American</i>. A Liberal Arts Professor of English, she
teaches creative writing at the Penn State and is currently working on
documentary poems about farm crisis and resiliency within 30 miles of her home.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://davidjohnmartinblog.wordpress.com/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">David Martin</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> works as a literacy instructor in
Calgary and as an organizer for the Single Onion Poetry Series. His first
collection, <i>Tar Swan</i> (NeWest Press, 2018), was a finalist for the
Raymond Souster Award and the City of Calgary W. O. Mitchell Book Prize.
David’s work has been awarded the CBC Poetry Prize, shortlisted for the Vallum
Award for Poetry and <i>PRISM international</i>’s poetry contest, and has
appeared in numerous journals across Canada.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="http://www.rossbelot.com/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Ross Belot</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> is a poet, photographer, documentary
filmmaker, and energy and climate change columnist. He previously worked for a
major Canadian petroleum company for decades before retiring in 2014 to obtain
an MFA in eco-poetics from Saint Mary’s College of California. Ross’s work was
a finalist for the CBC Poetry prize in 2016 and longlisted in 2018. His latest
poetry collection is <i>Moving to Climate Change Hours</i> from Wolsak and
Wynn. He lives sometimes in Hamilton, Ontario, where he has lately been making
videos out of his poems. </span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://bolaopaleke.com/" target="_blank">Bola Opaleke</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">is the author of <i>Skeleton of a
Ruined Song</i>, winner of the 2020 Thomas Morton Prize in Poetry. His poetry
has appeared in <i>Frontier Poetry</i>, <i>Rattle</i>, <i>CBC Books</i>, <i>The
Nottingham Review</i>, <i>The Puritan, Literary Review of Canada, Sierra Nevada
Review, Canadian Literature</i>, and many more. He is currently Arts Community
Director with Winnipeg Arts Council Board of Directors.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://brocku.ca/humanities/english-language-and-literature/faculty/adam-dickinson/" target="_blank">Adam Dickinson</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">is the author of four books of poetry.
His latest book, <i>Anatomic</i> (Coach House Books), which won the Alanna
Bondar Memorial Book Prize from the Association for Literature, Environment,
and Culture in Canada, involves the results of chemical and microbial testing
on his body. His work has been nominated for the Governor General’s Award for
Poetry, the Trillium Book Award for Poetry, and the Raymond Souster Award. He
was also a finalist for the CBC Poetry Prize and the K.M. Hunter Artist Award
in Literature. He teaches Creative Writing at Brock University in St. Catharines,
Ontario.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://www.lindsaybird.ca/bio" target="_blank">Lindsay Bird</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">is a poet, journalist and documentarian
in Corner Brook, NL. Her first collection, <i>Boom Time</i> (Gaspereau Press,
2019) was long listed for the Winterset Award, the Gerald Lampert Memorial
Award, and the Raymond Souster Award. Her poetry has appeared in numerous
publications, including <i>The Fiddlehead</i>, <i>Event</i>, <i>The
Newfoundland Quarterly</i>, <i>CV2</i>, and <i>Geist</i>.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://www.thistledownpress.com/html/search/Authors/kellyshepherd/index.cfm" target="_blank">Kelly Shepherd</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">has done a number of stints in Fort
McMurray and other northern locations: construction, pipelines, environmental
cleanup, and work on what is now the Long Lake site. The latter experience
inspired the poetry chapbook <i>Fort McMurray Tricksters </i>(The Alfred Gustav
Press, 2014). Kelly's second full-length poetry collection, <i>Insomnia Bird</i>,
won the 2019 Robert Kroetsch City of Edmonton Book Prize. Kelly has written
seven chapbooks in all, and he is a poetry editor for the environmental
philosophy journal <i>The Trumpeter</i>. Originally from Smithers, British
Columbia, Kelly currently lives and teaches in Edmonton.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://www.mayaweeks.com/" target="_blank">Maya Weeks</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">is a settler artist, writer, and
geographer who grew up in coastal California and works on oceans, waste,
climate, and gender. She is currently working on a Ph.D. in Geography examining
marine debris as capital accumulation at the University of California in Davis.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://lisamulrooney.com/" target="_blank">Lisa Mulrooney</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">is the first Poet Laureate for the Town
of Stony Plain (2019-2021). She is also the President and co-founder of
Parkland Poets' Society. Her work has been featured in <i>The Maynard</i>,
shortlisted for <i>The Malahat Review</i>'s Open Season Award for Poetry, and
longlisted for the CBC Poetry Prize (2019). She has a master's degree in
Education from the University of Alberta and is currently working on an MA in
Creative Writing at Teesside University (UK). Lisa is currently seeking a
publisher for her full-length poetry manuscript, “We, the Cross-Shift,” which
gives voice to the spouses and partners of workers in Canada’s petroleum
industry.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><a href="https://twitter.com/rrrwong?lang=en" target="_blank"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Rita Wong</span></b></span></a><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><span style="font-size: medium;"> lives and works on unceded Coast
Salish territories, also known as Vancouver. Dedicated to questions of water
justice, decolonization, and ecology, she is the author of <i>monkeypuzzle</i> (Press
Gang, 1998), <i>forage</i> (Nightwood Editions, 2007), <i>sybil unrest</i> (Line
Books, 2008, with Larissa Lai), <i>undercurrent</i> (Nightwood Editions, 2015),
and <i>perpetual</i> (Nightwood Editions, 2015, with Cindy Mochizuki), as well
as the co-editor of <i>downstream: reimagining water</i> (Wilfrid Laurier
University Press, 2016, with Dorothy Christian). <i>Beholden</i> (Talonbooks,
2019), co-written with Fred Wah, was short-listed for the 2019 BC Book Prize
and the Dorothy Livesay Poetry Prize. For more information on the 1308 Trees
project, against the removal of trees for the Trans Mountain pipeline expansion
in Burnaby, BC, visit <a href="http://1308trees.ca">1308trees.ca</a>.</span><br /><br /></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-45424465788341994232021-06-03T06:00:00.028-07:002021-06-03T06:00:00.192-07:00G U E S T #17 : Melanie Dennis Unrau: Introduction<p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></span></p><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">This issue of <i>g u e s t</i> is grounded in my past work
as an editor of activist poetry, environmental humanities scholarship, and
post-Christian mischief, as well as my present work on a book about oil-worker
poetry in Canada. It convenes a somewhat unusual gathering of poets who write
about oil, energy, and climate change from different angles and perspectives.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">My recent scholarship, teaching, and poetry focus on the
relationship between culture and energy. Whereas petrofiction has been a
gathering point for conversations in the energy humanities for some time, I am
excited to take part in emerging conversations about petropoetics in the field.
I use <i>petropoetics</i> in a broad sense, to describe material, cultural, and
relational processes that range from the extraction of fossil fuels to artistic
production and the making and unmaking of petro-cultures and worlds.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">I consider oil-worker poets to be practitioners and
theorists of petropoetics. Something I like to keep in mind while researching
and writing about oil-worker poets, however, is that in the contexts of global
warming, fossil-fuel dependency, the Anthropocene, and modern life as what
Stephanie LeMenager has called </span><span style="font-family: "Garamond",serif;"><a href="https://global.oup.com/academic/product/living-oil-9780199899425?cc=us&lang=en&"><span>“living oil,”</span></a></span><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> we
are all oil workers and petropoets. From our different social locations and
experiences in a colonial petrostate like Canada, petropoetics looks like oil
work, anti-oil work, and a whole lot of other things including everyday life, land
and water protection, and decolonization.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">What this issue attempts to do is to open the concept of
petropoetics outward from more direct oil work and toward indirect, mundane, oppositional,
and overlooked forms of petropoetics. I say that it attempts to do this work
because I came up against limits of space, time, imagination, and budget and
did not get to carry it as far as I would have liked. This is an incomplete
glimpse into the practices, power dynamics, and politics of petropoetics—one
that I hope to revisit, complicate, and expand over the coming years.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">The poets featured in this issue are oil workers, relatives
of oil workers, residents of the oil patch or the petrostate, activists,
environmentalists, cultural workers, researchers, concerned citizens, and
artists. They write lyric, documentary, concrete, ghazal, language, and
tweet-poems that participate in and respond to petropoetics with mourning,
irony, playfulness, criticism, fascination, dismay, refusal, and love. The
resonances and dissonances between them are where the interest in this project
lies for me. I hope you enjoy reading these poems as much as I do.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://periodicityjournal.blogspot.com/2021/06/melanie-dennis-unrau-energy-stories.html" target="_blank">For more petropoetry, read the “energy stories folio” in <i>periodicities</i>,
with poems by Kathy Fisher, Dymphny Dronyk, Arleen Paré, David Brydges, and
Sarah-Jean Krahn</a><i>.</i></span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">It has been a real pleasure to work on this <i>g u e s t </i>issue
through what were otherwise some of the bleakest (and coldest) months of the
pandemic. How nice to alternate between days of online teaching and days of
reaching out to poet-friends, familiar poets, and poets I had just heard about.
How sweet to be back to editing poetry. </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">Thanks to rob for keeping the lights on and the printers
whirring at <i>g u e s t </i>and above/ground press, despite lockdowns and
stay-at-home orders, and while juggling parenting and writing. Thanks to the
<a href="https://umanitoba.ca/faculties/arts/departments/humanities/" target="_blank">University of Manitoba Institute for the Humanities</a> for funding and supporting
this project as part of my research affiliateship. Thanks, likewise, to the
Social Sciences and Humanities Research Council for its support.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></b></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></b></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"> </span></b></span></p><span style="font-size: large;">
</span><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-d-mliAikhZbF4LpXD0eaTCF0oGynvArijuthol4NB_9J0qdt-k_ypnm59ReKPEHuaypTlyXkQ-3r5oicHViVlIPDQ0OKjn4VMUpm30S95kTXgH5IoqafNMIcmqIIS5QwHqmEh3M774jR/s1080/thumbnail_IMG_3571.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="864" height="416" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-d-mliAikhZbF4LpXD0eaTCF0oGynvArijuthol4NB_9J0qdt-k_ypnm59ReKPEHuaypTlyXkQ-3r5oicHViVlIPDQ0OKjn4VMUpm30S95kTXgH5IoqafNMIcmqIIS5QwHqmEh3M774jR/w333-h416/thumbnail_IMG_3571.jpg" width="333" /></a></span></div><span style="font-size: large;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><a href="https://melaniedennisunrau.com/about/" target="_blank">Melanie Dennis Unrau</a> </span></b><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";">respectfully
acknowledges the original caretakers of the land known as Treaty 1/Winnipeg,
where she lives as a settler of mixed European ancestry on the traditional
territory of the Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples and the
homeland of the Métis Nation, with water from Shoal Lake in Treaty 3 territory
and with electricity from Treaty 1,3, and 5 territory, where the Northern Flood
Agreement has never been implemented. Melanie is a SSHRC Postdoctoral Fellow in
English and Comparative Literature at Columbia University and a Research
Affiliate at the University of Manitoba Institute for the Humanities. She is the
author of <a href="https://49thshelf.com/Blog/2013/11/11/Behind-the-Poem-DH-by-Melanie-Dennis-Unrau" target="_blank"><i>Happiness Threads: The Unborn Poems</i></a><span> (Muses’ Company, 2013), a
co-editor of </span><a href="https://www.palgrave.com/gp/book/9781137355997" target="_blank"><i>Seriality and Texts for Young People: The Compulsion to Repeat</i></a><span> (Palgrave, 2014), a former editor and poetry editor at </span><a href="https://geezmagazine.org/" target="_blank"><i>Geez </i></a><span><a href="https://geezmagazine.org/" target="_blank">magazine</a>, and a former co-editor of <i><a href="https://scholars.wlu.ca/thegoose/" target="_blank">The Goose: A Journal of Arts, Environment, and Culture in Canada</a>.</i></span></span></span><p></p><p class="MsoNormal"><span style="font-family: "Garamond",serif; mso-bidi-font-family: "Times New Roman";"><span style="mso-bidi-font-style: italic;"><br /></span> </span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-47701951758134995552021-02-25T07:00:00.142-08:002021-02-25T08:45:59.173-08:00issue sixteen : The FANGIRL issue : guest-edited by Kirby<p><span style="font-size: x-large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi31_OqBDIPAgnbX9f48YJPoxLjxsSjQVDYWIsNkewyAAtwuLfgZoDeiUBSbmrauS6-DYyDVKMOKNl6SB6xZMDUNCizN0MBY9qVcvK7DzhKEZitRDE7SBNygsbC7rQekq_LZx_WsSxoiVOk/s1000/guest+logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi31_OqBDIPAgnbX9f48YJPoxLjxsSjQVDYWIsNkewyAAtwuLfgZoDeiUBSbmrauS6-DYyDVKMOKNl6SB6xZMDUNCizN0MBY9qVcvK7DzhKEZitRDE7SBNygsbC7rQekq_LZx_WsSxoiVOk/w370-h370/guest+logo.jpg" width="370" /></a></span></div><p><span style="font-size: x-large;">NOW AVAILABLE: G U E S T #16<br />The FANGIRL issue<br />edited by Kirby<br /><br /><span style="font-size: large;"><a href="https://guestpoetryjournal.blogspot.com/2021/02/g-u-e-s-t-16-kirby-fangirl-issue.html" target="_blank">see here for Kirby’s introduction and biography</a><br /><br /><b>featuring new work by: </b><br />Norma Cole<br />Stephen Collis<br />Karen Mac Cormack<br />Zoe Imani Sharpe<br />Dale Martin Smith<br />A. F. Moritz<br />Phillip Crymble<br />Ayaz Pirani<br />Maureen Scott Harris<br />Sarah Pinder<br />Canisia Lubrin<br />Bardia Sinaee<br />Mark Truscott<br />R. Kolewe<br />Anne Michaels</span></span><br /><br />$5 + postage / + $1 for Canadian orders; + $2 for US; + $6 outside of North America</p><form action="https://www.paypal.com/cgi-bin/webscr" method="post" target="_top">
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<br /><b><span style="font-size: medium;">Author biographies:</span><br /><br />Norma Cole</b> is a poet, translator and visual artist. Recent works include a book of poetry, <i>FATE NEWS </i>(2018), a film, <i>At the Turning Bridge</i> (2019) and <i>Drawings</i> (Further Other Book Works, 2020). She lives in San Francisco. <a href="http://normacole.org">normacole.org</a><br /><br /><a href="https://www.sfu.ca/english/test-page/faculty-by-name/profiles/steve-collis.html" target="_blank"><b>Stephen Collis</b></a> is the author of a dozen books of poetry and prose, including <i>The Commons</i> (Talonbooks 2008), the BC Book Prize winning <i>On the Material</i> (Talonbooks 2010), <i>Once in Blockadia</i> (Talonbooks 2016) and <i>Almost Islands: Phyllis Webb and the Pursuit of the Unwritten</i> (Talonbooks 2018). In 2019 he was awarded the Latner Writers’ Trust of Canada Poetry Prize in recognition of his body of work. In 2021 Talonbooks will publish<i> A History of the Theories of Rain</i>. He lives near Vancouver, on unceded Coast Salish Territory, and teaches poetry and poetics at Simon Fraser University. <br /><br /><a href="http://writing.upenn.edu/epc/authors/maccormack/" target="_blank"><b>Karen Mac Cormack</b></a> is the author of fifteen books of poetry, most recently <i>RECHELESSE PRATTICQUE </i>(Chax Press, Tucson/Victoria, 2018). Other titles include <i>AGAINST WHITE </i>(Veer Books, London, 2013), <i>TALE LIGHT: New & Selected Poems 1984–2009</i> (BookThug, Toronto, 2010) and <i>Implexures</i> (Chax Press, Tucson/West House Books, Sheffield). Her poems have appeared in a number of anthologies including <i>Moving Borders</i>, <i>Out of Everywhere</i>, <i>Another Language</i>, and <i>Prismatic Publics</i>. Her texts have been translated into French, Portuguese, Swedish and Norwegian. The poem in this issue of<i> GUEST</i> is from her new work <i>Quaquaversal</i>, to be published by Dr. Cicero Books in 2021. Of dual Canadian/UK citizenship she currently lives in the USA and teaches at the State University of New York at Buffalo.<br /><br /><a href="https://www.writerstrust.com/authors/zoe-imani-sharpe/" target="_blank"><b>Zoe Imani Sharpe</b></a> is a poet and essayist, with recent work in <i>The Puritan</i> and <i>MuseMedusa</i>. She was shortlisted for the Writer's Trust 2020 Bronwen Wallace Award.<br /><br /><a href="https://www.ryerson.ca/english/about-us/faculty-and-staff/faculty/smith-dale/" target="_blank"><b>Dale Martin Smith</b></a> is the author of <i>Sons</i> (2017), <i>Slow Poetry in America</i> (2014), <i>Black Stone</i> (2007), and <i>American Rambler</i> (2000). A new collection, <i>Flying Red Horse</i>, will be published by Talonbooks in fall 2021.<br /><br /><a href="https://www.afmoritz.com/" target="_blank"><b>A. F. Moritz</b></a> has written more than twenty books of poetry, and has received the Guggenheim Fellowship, the Award in Literature of the American Academy and Institute of Arts and Letters, and the Ingram Merrill Fellowship. His collection,<i> The Sentinel</i>, won the 2009 Griffin Poetry Prize, and a finalist for the Governor General’s Literary Award. His most recent collections are <i>The Sparrow</i> (2018) and <i>As Far As You Know</i> (2020). He lives in Toronto, where he is serving as the city’s sixth Poet Laureate.<br /><br /><a href="https://twitter.com/phillipcrymble?lang=en" target="_blank"><b>Phillip Crymble</b></a> is a physically disabled writer and literary scholar living in Fredericton, New Brunswick. A poetry editor at <i>The Fiddlehead</i> and a PhD candidate at UNB, he received his MFA from the University of Michigan and has published poems in <i>The Literary Review of Canada</i>, <i>The Forward Book of Poetry</i>, <i>The Malahat Review</i>, <i>Poetry Ireland Review</i>, and elsewhere. In 2016 he won <i>The Puritan</i>’s annual Thomas Morton Poetry Prize. In 2017 he was voted the Reader’s Choice Award winner in <i>Arc Poetry</i>’s poem of the Year contest.<br /><br /><b><a href="https://ayazpirani.com/" target="_blank">Ayaz Pirani’s</a> </b>books include <i>Happy You Are Here</i> (The Word Works, 2016), <i>Kabir’s Jacket Has a Thousand Pockets</i> (Mawenzi House, 2019) and <i>Bachelor of Art</i> (Anstruther Press, 2020). His work recently appeared in <i>The Malahat Review</i>, <i>ARC Poetry Magazine</i> and <i>The Antigonish Review</i>. He lives near Monterey, California.<br /><br />Toronto poet and essayist <b>Maureen Scott Harris</b> has published three collections of poetry: <i>A Possible Landscape</i>, <i>Drowning Lessons</i> (awarded the 2005 Trillium Book Award for Poetry), and<i> <a href="http://www.pedlarpress.com/news/slow-curve-out-poems-by-maureen-scott-harris/" target="_blank">Slow Curve Out</a></i>. With the River Poets she leads poetry walks through Toronto parks. <br /><br /><a href="https://www.sarahpinder.com/" target="_blank"><b>Sarah Pinder</b></a> is the author of <i>Cutting Room</i> (Coach House Books, 2012) and <i>Common Place</i> (Coach House Books, 2017). Her writing has been shortlisted for the Lambda Literary Awards, and included in magazines like <i>Geist</i>, <i>Arc</i> and <i>Poetry is Dead</i>. She lives in Toronto.<br /><br /><a href="https://twitter.com/canisialu?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor" target="_blank"><b>Canisia Lubrin</b></a> is the author of <i>Voodoo Hypothesis</i> and <i>The Dyzgraphxst</i>.<br /><br /><a href="http://prismmagazine.ca/2020/01/14/58-2-teaser-get-to-know-bardia-sinaee/" target="_blank"><b>Bardia Sinaee</b></a> was born in Tehran, Iran, and lives in Toronto. His first book is<i> Intruder</i> (Anansi, 2021).<br /><br /><a href="https://marktruscott.ca/" target="_blank"><b>Mark Truscott’s</b></a> most recent book, <i>Branches</i>, won the inaugural Nelson Ball Prize. Newer poems appear in <i>Fiddlehead</i> and <i>Posit</i>, and others are forthcoming in <i>Grain</i>, <i>Hampden-Sydney Poetry Review</i>, <i>New Quarterly</i>, and <i>Oversound</i>.<br /><br /><a href="https://kolewe.net/" target="_blank"><b>R. Kolewe</b></a> lives in Toronto.<br /><br />He has published two collections of poetry, <i>Afterletters</i> (Book*hug 2014) and <i>Inspecting Nostalgia </i>(TalonBooks 2017) and several chapbooks, most recently <i>The Wild Fox </i>(Knife | Fork | Book 2021) and <i>Like the noises alive people wear</i> (above/ground 2019). A book-length poem, <i>The Absence of Zero</i>, is forthcoming from Book*hug later in 2021.<br /><br /><a href="http://www.annemichaels.ca/" target="_blank"><b>Anne Michaels</b></a> is a novelist and poet. Her books are translated into more than fifty languages and have won dozens of international awards, including the Orange Prize, the Guardian Fiction Prize, and the Lannan Award for Fiction. Among many other honours, she has served as Toronto’s Poet Laureate. Her novel <i>FUGITIVE PIECES</i> was adapted as a feature film. Her most recent books include <i>ALL WE SAW</i> and <i>INFINITE GRADATION</i>.<br /><br /><p></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-27238147122126253122021-02-25T07:00:00.029-08:002021-02-25T07:58:45.228-08:00G U E S T #16 : Kirby : The FANGIRL issue : Introduction<p><span style="font-size: large;"><br /><br /></span><span style="font-size: medium;"><span style="font-size: large;">When is the last time you’ve been giddy?<br /><br />An unanticipated well of joy WHOOSH! followed by laughter, glee. A smile meets my forefinger. Your face pictured in front of me. Relief. Delight. <br /><br />It’s not always an easy thing to ask. Simple, yes. Find it helps to be decisive, clear, upfront.<br /><br />Still, it’s an ask. <br /><br />Like most of you, I’m a giver. To ask is rarer, a chip I hold close, especially when asking for something you value from someone you cherish.<br /><br />“I would love to include a piece of yours in this anthology. Do you have?”<br /><br />Time. Work. No money. <br /><br />Not a small ask. It helps that I can hear no.<br /><br />Thankfully, I gave myself full permission to ‘go big.’ Why else do it? <br /><br />I’m calling this my FANGIRL issue. I could tell a personal story of each of these poets, their work, how/when we first met, mostly through KFB, our ongoing relationships.<br /><br />One thing I can share, I am forever changed by our having met. <br /><br />There’s more, many more, much more, and here’s what fit in twenty-four exceedingly abundant pages. <br /><br />Did she say thank you? <br /><br />With special thanks to rob for the ask. <br /><br />Welcome to <i>GUEST</i> 16</span><br /><br /><br /><br /><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieR3PzpqorJbr2SiqiK9epc9nbv7kxzhfgOAy6zxCMYAUse2prQ6iErpLedXwHzEFZrH2Gc8vl3S44hX2Q45APALqt6K1PeEzG8X2VEqaIvM7UAA1dujQYY0L8K0Pyun1Fz1ugM-lpi691/s1280/thumbnail_new+kb+pic.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="959" data-original-width="1280" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieR3PzpqorJbr2SiqiK9epc9nbv7kxzhfgOAy6zxCMYAUse2prQ6iErpLedXwHzEFZrH2Gc8vl3S44hX2Q45APALqt6K1PeEzG8X2VEqaIvM7UAA1dujQYY0L8K0Pyun1Fz1ugM-lpi691/w409-h307/thumbnail_new+kb+pic.jpg" width="409" /></a></b></span></div><span style="font-size: medium;"><b>KIRBY’s</b> work includes <a href="http://www.anstrutherpress.com/what-do-you-want-to-be-called-by-kirby" target="_blank"><i>WHAT DO YOU WANT TO BE CALLED?</i></a> (Anstruther Press, 2020), <a href="https://deathwishinc.com/products/kirby-this-is-where-i-get-off" target="_blank"><i>THIS IS WHERE I GET OFF</i></a> (Permanent Sleep Press, 2019), <a href="http://www.knifeforkbook.shop/store/p33/KIRBY_%22SHE%27S_HAVING_A_DORIS_DAY%22_%5BeBook%5D.html" target="_blank"><i>SHE’S HAVING A DORIS DAY</i></a> (KFB, 2017), upcoming <a href="https://jeffkirby.ca/poetry-is-queer/" target="_blank"><i>POETRY IS QUEER</i></a> (Palimpsest Press, 2021) and editor <a href="https://knifeforkbook.com/2020/09/25/nyb-no-2/" target="_blank"><i>NOT YOUR BEST</i> No. 2</a> (KFB 2021). They are the publisher, book fairy at knife | fork | book [Toronto] <a href="http://jeffkirby.ca">jeffkirby.ca</a> <br /><br /></span><br /><p></p>rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-70238485066789353322020-12-22T07:00:00.036-08:002020-12-26T11:28:48.504-08:00issue fifteen : guest-edited by David Bradford & Anahita Jamali Rad<p class="MsoNormal"><span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Garamond",serif;"></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoXek-fsPsqSiX4pagem7atI3IrZ4w0Ryh1-ro_793kOWZ0ZG2ZCJptq1dhR7mgjE05Gxe8Q0AUtSkla-bSzp9N1_Qs3uuj5vJdS0l59nfC04GadRJGthic_sPri6dIZqHF1JnCgeUFo6r/s1000/guest+logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoXek-fsPsqSiX4pagem7atI3IrZ4w0Ryh1-ro_793kOWZ0ZG2ZCJptq1dhR7mgjE05Gxe8Q0AUtSkla-bSzp9N1_Qs3uuj5vJdS0l59nfC04GadRJGthic_sPri6dIZqHF1JnCgeUFo6r/w395-h395/guest+logo.jpg" width="395" /></a></b></span></div><span style="font-size: x-large;"><b>NOW
AVAILABLE: G U E S T #15</b><span lang="DE" style="font-family: "Garamond",serif; mso-ansi-language: DE;"><br />edited by <a href="https://househousepress.com/" target="_blank">House House Press</a><br />: <a href="https://twitter.com/bartlebeeps?lang=en" target="_blank">David Bradford</a> & <a href="https://anahitajamalirad.com/" target="_blank">Anahita Jamali Rad</a><br /></span><span lang="EN-US" style="font-family: "Garamond",serif;"><br /><a href="https://guestpoetryjournal.blogspot.com/2020/12/g-u-e-s-t-15-david-bradford-anahita.html" target="_blank">see
here for </a></span><a href="https://guestpoetryjournal.blogspot.com/2020/12/g-u-e-s-t-15-david-bradford-anahita.html" target="_blank"><span lang="DE" style="font-family: "Garamond",serif; mso-ansi-language: DE;">David Bradford & Anahita Jamali Rad</span></a><span lang="EN-US" style="font-family: "Garamond",serif;"><a href="https://guestpoetryjournal.blogspot.com/2020/12/g-u-e-s-t-15-david-bradford-anahita.html" target="_blank">’s introduction and biographies </a><br /></span></span><p></p><span style="font-size: x-large;">
</span><p class="MsoNormal"><span style="font-size: x-large;"><b><span><span lang="EN-US" style="font-family: "Garamond",serif;">featuring
new work by:</span><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></b></span></p><p class="MsoNormal"><span style="font-size: medium;"><span style="font-size: x-large;"><span lang="EN-US" style="font-family: "Garamond",serif;">Lindsay
Miles</span><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Emma
Brown Sanders<br />Ali
Pinkney</span><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Marcela
Huerta<br />Steffanie
Ling</span><span lang="EN-US" style="font-family: "Garamond",serif;"><br />Tara
McGowan-Ross<br />Michaela
Bridgemohan</span></span><span lang="EN-US" style="font-family: "Garamond",serif;"><span style="font-size: x-large;"><br />Lauren
Brown </span><br /></span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;">$5 +
postage / + $1 for Canadian orders; + $2 for US; + $6 outside of North America</span></span></p><span style="font-size: medium;">
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</span><p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif;"><span style="font-size: large;">Author Biographies: </span><br /></span></b></span></p><p class="MsoNormal"><span style="font-size: medium;"><a href="https://www.lindsaykmiles.com/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Lindsay Miles</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> is among
the winners of the 2017 Blodwyn Memorial Prize. Her work has appeared in <i>The
Capilano Review</i>, <i>Grain</i>, <i>Frond</i>, <i>Poetry is Dead</i>, <i>Bad
Nudes</i> and elsewhere. With a Creative Writing MFA from the University of
Guelph, Lindsay is the author of the digital chapbook, <i>A Period of
Non-Enforcement</i> (The Operating System, 2019). She lives in Toronto.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Emma
Brown Sanders</span></b><span lang="EN-US" style="font-family: "Garamond",serif;">
is the author of <i>A Fallow Channel</i> (Gauss PDF, 2020) and co-edits <a href="https://www.thetinymag.com/emma-brown-sanders" target="_blank"><i>the tiny</i></a> with Gina Myers. Their work has appeared in <i>Asterion Projects</i>, <i>bedfellows</i>,
<i>Bone Bouquet</i>, <i>boneless skinless</i>, <i>Full Stop</i>, <i>Fungiculture</i>,
<i>Prolit</i> and <i>Tripwire</i>, among others. Their poems have been
nominated for Pushcart and Bettering American Poetry prizes. They live in
Philadelphia.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://www.alipinkney.com/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Ali Pinkney</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> is a
literary writer and graduate student based on Tiohtiá:ke/Montréal. Ali pursues
a Master of Arts at Concordia University with a focus on the poetry of Percy
Bysshe Shelley. Her novella <i>Roadkill Croque Monsieur</i> will be released in
a limited run with Bad Books Press in the near future.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://marcelahuerta.com/About" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Marcela Huerta</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> is the
author of <i>Tropico</i>, a collection of poetry from Metatron Press. Her work
has been featured in <i>Peach Mag</i>, <i>Leste</i>, <i>Bad Nudes</i>, <i>Montreal
Review of Books</i>, <i>CV2</i>, and more.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;">During
her time as an Assistant Editor at <i>Drawn & Quarterly</i>, she worked on
the award-winning graphic novels <i>Fire!! The Zora Neale Hurston Story</i>, <i>Rolling
Blackouts</i>, <i>Uncomfortably Happily</i>, and others. In 2018 she performed
at the Festival Internacional de Poesía Rosario and
was chosen to attend the Pink Door Writers Retreat. She is the daughter of
refugees from the 1973 Chilean coup, and her writing centers a second
generation Latinx experience.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://www.steffanie-ling.com/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Steffanie Ling</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> is a
producer of criticism, pamphlets, stories, essays, exhibitions, reviews,
bluntness, anecdotes, shout outs, wrestling storylines, proposals,
applications, jokes, readings, minimal poems, poems, dinner, compliments, and
diatribes. She is a guest living on the unceded territories of the xwm</span><span lang="EN-US" style="font-family: "Times New Roman",serif;">ə</span><span lang="EN-US" style="font-family: "Garamond",serif;">θkw</span><span lang="EN-US" style="font-family: "Times New Roman",serif;">ə</span><span lang="EN-US" style="font-family: "Garamond",serif;">y</span><span lang="EN-US" style="font-family: "Times New Roman",serif;">̓ə</span><span lang="EN-US" style="font-family: "Garamond",serif;">m
(Musqueam), Skwxwú7mesh (Squamish) and S</span><span lang="EN-US" style="font-family: "Times New Roman",serif;">ə</span><span lang="EN-US" style="font-family: "Garamond",serif;">l</span><span lang="EN-US" style="font-family: "Times New Roman",serif;">̓</span><span lang="EN-US" style="font-family: "Garamond",serif; mso-bidi-font-family: Garamond;">í</span><span lang="EN-US" style="font-family: "Garamond",serif;">lw</span><span lang="EN-US" style="font-family: "Times New Roman",serif;">ə</span><span lang="EN-US" style="font-family: "Garamond",serif;">ta</span><span lang="EN-US" style="font-family: "Times New Roman",serif;">ʔ</span><span lang="EN-US" style="font-family: "Garamond",serif;">/Selilwitulh (Tsleil-Waututh) First
Nations. Her books are <i>NASCAR </i>(Blank Cheque, 2016) and <i>CUTS OF THIN
MEAT</i> (Spare Room, 2015).</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://www.instagram.com/girthgirl/?hl=en" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Tara McGowan-Ross</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;">
is an urban Mi'kmaw multidisciplinary artist. She lives and works in Montreal,
where she is the store manager at the Concordia Co-Op Bookstore, a critic of
independent and experimental theatre, and the host of Drawn & Quarterly's
Indigenous Literatures Bookclub. Her work has appeared in <i>Best Canadian
Poetry</i>, <i>PRISM International</i>, <i>Maisonneuve Magazine</i>, and
elsewhere. She is the author of <i>Girth</i> and <i>Scorpion Season</i>.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><a href="https://www.michmohan.com/" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;">Michaela
Bridgemohan</span></b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> is
an interdisciplinary artist of Jamaican and Australian descent who grew up in
Mohkinstsis, also known as Calgary, located on the traditional territories of
Treaty 7 Land. She is currently pursuing her MFA at the University of British
Columbia Okanagan.
After receiving her BFA (with Distinction) from the Alberta University of the
Arts in 2017, Bridgemohan continued her artistic research confronting criticism
and concepts of Black biracial subjectivity and the visual ambiguity
surrounding those kinds of bodies.
Her work has been exhibited across Canada and Australia in gallery exhibitions
reflecting various intersections of contemporary Blackness and Feminism. She
was also a recipient of the Visual Arts and New Media Grant from the Alberta
Foundation for the Arts and has since been involved in numerous artist panels,
publications, and engagements.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;">Writer
and new media producer, <a href="https://factoronto.wordpress.com/lauren-brown/" target="_blank"><b>Lauren Brown</b></a>, an American woman of Indigenous
and Afro-Caribbean descent, uses her journalism background and media
production prowess to smudge the line between events and entertainment,
creating custom, yet, immersive experiences driven by social technologies.
Lauren takes great pleasure in designing and producing
gatherings, online and off, with the ability to bring folks together around
policy, action and change.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;">Her
past clients and media credits include Coca-Cola Enterprises, <i>Upscale
Magazine</i>, <i>Ebony Magazine</i>, The Weather Channel, Georgia Public Broadcasting,
NBC BLK, Blogher, The Democratic National Convention, Planned Parenthood,
International Society of Africans in Wine (ISAW), MMTC Online, Jack and Jill
Politics, The Young Turks, Huffington Post, and
Huff Post Live.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;">Constantly
foraging a career that fuses her love of culture, art and media with her
passion for activism, Lauren led the Digital Moving Image Salon at Spelman
College under the direction of Dr. Ayoka Chenzira, producing two Reel Women
Film Festivals, Digital Doyennes: Wisdom from the Women who Lead in Social
Media and Digital Innovation and the live social media portions of the National
Visionary Leaders Project and the annual ARCUS Foundation Symposium. Continuing
her work with Dr. Chenzira, Lauren provided outreach coordination and was Lead Installer
for Ayomentary’s new media production, “Ordinary on Any Given Day”, which
debuted in Istanbul during the 2011 ISEA Conference.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNormal"><span style="font-size: medium;"><span lang="EN-US" style="font-family: "Garamond",serif;">In
2018 Lauren presented your Lillith is showing as a part of the Feminist Art
Collective residency on Toronto Island. Lauren continues to write and muse on
afrofuturist themes, neurospeculative feminism and<span> </span>exploring art as activism, the politics of
technology, media, food,
agriculture, and their continuous impact on rural and low income women.</span></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-88890285635217106992020-12-22T06:59:00.017-08:002020-12-26T11:26:44.232-08:00G U E S T #15 : David Bradford & Anahita Jamali Rad : Introduction<p> <!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: large;">
</span></p><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">Sentimentally,
part of what we wanted, early in the pandemic, sitting in the park together in
last winter’s last bit of cold, was for some poets to meet us before it got too
cold again. Just poets with practices—personal, artistic, and critical—that we
admire. Now on the edge of a new year, it’s funny what that ask, big and loose,
managed to render. </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">We
thought maybe these poems might meet us where we’re at, but maybe they’re
having us meet them where they are. The hope was that it would be on the other
side of a time we would have begun to put behind us, but it was always a hope
troubled by what that shift might change, and what it might not change at all.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">“New,”
Lindsay Miles writes, “is horizontal with old,” as the historical present
becomes more quotidian. We have forgotten how to relate to one another, or to
“the you of me,” as Ali Pinkney writes. Instead, we may find our interactions
becoming limited to household objects. “Entire days where i frown at the pots,”
Emma Sanders reminds us. </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">We’re
told it will be a La Niña year, meaning colder and wetter, and it feels like
decades old info. The future has been here a while. Now, an unbelievably lovely
September week in November feels disturbing and obvious. Numbers and fires are
still on the rise, and “fatigue” colours every other word like it was there all
along. “Against the pretense of personal growth,” Steffanie Ling writes, “we
throw ourselves into the wear of it.” We try to emerge, somehow, and we think
these poems might help with that. </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">“There
are so many hours left in the day,” Marcela Huerta warns, “not to fuck anything
up.” So, we are at work with the inevitable. “What I need places me alone in
the world,” she continues, “so I try very hard to stop needing.” We read the
words over a couple of times, because how could we not. In this ever-renewing
disaster, Bridgemohan and Brown insist, “This opportunity is still available,”
and we read into it as far as we can.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"><br /></span></span></p><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;"> </span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><a href="https://twitter.com/bartlebeeps?lang=en" target="_blank"><b><span lang="EN-US" style="font-family: "Garamond",serif;"></span></b></a></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHBo7va0pCFRZPVI4zbTg26pIra0yR25xpqmpZS65F_bbeeGhK2QxOF18GjbJprDjhMzafETI7GWKSWbnb4AbbEziMqiereBtdl24TRMrdOogtEFS79x7MzBapsO6cnTMIlroVXURUl7E-/s1024/IMG_6257.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHBo7va0pCFRZPVI4zbTg26pIra0yR25xpqmpZS65F_bbeeGhK2QxOF18GjbJprDjhMzafETI7GWKSWbnb4AbbEziMqiereBtdl24TRMrdOogtEFS79x7MzBapsO6cnTMIlroVXURUl7E-/w488-h366/IMG_6257.jpg" width="488" /></a></b></span></div><span style="font-size: large;"><a href="https://twitter.com/bartlebeeps?lang=en" target="_blank"><b>David Bradford</b></a><span lang="EN-US" style="font-family: "Garamond",serif;"> is an
interdisciplinary poet and a founding editor of House House Press. He holds an
MFA from the University of Guelph and is the author of several chapbooks,
including <i>Nell Zink Is Damn Free</i> (Blank Cheque Press, 2017), <i>Call Out</i>
(knife | fork | book, 2017), and <i>The Plot</i> (House House Press, 2018). His
poetry has appeared in <i>Prairie Fire</i>, <i>Poetry Is Dead</i>, <i>Vallum</i>,
<i>Carte Blanche</i>, <i>The Capilano Review</i>, and elsewhere. Bradford’s
first book, <i>Dream of No One but Myself</i>, is forthcoming from Brick Books.
He lives in Tiohtià:ke (Montréal), on the unceded territory of the Kanien’kehá:ka
Nation.</span></span><p></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Garamond",serif;"><span style="font-size: x-large;"><a href="https://anahitajamalirad.com/" target="_blank">Anahita Jamali Rad</a></span> </span></b><span lang="EN-US" style="font-family: "Garamond",serif;">was
born in Iran and currently based in Tio’tia:ke on the traditional territory of
the Kanien’kehá:ka. Informed by anti-imperialist materialist theory, Jamali
Rad’s work explores materiality, history, affect, ideology, violence, class, collectivity,
desire, place, and displacement. They have published many chapbooks, and one
full-length book of poetry, <a href="https://talonbooks.com/books/for-love-and-autonomy" target="_blank"><i>for love and autonomy</i></a> (Talonbooks 2016).
With Danielle LaFrance, they co-edited the journal <i>About a Bicycle</i>, of
which there were 5 issues.</span></span></p><span style="font-size: large;">
</span><p class="MsoNormal"><span style="font-size: large;"><span lang="EN-US" style="font-family: "Garamond",serif;">Anahita
Jamali Rad is currently designing and co-editing a small press called <a href="https://househousepress.com/" target="_blank">House House Press</a> with David Bradford.</span></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0tag:blogger.com,1999:blog-6691839597400819225.post-20347683712909535352020-11-26T07:00:00.003-08:002020-11-26T08:12:35.130-08:00issue fourteen : The Entanglement Issue : guest-edited by Michael Sikkema<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b style="mso-bidi-font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmmILdURUig3mEwid-FOYh0xEUTaeUgCT_KXtGltwG02UMynOHytR-E4q7LZCqs0_FZkqOatzw2q-7O4CLeAZjVnJyuvynbPvJqFKUksoFm_xnOZAMYZ-D1mbxxP07z5qxFyCOEptaUBhn/s1000/guest+logo.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="423" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmmILdURUig3mEwid-FOYh0xEUTaeUgCT_KXtGltwG02UMynOHytR-E4q7LZCqs0_FZkqOatzw2q-7O4CLeAZjVnJyuvynbPvJqFKUksoFm_xnOZAMYZ-D1mbxxP07z5qxFyCOEptaUBhn/w423-h423/guest+logo.jpg" width="423" /></a></b></div><b style="mso-bidi-font-weight: normal;"><span style="font-size: large;">NOW AVAILABLE: G U E S T
#14</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;"><br />edited by Michael Sikkema</span></b>
<p></p>
<p class="MsoNoSpacing"><a href="https://guestpoetryjournal.blogspot.com/2020/11/michael-sikkema-issue-14-introduction.html"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;">see here for Michael Sikkema’s introduction and biography</span></b></a></p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 16pt;">The Entanglement Issue</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;"><br />featuring new work by:</span></b>
</p>
<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 16pt;">Sue Bracken</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Andrew Brenza<br />Megan Burns</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Juliet Cook<br />Amanda Earl</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Robert Martin Evans<br />Nathan Hauke</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Jessie Janeshek<br />E.J. McAdams</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 16pt;"><br />Meredith Quartermain<br />Claudia Coutu Radmore</span></b><span style="font-family: "Garamond",serif; font-size: 14pt;"></span></p>
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<p class="MsoNoSpacing"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Garamond",serif; font-size: 14pt;"><br />Author biographies:</span></b></p>
<p class="MsoNoSpacing"><span style="font-size: medium;"><a href="https://tnq.ca/writing-spaces-sue-bracken/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Sue Bracken</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> lives in Toronto, in a house ruled by artists
and animals. Her first collection of poetry <i>When Centipedes Dream</i> was
published by Tightrope Books (2018). Other poems and prose have appeared in <i>Hart
House Review</i> (forthcoming), <i>WEIMAG</i>, <i>Another Dysfunctional Cancer
Poem Anthology</i>, <i>The New Quarterly</i>, <i>The Totally Unknown Writer’s
Festival: Stories </i>(Life Rattle Press) and elsewhere.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><a href="https://andrewbrenza.com/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Andrew Brenza’s</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> recent chapbooks include <i>Poems in C </i>(Viktlösheten
Press), <i>Bitter Almonds & Mown Grass</i> (Shirt Pocket Press), and <i>Waterlight</i>
(Simulacrum Press). He is also the author of four full-length collections of
visual poetry, most recently <i>Automatic Souls</i> from Timglaset Editions and
<i>Alphabeticon & Other Poems</i> from Redfoxpress.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><a href="https://twitter.com/bloodjetpoetry?lang=en" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Megan Burns</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> is the publisher at Trembling Pillow Press, and
is also a poet, performer, essayist, curator, rollerskater, trash talker, and
healer. </span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Juliet Cook</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> is brimming with black, grey, silver, purple,
and dark red explosions. She is drawn to poetry, abstract visual art, and other
forms of expression. Her poetry has appeared in a peculiar multitude of
literary publications. You can find out more at <a href="http://www.JulietCook.weebly.com">www.JulietCook.weebly.com</a>.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Amanda Earl</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> (she/her) is a feminist Canadian writer, visual
poet, editor and publisher. She's the managing editor of Bywords.ca and the
fallen angel of AngelHousePress. Chapters from the <i>Vispo Bible</i> have been
published as chapbooks and leaflets by publishers in Canada, Sweden and
UK.<span> </span>Excerpts from the <i>Vispo Bible</i>
were included in two exhibits: <a href="http://mellompress.com/translations/">http://mellompress.com/translations/</a> and
<a href="https://www.poematlas.com/escapisms">https://www.poematlas.com/escapisms</a>.<span> </span>Her
talk, “The Vispo Bible: One Woman Recreates the Bible as Visual Poetry” was
presented at the Kanada Koncrete Material Poetries in the Digital Age symposium
at the<span> </span>University of Ottawa in 2018, and
can be read here:
<a href="https://angelhousepress.com/essays/Amanda_Earl_The_Vispo_Bible.pdf">https://angelhousepress.com/essays/Amanda_Earl_The_Vispo_Bible.pdf</a>. Amanda is
grateful for funding received for the <i>Vispo Bible</i> from the Ontario Arts
Council in 2018.For more vispo, visit <a href="http://EleanorIncognito.blogspot.ca">EleanorIncognito.blogspot.ca</a>. Additional
sites and social media: <a href="https://linktr.ee/amandaearl">https://linktr.ee/amandaearl</a>.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><a href="http://www.wallpoems.com/where-we-are-by-robert-martin-evans1.html" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Robert Martin Evans’</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> poetry has appeared in <i>Vallum</i>, <i>Topograph</i>,
<i>Oratorealis</i>, and <i>Where is the river: a poetry experiment</i>, as well
as one of the <i>Wall Poems of Charlotte</i>. In 2012, a selection of poems was
longlisted for the CBC Poetry Prize. Robert is a reader at <a href="http://bywords.ca"><i>bywords.ca</i></a>.</span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><a href="https://www.interimpoetics.org/33-1/nathan-hauke" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Nathan Hauke</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> is the author of <i>Indian Summer Recycling</i>
(The Magnificent Field, 2019), <i>Every Living One</i> (Horse Less Press,
2015), <i>In the Marble of Your Animal Eyes</i> (Publication Studio, 2013), and
four chapbooks. His poems have been anthologized in <i>Hick Poetics</i> (Lost
Roads Press, 2015) and <i>The Arcadia Project: North American Postmodern
Pastoral </i>(Ahsahta Press, 2012).</span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Jessie Janeshek's</span></b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> full-length collections are <i>MADCAP</i>
(Stalking Horse Press, 2019), <i>The Shaky Phase</i> (Stalking Horse Press,
2017), and <i>Invisible Mink</i> (Iris Press, 2010). Her chapbooks include <i>Spanish
Donkey/Pear of Anguish</i> (Grey Book Press, 2016), <i>Rah-Rah Nostalgia</i>
(dancing girl press, 2016), <i>Supernoir </i>(Grey Book Press, 2017), <i>Auto-Harlow</i>
(Shirt Pocket Press, 2018), <i>Hardscape</i> (Reality Beach, 2020) and <i>Channel
U</i> (Grey Book Press, 2020). Read more at <a href="http://jessiejaneshek.net">jessiejaneshek.net</a>.<span> </span></span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><a href="http://www.ejmcadams.com/" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">E.J. McAdams</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> is a poet and artist, exploring language and
mark-making in the urban environment using procedures and improvisation with
found and natural materials. He has published five chapbooks: <i>4x4</i> from
unarmed journal press, <i>TRANSECTs</i> from Sona Books, <i>Out of Paradise</i>,
an e-chapbook from Delete Press, <i>Close-range Divinities</i> from Shirt
Pocket Press, and most recently, <i>Middle Voice</i> from Dusie Kollectiv. </span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><a href="http://www.nomados.org/MeredithQ.htm" target="_blank"><b><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Meredith Quartermain’s</span></b></a><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> fourth book of poetry, <i>Lullabies in the
Real World</i>, just came</span><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> out
from NeWest Press. Her first collection, <i>Vancouver Walking</i>, won a BC Book Award for
Poetry, and <i>Nightmarker</i> was a finalist for a Vancouver Book Award. Other books</span><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> include
<i>Recipes from the Red Planet</i>; <i>I, Bartleby</i>: short stories; and <i>U Girl</i>: a novel.</span></span>
</p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;">Montreal-born
writer <a href="https://claudiaradmore.com/" target="_blank"><b>Claudia Coutu Radmore</b></a> has lived, taught and created art in
Quebec, Ontario, Manitoba, China and, as a CUSO volunteer, in Vanuatu. She has
a Bachelor of Fine Arts from Queen’s University. She edited, and wrote the
introduction to <i>Arctic Twilight: Leonard Budgell and the Changing North</i>.
Now residing west of Ottawa with husband Ted and rainbow lorikeet Desirée, she
began editing and publishing selected poets with her catkin press in 2012. <i>Accidentals</i>
won the bpNichol Chapbook Award in 2011. Her poem "the breast of
sappiness" is included in <i>The Best Canadian Poetry of 2019</i>, and her
latest lyric collection <i>rabbit</i> was published in the spring of 2020 with
Aeolus House Press. Claudia has collections in Japanese forms as well as lyric,
and is the President of Haiku Canada. </span></span></p><span style="font-size: medium;">
</span><p class="MsoNoSpacing"><span style="font-size: medium;"><span style="font-family: "Garamond",serif; mso-bidi-font-size: 12.0pt;"> </span></span></p>
rob mclennanhttp://www.blogger.com/profile/07958889643637765864noreply@blogger.com0